May 21, 2026
Make Believe Ballroom - 5/22/26 Edition
On this week's edition of the Make Believe Ballroom hosted by Jeff Bressler, a song about a woman in the military, listeners' emails about Louis Jordan and Bill Finnigan, the A and B side of a great Ray Noble 78rpm, and more records and reminiscences from the big band and jazz era.
WEBVTT
1
00:00:12.199 --> 00:00:14.720
It's make Believe ballroom time.
2
00:00:15.519 --> 00:00:17.839
Put all your cares away.
3
00:00:19.760 --> 00:00:23.640
All the bands are here to bring good cheer your way.
4
00:00:25.559 --> 00:00:33.359
It's make belief ballom time and free to everyone. It's
5
00:00:33.439 --> 00:00:40.880
no time to friend your Dalis said Bambas. Close your
6
00:00:41.039 --> 00:00:45.320
eyes and visual lize in your solitude.
7
00:00:46.439 --> 00:00:49.840
Your favorite bands are on this dance.
8
00:00:49.640 --> 00:00:52.000
And mister Miller, but you're in the mood.
9
00:00:52.079 --> 00:00:54.520
It's make Believe ballroom time.
10
00:00:55.479 --> 00:00:58.280
We are a sweet romance.
11
00:00:59.759 --> 00:01:04.519
Is to make believe. Come on to the last dance last.
12
00:01:05.879 --> 00:01:09.959
Hello world, I'm Jeff Bresler, turning on the lights of
13
00:01:10.120 --> 00:01:14.319
the Make Believe Ballroom and welcoming you into my Crystal
14
00:01:14.439 --> 00:01:19.040
studio for another program of classic big band music from
15
00:01:19.079 --> 00:01:22.959
the nineteen thirties and forties. Please get ready as I
16
00:01:23.120 --> 00:01:27.159
play for you some amazing jazz, swing, blues, and boogie
17
00:01:27.159 --> 00:01:32.959
woogie favorites. Folks, you're listening to the Make Believe Ballroom,
18
00:01:33.560 --> 00:01:40.200
broadcasting almost continuously since nineteen thirty five, and to welcome. Welcome, Welcome,
19
00:01:40.840 --> 00:01:43.879
one and all into the Crystal Studio today. Thanks for
20
00:01:44.040 --> 00:01:47.920
joining me. I have a great show planned with some
21
00:01:48.120 --> 00:01:53.280
of the finest music ever recorded. Got some emails from listeners,
22
00:01:53.879 --> 00:01:56.840
great stories behind many of the records we play. That's
23
00:01:56.920 --> 00:02:01.599
our tried and true formula. So let's put that formula
24
00:02:01.760 --> 00:02:04.400
to the test with a fine recording.
25
00:02:11.800 --> 00:02:15.400
Twinkle Twinkle, Little Star, or how I wonder where you are?
26
00:02:15.919 --> 00:02:17.319
Where is the sun.
27
00:02:18.719 --> 00:02:23.599
Or clouds above me? Where are the birds that used
28
00:02:23.719 --> 00:02:27.039
two sins everything done?
29
00:02:27.800 --> 00:02:36.039
Or where is my song her love of me? Where
30
00:02:36.199 --> 00:02:37.639
is the one who.
31
00:02:37.639 --> 00:02:42.479
Said that she loves me God like the flowers that
32
00:02:42.680 --> 00:02:48.080
I used to bring everything done? Or where is the
33
00:02:48.319 --> 00:02:50.000
song her love?
34
00:02:50.639 --> 00:02:51.240
I love?
35
00:02:51.919 --> 00:02:53.199
How little devoted?
36
00:02:55.120 --> 00:02:56.599
Listen to my heart.
37
00:02:57.520 --> 00:03:01.840
Don't feel so mad thinking the moments up in there.
38
00:03:03.520 --> 00:03:07.479
Now, Mamma, you know that in my heart the troubles
39
00:03:07.560 --> 00:03:09.639
that we have made me.
40
00:03:09.879 --> 00:03:13.520
Baby Hoo can tell you listen.
41
00:03:13.400 --> 00:03:17.319
Neither to where is the sun or clouds?
42
00:03:17.599 --> 00:03:18.560
Number of men?
43
00:03:19.560 --> 00:03:23.960
Don't take the dream too recaclan.
44
00:03:24.159 --> 00:03:25.319
Where is the song?
