Oct. 2, 2024
Make Believe Ballroom - 9/27/24 Edition
Join us for this week’s MAKE BELIEVE BALLROOM, broadcast over member supported Jazz 90.1 WGMC-FM in Rochester, NY and other fine affiliates across the US as well as in the United Kingdom -- A little about Bon Bon, not the candy but the vocalist: What...
Join us for this week’s MAKE BELIEVE BALLROOM, broadcast over member supported Jazz 90.1 WGMC-FM in Rochester, NY and other fine affiliates across the US as well as in the United Kingdom -- A little about Bon Bon, not the candy but the vocalist: What was a transcription disc? The story behind Rent Party’s: A tune played in reference to a listener's email - plus many, many more of the greatest hits of the big band era are played for your musical enjoyment during this episode.
WEBVTT
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It's make Believe Ballom time.
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Put all your cares away. All the bands are here
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to bring.
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Good cheer your way.
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It's make Believe ball and time and free to everyone.
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It's no time to friend your Dalis said bombs.
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Close your eyes and as you lie in your solitude.
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Your favorite bands are on this dance and.
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Mister Miller, but you're in the wood.
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Its make Believe Ballom Time.
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We are of sweet romances you make live.
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Come on, Joe.
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Last dat lets.
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Hi, folks, I'm Jeff Presler, turning on the lights of
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the Make Believe Ballroom and welcoming you into my Crystal
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studio for another hour of the greatest swing, jazz and
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big band hits of the nineteen thirties and nineteen forties.
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I'm hosting the show to keep the music in traditions
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of past hosts Martin block Al Jarvis, William B. Williams,
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and the legendary Steve Allen alive. Whether you're one of
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my longtime listeners, or maybe you're tuning in for the
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first time today, I invite you to join me for
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some of the greatest jazz and swing hits from the
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big band era. Hello world, and will Welcome, Welcome, Welcome,
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one and all into the Make Believe Ballroom, coming to
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you coast to coast and across the Atlantic Ocean on
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stations like Members Supported Jazz ninety point one WGMC in Rochester,
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New York, and on other fine affiliates across the US
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and in the UK to get things started today. Well,
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I'd certainly put a nickel in the jukebox for this one.
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Old baby, I don't want you to do sting mellow.
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Let me want you in a fan. Bring me a
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swing song and let me dance. Old baby, I don't
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want anything right and yellow. You can have your sweet
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rom man. Bring me a swing song and let me dance.
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Mister Trumble mays com I ain't caring one nose, mister
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Trumpits grab your hon brother, give me hard nose. Old baby,
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I don't want anything on a shallow gives the rhythm,
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Then a chance, Bring me a swing song and let
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me down.
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Benny Goodman and his orchestra with the Helen Ward vocal
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sing me a swing song recorded on Victor in nineteen
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thirty six. Let's see here. Let me play one more
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than an email regarding a vocalist. We listened to last week.
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You can take the moon, gather up the stars and
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the robins that sing merrily, pour them in the box.
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Tie with the ribbon from and the deep blue sy.
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You can take the flowers down in Lover's Lane and
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that sentimental poetry.
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Pull them in the box tie with the ribbon prum
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in the deep blue sy, not farming all that star,
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the dreams that ruin your sleeve, not bummy heaven Ah.
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Love is one thing you can keep.
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You can take the plans and the wedding bells and
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whoever sings or promise me.
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Pull them in the box tie with the ribbon proum
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and the blue sea.
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Because love and I.
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We got be.
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Handsomes through the park, kisses in the dark, all the
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promises made faithfully.
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Where them in the box time with the ribbon from
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and the deep Blussy.
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And you won't go wrong if you take a song
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sung by Frankie Boy or mister c.
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Put them in the box tie with the ribbon Roum
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in the deep blue sea. Not formy all that's die,
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not formy, heven live.
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You know what to do with good old teeth for
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two and the girl for you.
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The boy for me.
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Pull them in the box, tie with the ribbon Roum
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in the de Blue Sea. Because loving I we die.
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Put him in a box and tie him with a ribbon.