45
00:03:26.479 --> 00:03:31.400
Or where is the song I love for mayful body?
46
00:03:31.639 --> 00:05:12.079
Fattiv Stuff Smith, his violin and his Onyx club Boys
47
00:05:12.319 --> 00:05:16.480
on Decca Records with Where is the Sun, Recorded on
48
00:05:16.639 --> 00:05:20.079
May the fourth, nineteen thirty seven, in New York City.
49
00:05:20.800 --> 00:05:26.279
Stuph Smith, one of jazz music's pre eminent violinists of
50
00:05:26.399 --> 00:05:30.959
the swing era. Let's go now from a pre eminent
51
00:05:31.439 --> 00:05:35.920
violinist to a pre eminent pianist. Then did you know
52
00:05:36.279 --> 00:05:40.360
that World War Two morale songs were not just written
53
00:05:40.439 --> 00:05:44.600
about men in the service but women also that after this.
54
00:06:02.720 --> 00:06:13.439
Say they pay?
55
00:06:14.199 --> 00:07:30.480
Then did me anything?
56
00:08:47.360 --> 00:08:52.960
A standard of the Big bandera Jersey Bounce performed hereby,
57
00:08:53.159 --> 00:08:55.200
and I think this is the first time I ever
58
00:08:55.320 --> 00:09:00.879
played the Bluebird record of Earl Hines and his Orchestra's
59
00:09:01.080 --> 00:09:06.320
version of the Big Band's standard, recorded back in nineteen
60
00:09:06.480 --> 00:09:10.759
forty one. Earl Hines and the Orchestra, I'm Jeff Presler.
61
00:09:10.919 --> 00:09:14.600
This isn't nineteen forty one, but this is the weekly
62
00:09:14.840 --> 00:09:19.600
edition of the Make Believe Ball Rome. During World War Two,
63
00:09:21.320 --> 00:09:30.440
most war related sentimental and morale boosting music reflected men
64
00:09:30.840 --> 00:09:35.120
overseas and the women waiting for them back home. But
65
00:09:35.639 --> 00:09:41.639
there were some songs that were written about women in
66
00:09:41.799 --> 00:09:47.240
the military service, and there were actually several songs about
67
00:09:47.320 --> 00:09:53.440
that fact. As women officially joined the ranks such as
68
00:09:53.519 --> 00:09:59.399
the WAX which were the I forget the Women's Army Corps,
69
00:10:00.240 --> 00:10:05.159
the wasps, the Women's Air Force Service pilots, and the
70
00:10:05.279 --> 00:10:13.440
waves women accepted for voluntary emergency service. Popular culture reflected
71
00:10:13.720 --> 00:10:17.519
that trend in the military. So let me play one
72
00:10:17.559 --> 00:10:20.039
of those songs for you now.
73
00:11:16.200 --> 00:11:26.039
Herst Class Private Very Brown. She wore that unaform like
74
00:11:26.320 --> 00:11:34.200
a million dollar gone all my heart wood lead when
75
00:11:34.320 --> 00:11:37.919
she drove her chief with the one big stride on
76
00:11:38.080 --> 00:11:42.120
her arm, And it seemed to me that the p
77
00:11:42.639 --> 00:11:46.480
f C stood for perfect feminine charge.
78
00:11:48.000 --> 00:11:52.279
Furst Class Private Very Brown.
79
00:11:54.480 --> 00:11:57.039
Oh how she smiled.
80
00:11:56.679 --> 00:11:59.679
Good by when they shift me on a.
81
00:12:03.440 --> 00:12:06.440
Let the big guns roar, Let me win.
82
00:12:06.440 --> 00:12:10.240
This war because I want to hurry right far.
83
00:12:11.639 --> 00:12:17.919
To first Class rival and marry Ron, my wonderful WI.
84
00:12:59.639 --> 00:13:05.639
First Class Private Mary Brown also known as PFC Mary Brown,
85
00:13:06.039 --> 00:13:11.759
World War two morale boosting song by the great composer
86
00:13:11.840 --> 00:13:16.519
Frank Lesser and recorded here by Clyde Lucas and his
87
00:13:16.799 --> 00:13:21.559
orchestra for the Budget Hit record label. Back in August
88
00:13:21.679 --> 00:13:25.879
of nineteen forty four. I'm Jeff Bresler, and you're listening
89
00:13:26.000 --> 00:13:30.120
to the one, the only, the original make Believe ball Room,
90
00:13:30.799 --> 00:13:34.519
A listener's email coming your way, shortly after a young
91
00:13:35.120 --> 00:13:36.279
Perry como.
92
00:14:22.360 --> 00:14:24.960
Years ago on before the radio.
93
00:14:25.240 --> 00:14:28.720
But now it's all rest of and so everybody called
94
00:14:29.120 --> 00:14:33.879
swings back nineteen you won't be back time was a novelty,
95
00:14:34.240 --> 00:14:39.559
but it's been modernized by see everybody called rhythm never
96
00:14:39.879 --> 00:14:40.600
changes much.
97
00:14:40.720 --> 00:14:44.480
It steals about the same, and those swingers are the same.
98
00:14:45.120 --> 00:14:46.399
It's the same old jazz.
99
00:14:46.240 --> 00:14:47.159
With a brand new name.
100
00:14:47.879 --> 00:14:51.399
It's use somebody count swing it brother, swing it out.
101
00:14:51.519 --> 00:14:53.639
It's rhythm that they're talking about.
102
00:14:54.080 --> 00:14:55.320
Everybody calls.
103
00:15:09.399 --> 00:15:13.879
Everyone calls it swing on the radio back in nineteen
104
00:15:14.080 --> 00:15:18.639
thirty six with a Perry Como vocal, and I would
105
00:15:18.759 --> 00:15:24.960
suspect that since Como started with the Ted Wims band,
106
00:15:25.120 --> 00:15:29.200
that was most probably the Ted Wims radio show he
107
00:15:29.519 --> 00:15:33.840
was singing on. So say, look at my playlist, let
108
00:15:33.879 --> 00:15:36.960
me play another Ted Williams. Then go back to that
109
00:15:37.200 --> 00:15:38.120
listener's email.
110
00:16:26.519 --> 00:16:36.039
Celebraten, Celebraten. Everybody comes and join the celebration. Meet the
111
00:16:36.120 --> 00:16:41.480
sweet one, the one I adore, Salute the sweet one.
112
00:16:42.320 --> 00:16:43.519
The party is born.
113
00:16:44.799 --> 00:16:48.360
Bring your girlfriends, bring your boyfriends.
114
00:16:49.480 --> 00:16:52.440
When the night and how happy we'll be.
115
00:16:54.039 --> 00:16:56.519
Then we'll have one final tones.
116
00:16:56.600 --> 00:16:57.159
To the one.
117
00:16:57.279 --> 00:17:01.600
I love them all celebrate in the fact she loves me.
118
00:17:08.440 --> 00:17:17.839
First question question Such nuestion question Question.
119
00:17:19.599 --> 00:17:22.440
Question Question.
120
00:17:24.200 --> 00:18:08.359
Question from Decca Records, recorded on May the fifteenth, nineteen
121
00:18:08.519 --> 00:18:13.839
thirty six, Ted Weims and his orchestra Celebraton Vocal by
122
00:18:14.400 --> 00:18:20.480
red Ingel and now, dear friends, the listener's email you
123
00:18:20.640 --> 00:18:23.640
can reach me if you would like to pen an
124
00:18:23.720 --> 00:18:27.400
email to me at Jeff at MakeBelieve Ballroomradio dot com.
125
00:18:28.119 --> 00:18:32.559
That's Jeff at MakeBelieve Ballroomradio dot com. And the listener
126
00:18:32.640 --> 00:18:39.599
in question is one Tom Migliore, and he writes, Hello Jeff,
127
00:18:39.839 --> 00:18:41.960
from one of your listeners, and I would like to
128
00:18:42.079 --> 00:18:46.759
request a song by Louis Jordan, perhaps Chew Chew Cheboogie
129
00:18:47.400 --> 00:18:50.440
or just like a woman. While he may not be
130
00:18:50.599 --> 00:18:54.240
a big band leader in the truest sense, he made
131
00:18:54.279 --> 00:18:58.839
a significant contribution to music during that era with his
132
00:18:59.039 --> 00:19:02.480
jump blues, and he made a bridge to rock and roll.
133
00:19:02.799 --> 00:19:07.839
Thanks a lot, I'll keep listening. Best regards, Tom, Well, Tom,
134
00:19:08.000 --> 00:19:10.559
thank you so much for your email and that request.
135
00:19:11.359 --> 00:19:14.640
I actually played Chew Choo Chiboogie a few weeks back.