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Darris Day vocal on Columbia Records, recorded in nineteen forty seven. Friends,
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I want to share, as I mentioned before, Darris Day's vocal,
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an email I received last week and it pertains to
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the last record we played on the program last week
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seven twenty in the books from Jan Savat with a
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Bonbond vocal. The email is from Charlie Pendergast, who lives
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in Surprise, Arizona. I haven't heard from Charlie for a while,
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so hope all is well with you, Charlie. His email says, Jeff,
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I enjoyed your show last week. As I have written
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to you in the past, I remind you that my
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late uncle Ed used to work in sales for w
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New Radio and sol time for the Make Believe ball
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Room in the nineteen sixth Last week you played a
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Savag band song that I had never heard, and likewise
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for the singer you named Bonbon, can you tell me
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more about him and perhaps another song from him? And
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that's signed Charlie and Charlie is always thanks for taking
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the time to write to the program an answer to
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your question. Bon Bon was born George Tunnel and best
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remembered for his work with Jan Sabat's orchestra, Jance Savat
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and his Top hatters. Bon Bon was truly a groundbreaker.
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He was among the first black singers to tour with
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a white band. But Bonbon he had a tough run
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due to one of the certainly uglier aspects of the
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big band era of the thirties and forties, that being
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the racism suffered by touring bands with African American members.
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He started, Bonbon did with a group called The Three
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Keys out of Philadelphia. He then joined Savat's radio orchestra
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and he became very popular as its featured vocalist. When
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the band, who was playing for a Philadelphia radio station,
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was gaining radio prominence, they decided to go out on
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their own. Jan Savat did in early nineteen thirty eight,
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and as I mentioned, discrimination plagued his time with Jan
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and was so upsetting to him that he eventually returned
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to his native Philadelphia as a black performer in an
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otherwise all white band. Bonbond faced extra humiliating discrimination on
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the road and explain that black performers in black bands
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sort of under They understood that they had to stay
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even though it wasn't right in different hotels. It was
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just the way it was. They had to stay in
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different hotels and as a group had to eat non
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white restaurants. But Bonbon wanted to be part of Savage's
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orchestra as a full member, and to that end, he
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often pretended on the road to be the band's manager's
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valet in order to stay in the same hotel as
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his friends and fellow band members. During a performance in Kentucky,
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he was refused service at the ballroom's soda stand. After that,
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he decided to boycott the entire show. He only appeared
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on stage to sing during the thirty minutes of Jay
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Savat's national radio broadcast from that ballroom. With all that hardship, though,
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we still quickly became one of the most well known
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and popular vocalists in the nation. He placed fifth in
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Billboard magazine's nineteen forty college poll for most popular male
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band Singers and six in nineteen forty one. Bonbon also
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earned third place and Downbeat magazine's poll for best banned
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vocalist in both nineteen thirty nine and nineteen forty, So
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a little about an unfortunately little remember today vocalist Won
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George Tunnell aka Bonbon.
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Good morning, good morning. We've danced the whole night through.
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Good morning, Good morning do you? Good morning, good morning.
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It's great to stay up late. Good morning, good morning.
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Do you.
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When the band began to play, Stars was shining bray.
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Now the milkman's honest way, it's too late to say
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good night, so good morning, good morning. Sunbeams will soon
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smile through. Good morning, good morning, do you.
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On Decca Records. Good Morning by Jan Savat and his Orchestra,
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vocal by Bonbon, recorded October fourth, nineteen thirty nine. Charlie
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Charlie Pendergast, let me play one more from a savag
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Bonbon tune, and I thank you Charlie for asking about
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more information concerning the vocalist bon Bon. So let me
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take a look here and we will play this one.
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Underneath threading chestnut tree.
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I loved her and she loved me.
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There she used to set upon my knee leaf spreading
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chestnut tree. There beneath the bowels we used to meet.
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All her kisses were so sweet, All the little birds
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went twet tweet leath spreading chestnut tree.
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I said I loved you.
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There really ain't no if somebody. Then she said I
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love you, and the black clip shouted chestnut underneath spreading
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chestnut tree.
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There she said she'd married me. Now you are to
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see our.
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Knit spreading chestnut tree.