136
00:19:15.680 --> 00:19:19.720
So I offer for you now your alternative selection from
137
00:19:19.799 --> 00:19:22.519
Louis Jordan. Just like a woman.
138
00:19:44.920 --> 00:19:48.079
That was adam happy as a man could be. Believe
139
00:19:48.119 --> 00:19:50.119
you've got a mess with that old apple tree.
140
00:19:50.240 --> 00:19:51.640
Heat that just like a woman.
141
00:19:52.920 --> 00:19:54.359
Heat that just like a woman.
142
00:19:55.400 --> 00:19:58.960
Yes, that's just like a woman. They'll do it every time.
143
00:20:01.119 --> 00:20:03.160
Locke took his wife down to the corner.
144
00:20:03.000 --> 00:20:05.640
Store for marta. She wouldn't mind a business part if
145
00:20:05.720 --> 00:20:06.400
she get solved.
146
00:20:06.640 --> 00:20:08.079
Eat that just like a woman.
147
00:20:09.200 --> 00:20:13.000
Ain't that just like a woman. Yes, that's just like
148
00:20:13.119 --> 00:20:14.960
a woman. They'll do it every time.
149
00:20:17.240 --> 00:20:20.839
Samson though Delara was on the spire the one now
150
00:20:20.920 --> 00:20:22.400
you clipped him for all his hair.
151
00:20:22.720 --> 00:20:26.559
He's that just like a woman. Yes, that's just like
152
00:20:26.680 --> 00:20:30.319
a woman. He't that just like a woman. They'll do
153
00:20:30.480 --> 00:20:31.559
it every time.
154
00:20:32.200 --> 00:20:32.799
Sure will.
155
00:21:05.359 --> 00:21:09.640
Yeah, from our history books, we'll learn that Nero fiddle
156
00:21:09.680 --> 00:21:10.880
while Rome was burned.
157
00:21:11.000 --> 00:21:12.480
Ain't that just like a woman.
158
00:21:13.720 --> 00:21:17.440
Ain't that just like a woman. Yes, that's just like
159
00:21:17.559 --> 00:21:22.440
a woman. They'll do it every time. Ma reacts on
160
00:21:22.599 --> 00:21:25.039
that met them hungry cats at the gate. They were
161
00:21:25.079 --> 00:21:27.079
crying for bread. She said, let him eat cake and
162
00:21:27.200 --> 00:21:30.599
eat that just like a woman. Ain't that just like
163
00:21:30.680 --> 00:21:33.839
a woman. Yes, that's just like a woman.
164
00:21:34.119 --> 00:21:55.319
They'll do it every time you buyy woman clothes and
165
00:21:55.400 --> 00:21:57.839
give her money on the side. No matter what you do,
166
00:21:58.000 --> 00:22:00.759
she's never satisfied. Ain't that just it's not a woman.
167
00:22:01.960 --> 00:22:03.359
Ain't that just like a woman?
168
00:22:04.160 --> 00:22:06.160
Yes? Not just not a woman.
169
00:22:06.440 --> 00:22:07.839
They'll do it every time.
170
00:22:10.640 --> 00:22:14.079
A number one rhythm and blues hit back in nineteen
171
00:22:14.279 --> 00:22:18.359
forty six on Decca Records, Ain't That Just Like a Woman?
172
00:22:18.759 --> 00:22:23.319
By Louis Jordan and his Timpani five, a song that
173
00:22:24.440 --> 00:22:28.799
was an early bridge to rock and roll. And while
174
00:22:29.039 --> 00:22:34.920
Louis Jordan, well, he didn't single handedly invent rock and roll,
175
00:22:35.079 --> 00:22:40.720
but he is universally recognized, I think is its grandfather,
176
00:22:41.319 --> 00:22:45.480
and certainly he was one of the most critical forces
177
00:22:46.440 --> 00:22:53.200
in laying its structural, rhythmatic and stylish foundation. So thank
178
00:22:53.279 --> 00:22:56.759
you Tom Migliore for that request and a great written
179
00:22:57.000 --> 00:23:04.319
introduction into Louis Jordan. And uh now for our wonderful audience,
180
00:23:04.519 --> 00:23:08.440
And Tom, how about one more from mister Jordan? Also
181
00:23:08.680 --> 00:23:12.559
the name of a popular past Broadway show.
182
00:23:16.920 --> 00:23:19.079
I want to tell you a story from way back.
183
00:23:19.279 --> 00:23:21.839
The truck on down and nig me Jack, that's big
184
00:23:21.920 --> 00:23:32.960
mottle mood Mo, No Mo, look at brother, look got brother,
185
00:23:34.400 --> 00:23:37.039
look at brother more.
186
00:23:38.599 --> 00:23:40.519
Mama, Mama, Mama, Mama, Mama, Mama, Mama.
187
00:23:43.000 --> 00:23:46.359
Who's the greatest band round? Makes the cats jump up
188
00:23:46.440 --> 00:23:50.160
and down? Who's the talk of rhythm town? Five guys
189
00:23:50.279 --> 00:23:54.440
name mo? When they start to beat it out. Everybody
190
00:23:54.640 --> 00:23:57.200
jumping shout. Tell me who do the critics rape about?
191
00:23:58.000 --> 00:24:01.960
Five guys Name Mo. They came out of nowhere and
192
00:24:02.240 --> 00:24:05.640
that don't mean a thing. They're red high and you'll
193
00:24:05.680 --> 00:24:09.720
know why when you get them swim high brown, little Brown.
194
00:24:09.880 --> 00:24:13.519
All agree they're the best harmonade. I'm telling you, folks,
195
00:24:13.599 --> 00:24:16.480
you really ought to see five guy's Name Mos.
196
00:25:00.640 --> 00:25:01.720
And the.
197
00:25:04.759 --> 00:25:51.599
Hand had they had.
198
00:25:58.240 --> 00:26:02.640
One guy Big Mo, two guys little bit Move, three
199
00:26:02.759 --> 00:26:08.400
guys bi Move, Full Guys No Move, five guys Eat Move,
200
00:26:08.720 --> 00:26:11.680
five little Guy Name Mo.
201
00:26:16.000 --> 00:26:20.599
Five Guys Named Mo by Louis Jordan and his Timpany
202
00:26:20.720 --> 00:26:25.680
five Vocal by Louie and Ensemble, recorded on Decca Records
203
00:26:25.759 --> 00:26:32.000
back in nineteen forty three. Now, this record was well
204
00:26:32.400 --> 00:26:37.319
in actuality. Was just a moderately popular record back in
205
00:26:37.440 --> 00:26:42.039
forty three, certainly a bouncy novelty song, but it was
206
00:26:42.160 --> 00:26:47.279
actually elevated to become one of Jordan's most famous numbers
207
00:26:48.400 --> 00:26:52.200
when its title was used for the hit Broadway and
208
00:26:52.440 --> 00:26:57.279
London stage musical of the nineties, Five Guys Named Mo,
209
00:26:58.400 --> 00:27:02.720
which featured many of the band's most well known songs. Again,
210
00:27:02.880 --> 00:27:06.559
thanks Tom for your email and again to reach me
211
00:27:06.759 --> 00:27:10.880
I'm Jeff at MakeBelieve Ballroom Radio dot com. That's Jeff
212
00:27:11.319 --> 00:27:13.839
at MakeBelieve Ballroom Radio dot com.
213
00:28:37.559 --> 00:28:38.920
There's many times.
214
00:28:40.640 --> 00:28:43.400
You and.