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That was on Thesaurus RCA, a track from a sixteen
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inch thirty three and third electrical transcription disc that contains
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music recordings created specifically for radio station use, but not
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issued for sale at the time on commercial seventy eight
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RPM discs. The song was the Chestnut Jan Saved and
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his orchestra vocal by Bonbon recorded in New York City,
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made the first nineteen thirty nine and friends. During the
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next record, I want to check some past notes, which
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I am starting to do right now, if you would
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indulge me, because I'm pretty sure you never heard of
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Thesaurus RCA, And as is my solemnly sworn duty, well,
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I didn't actually take an oath, but to keep you
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informed of all that was popular music in the thirties
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and forties. An explanation of what Thesaurus was.
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Jackson, what in the world are you doing?
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Just getting ready, Frank just getting ready.
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Tell me one thing, Jackson, what are you getting ready for?
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Just getting ready? Frank just getting ready? I okay. Bro likes
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my music when I meet him way up there. If
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I way too sweet, I'll turn on the woop. Hero
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likes my music when I meet him way up there.
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Always rooted into I use my muvie when I comma
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dud mean start as he swinging game, I won't be lettle.
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I hope Gabriel likes my music. Man, I mean, I'm
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way up there. It's too much more. I'll take my
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toe ever played in sharp while trying my up. He
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said no, I'll go be little. I hope Gabriel likes
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my music. The sec.
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Frankie Trumbauer and his orchestra with a Jack T. Garden vocal.
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I hope Gabriel likes my music. Recorded on Brunswick Records
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in nineteen thirty six. I'm Jeff Bresler, and you're listening
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to the one, the only, the original Make Believe Ballroom
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broadcast almost continuously since February of nineteen thirty five. I
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can be reached at Jeff at Make Believe Ballroomradio dot com.
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That's Jeff at.
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Make Believe Ballroomradio dot com. And that's how Charlie Pendergast
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in touch with me. I told you a moment ago
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that I was going to talk for a few seconds
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about Thesaurus, which was a radio transcription service that was
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part of RCA and distributed four NBC affiliated stations now
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in major markets during the Big band era, stations had
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their own in house orchestras or bands, much like Jan
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Savat did for that Philadelphia radio station. However, smaller stations
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across the country and less well financed stations might have
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picked up in this case NBC syndicated programming, but there
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remained a large amount of airtime when those shows were
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not available. NBC nationally did not broadcast twelve hours a
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day or more more than that, so Thesaurus, as well
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as other radio transcription services, they were able to provide
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these smaller stations and less finance stations with record like
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discs of programming. So Thesaurus was able to provide stations
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through a weekly subscription in essence, nationally known talent like
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Jan Sabatt at a low cost. These stations, through their
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own announcers, were able to create their own programs wrapped
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around that music and sell their own local advertising, sort
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of what DJs did, like Martin Block, the first host
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of The Make Believe Ballroom, but without having to make
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the investment into a full blown record library at the station.
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Martin Block on WNEW Radio in New York when he
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started to Make Believe Ballroom in thirty five, had milk
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carton after milk Carton just filled with the records, and
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there were record pickers that Block would call upon to
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go to those milk cartons and pick certain records he
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wanted to hear. But again, smaller stations were not able
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to make that time type of an investment. But anyway,
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by June of nineteen thirty six, the Saurus had one
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hundred and forty radio stations as a subscribers, offering seventeen
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and a quarter hours of programming each week. I have
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found one more the Saurus transcribed bantoon to play for you,
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and that is the George Hall Orchestra with You Couldn't
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Be Cuter, recorded in nineteen thirty eight.
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Looking.
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Him both.
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Friends.
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Last week on the show, I played the Boswell Sisters
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singing Alexander's Ragtime Band, and it brought to mind the
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duet that Bing Crosby did, not with the Sisters, but
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with Connie Boswell. You know, Crosby, although regarded as the
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greatest crooner of the era, really enjoyed in addition to
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his solo career, he loved singing duets with a number
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of well known vocalists. So I had this tune floating
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around in my mind since last week when I played
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the Boswells, and I transmit it now from my brain
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