215
00:29:45.200 --> 00:29:51.240
From Vocalian records recorded in London, England, January the eleventh,
216
00:29:51.359 --> 00:29:56.440
nineteen thirty seven, Benny Carter and his orchestra with I'm
217
00:29:56.480 --> 00:30:00.160
in the mood for swinging. So many of you who
218
00:30:00.599 --> 00:30:05.079
may be asking what was Benny Carter, the legendary Swing
219
00:30:05.319 --> 00:30:11.319
era American jazz saxophonist, clarinetist. I think he also played
220
00:30:11.359 --> 00:30:15.440
the trumpet as well as composed, arranged, and as we
221
00:30:15.599 --> 00:30:18.440
just heard, a band leader. But what was he doing
222
00:30:19.640 --> 00:30:25.519
across the pond? Well, Benny had a historic and longstanding
223
00:30:25.799 --> 00:30:31.680
relationship with London and England, beginning in nineteen thirty six
224
00:30:32.319 --> 00:30:35.279
when he moved there to spend two years as an
225
00:30:35.359 --> 00:30:41.559
arranger for the BBC Big Band. He was celebrated from
226
00:30:41.640 --> 00:30:44.839
what I have read is Jazz Royalty in the UK,
227
00:30:46.200 --> 00:30:50.680
recording a ton of tunes with the top European musicians
228
00:30:50.799 --> 00:30:56.160
before he returned to America. The Great Benny Carter and
229
00:30:56.680 --> 00:31:03.079
now let's go back stateside. The nineteen thirty nine Metronome
230
00:31:03.240 --> 00:31:09.359
All Stars, the iconic swing standard Blue Loo was recorded
231
00:31:09.440 --> 00:31:12.880
by the Metronome All Stars for Victor Records on January
232
00:31:12.960 --> 00:31:17.799
the eleventh, nineteen thirty nine, in New York City. The band,
233
00:31:17.880 --> 00:31:21.559
as we have discussed in the past, the Metronome Band,
234
00:31:21.799 --> 00:31:27.559
was a dream team assembly of the absolute top giants
235
00:31:27.720 --> 00:31:31.599
of the swing era, as selected by the readers of
236
00:31:32.039 --> 00:31:35.960
Metronome Magazine, and on the recording we're about to hear,
237
00:31:36.039 --> 00:31:42.839
among others, Benny Goodman, Bunny Berigan, Harry James, Sonny Dunham,
238
00:31:44.359 --> 00:31:51.079
Tommy Dorsey, Jack t Garden, Bob Zerky. I think Heimi
1
00:00:12.199 --> 00:00:14.720
2
00:00:15.519 --> 00:00:17.839
3
00:00:19.760 --> 00:00:23.640
4
00:00:25.559 --> 00:00:33.359
5
00:00:33.439 --> 00:00:40.880
6
00:00:41.039 --> 00:00:45.320
7
00:00:46.439 --> 00:00:49.840
8
00:00:49.640 --> 00:00:52.000
9
00:00:52.079 --> 00:00:54.520
10
00:00:55.479 --> 00:00:58.280
11
00:00:59.759 --> 00:01:04.519
12
00:01:05.879 --> 00:01:09.959
13
00:01:10.120 --> 00:01:14.319
14
00:01:14.439 --> 00:01:19.040
15
00:01:19.079 --> 00:01:22.959
16
00:01:23.120 --> 00:01:27.159
17
00:01:27.159 --> 00:01:32.959
18
00:01:33.560 --> 00:01:40.200
19
00:01:40.840 --> 00:01:43.879
20
00:01:44.040 --> 00:01:47.920
21
00:01:48.120 --> 00:01:53.280
22
00:01:53.879 --> 00:01:56.840
23
00:01:56.920 --> 00:02:01.599
24
00:02:01.760 --> 00:02:04.400
25
00:02:11.800 --> 00:02:15.400
26
00:02:15.919 --> 00:02:17.319
27
00:02:18.719 --> 00:02:23.599
28
00:02:23.719 --> 00:02:27.039
29
00:02:27.800 --> 00:02:36.039
30
00:02:36.199 --> 00:02:37.639
31
00:02:37.639 --> 00:02:42.479
32
00:02:42.680 --> 00:02:48.080
33
00:02:48.319 --> 00:02:50.000
34
00:02:50.639 --> 00:02:51.240
35
00:02:51.919 --> 00:02:53.199
36
00:02:55.120 --> 00:02:56.599
37
00:02:57.520 --> 00:03:01.840
38
00:03:03.520 --> 00:03:07.479
39
00:03:07.560 --> 00:03:09.639
40
00:03:09.879 --> 00:03:13.520
41
00:03:13.400 --> 00:03:17.319
42
00:03:17.599 --> 00:03:18.560
43
00:03:19.560 --> 00:03:23.960
44
00:03:24.159 --> 00:03:25.319
45
00:03:26.479 --> 00:03:31.400
46
00:03:31.639 --> 00:05:12.079
47
00:05:12.319 --> 00:05:16.480
48
00:05:16.639 --> 00:05:20.079
49
00:05:20.800 --> 00:05:26.279
50
00:05:26.399 --> 00:05:30.959
51
00:05:31.439 --> 00:05:35.920
52
00:05:36.279 --> 00:05:40.360
53
00:05:40.439 --> 00:05:44.600
54
00:06:02.720 --> 00:06:13.439
55
00:06:14.199 --> 00:07:30.480
56
00:08:47.360 --> 00:08:52.960
57
00:08:53.159 --> 00:08:55.200
58
00:08:55.320 --> 00:09:00.879
59
00:09:01.080 --> 00:09:06.320
60
00:09:06.480 --> 00:09:10.759
61
00:09:10.919 --> 00:09:14.600
62
00:09:14.840 --> 00:09:19.600
63
00:09:21.320 --> 00:09:30.440
64
00:09:30.840 --> 00:09:35.120
65
00:09:35.639 --> 00:09:41.639
66
00:09:41.799 --> 00:09:47.240
67
00:09:47.320 --> 00:09:53.440
68
00:09:53.519 --> 00:09:59.399
69
00:10:00.240 --> 00:10:05.159
70
00:10:05.279 --> 00:10:13.440
71
00:10:13.720 --> 00:10:17.519
72
00:10:17.559 --> 00:10:20.039
73
00:11:16.200 --> 00:11:26.039
74
00:11:26.320 --> 00:11:34.200
75
00:11:34.320 --> 00:11:37.919
76
00:11:38.080 --> 00:11:42.120
77
00:11:42.639 --> 00:11:46.480
78
00:11:48.000 --> 00:11:52.279
79
00:11:54.480 --> 00:11:57.039
80
00:11:56.679 --> 00:11:59.679
81
00:12:03.440 --> 00:12:06.440
82
00:12:06.440 --> 00:12:10.240
83
00:12:11.639 --> 00:12:17.919
84
00:12:59.639 --> 00:13:05.639
85
00:13:06.039 --> 00:13:11.759
86
00:13:11.840 --> 00:13:16.519
87
00:13:16.799 --> 00:13:21.559
88
00:13:21.679 --> 00:13:25.879
89
00:13:26.000 --> 00:13:30.120
90
00:13:30.799 --> 00:13:34.519
91
00:13:35.120 --> 00:13:36.279
92
00:14:22.360 --> 00:14:24.960
93
00:14:25.240 --> 00:14:28.720
94
00:14:29.120 --> 00:14:33.879
95
00:14:34.240 --> 00:14:39.559
96
00:14:39.879 --> 00:14:40.600
97
00:14:40.720 --> 00:14:44.480
98
00:14:45.120 --> 00:14:46.399
99
00:14:46.240 --> 00:14:47.159
100
00:14:47.879 --> 00:14:51.399
101
00:14:51.519 --> 00:14:53.639
102
00:14:54.080 --> 00:14:55.320
103
00:15:09.399 --> 00:15:13.879
104
00:15:14.080 --> 00:15:18.639
105
00:15:18.759 --> 00:15:24.960
106
00:15:25.120 --> 00:15:29.200
107
00:15:29.519 --> 00:15:33.840
108
00:15:33.879 --> 00:15:36.960
109
00:15:37.200 --> 00:15:38.120
110
00:16:26.519 --> 00:16:36.039
111
00:16:36.120 --> 00:16:41.480
112
00:16:42.320 --> 00:16:43.519
113
00:16:44.799 --> 00:16:48.360
114
00:16:49.480 --> 00:16:52.440
115
00:16:54.039 --> 00:16:56.519
116
00:16:56.600 --> 00:16:57.159
117
00:16:57.279 --> 00:17:01.600
118
00:17:08.440 --> 00:17:17.839
119
00:17:19.599 --> 00:17:22.440
120
00:17:24.200 --> 00:18:08.359
121
00:18:08.519 --> 00:18:13.839
122
00:18:14.400 --> 00:18:20.480
123
00:18:20.640 --> 00:18:23.640
124
00:18:23.720 --> 00:18:27.400
125
00:18:28.119 --> 00:18:32.559
126
00:18:32.640 --> 00:18:39.599
127
00:18:39.839 --> 00:18:41.960
128
00:18:42.079 --> 00:18:46.759
129
00:18:47.400 --> 00:18:50.440
130
00:18:50.599 --> 00:18:54.240
131
00:18:54.279 --> 00:18:58.839
132
00:18:59.039 --> 00:19:02.480
133
00:19:02.799 --> 00:19:07.839
134
00:19:08.000 --> 00:19:10.559
135
00:19:11.359 --> 00:19:14.640
136
00:19:15.680 --> 00:19:19.720
137
00:19:19.799 --> 00:19:22.519
138
00:19:44.920 --> 00:19:48.079
139
00:19:48.119 --> 00:19:50.119
140
00:19:50.240 --> 00:19:51.640
141
00:19:52.920 --> 00:19:54.359
142
00:19:55.400 --> 00:19:58.960
143
00:20:01.119 --> 00:20:03.160
144
00:20:03.000 --> 00:20:05.640
145
00:20:05.720 --> 00:20:06.400
146
00:20:06.640 --> 00:20:08.079
147
00:20:09.200 --> 00:20:13.000
148
00:20:13.119 --> 00:20:14.960
149
00:20:17.240 --> 00:20:20.839
150
00:20:20.920 --> 00:20:22.400
151
00:20:22.720 --> 00:20:26.559
152
00:20:26.680 --> 00:20:30.319
153
00:20:30.480 --> 00:20:31.559
154
00:20:32.200 --> 00:20:32.799
155
00:21:05.359 --> 00:21:09.640
156
00:21:09.680 --> 00:21:10.880
157
00:21:11.000 --> 00:21:12.480
158
00:21:13.720 --> 00:21:17.440
159
00:21:17.559 --> 00:21:22.440
160
00:21:22.599 --> 00:21:25.039
161
00:21:25.079 --> 00:21:27.079
162
00:21:27.200 --> 00:21:30.599
163
00:21:30.680 --> 00:21:33.839
164
00:21:34.119 --> 00:21:55.319
165
00:21:55.400 --> 00:21:57.839
166
00:21:58.000 --> 00:22:00.759
167
00:22:01.960 --> 00:22:03.359
168
00:22:04.160 --> 00:22:06.160
169
00:22:06.440 --> 00:22:07.839
170
00:22:10.640 --> 00:22:14.079
171
00:22:14.279 --> 00:22:18.359
172
00:22:18.759 --> 00:22:23.319
173
00:22:24.440 --> 00:22:28.799
174
00:22:29.039 --> 00:22:34.920
175
00:22:35.079 --> 00:22:40.720
176
00:22:41.319 --> 00:22:45.480
177
00:22:46.440 --> 00:22:53.200
178
00:22:53.279 --> 00:22:56.759
179
00:22:57.000 --> 00:23:04.319
180
00:23:04.519 --> 00:23:08.440
181
00:23:08.680 --> 00:23:12.559
182
00:23:16.920 --> 00:23:19.079
183
00:23:19.279 --> 00:23:21.839
184
00:23:21.920 --> 00:23:32.960
185
00:23:34.400 --> 00:23:37.039
186
00:23:38.599 --> 00:23:40.519
187
00:23:43.000 --> 00:23:46.359
188
00:23:46.440 --> 00:23:50.160
189
00:23:50.279 --> 00:23:54.440
190
00:23:54.640 --> 00:23:57.200
191
00:23:58.000 --> 00:24:01.960
192
00:24:02.240 --> 00:24:05.640
193
00:24:05.680 --> 00:24:09.720
194
00:24:09.880 --> 00:24:13.519
195
00:24:13.599 --> 00:24:16.480
196
00:25:00.640 --> 00:25:01.720
197
00:25:04.759 --> 00:25:51.599
198
00:25:58.240 --> 00:26:02.640
199
00:26:02.759 --> 00:26:08.400
200
00:26:08.720 --> 00:26:11.680
201
00:26:16.000 --> 00:26:20.599
202
00:26:20.720 --> 00:26:25.680
203
00:26:25.759 --> 00:26:32.000
204
00:26:32.400 --> 00:26:37.319
205
00:26:37.440 --> 00:26:42.039
206
00:26:42.160 --> 00:26:47.279
207
00:26:48.400 --> 00:26:52.200
208
00:26:52.440 --> 00:26:57.279
209
00:26:58.400 --> 00:27:02.720
210
00:27:02.880 --> 00:27:06.559
211
00:27:06.759 --> 00:27:10.880
212
00:27:11.319 --> 00:27:13.839
213
00:28:37.559 --> 00:28:38.920
214
00:28:40.640 --> 00:28:43.400
215
00:29:45.200 --> 00:29:51.240
216
00:29:51.359 --> 00:29:56.440
217
00:29:56.480 --> 00:30:00.160
218
00:30:00.599 --> 00:30:05.079
219
00:30:05.319 --> 00:30:11.319
220
00:30:11.359 --> 00:30:15.440
221
00:30:15.599 --> 00:30:18.440
222
00:30:19.640 --> 00:30:25.519
223
00:30:25.799 --> 00:30:31.680
224
00:30:32.319 --> 00:30:35.279
225
00:30:35.359 --> 00:30:41.559
226
00:30:41.640 --> 00:30:44.839
227
00:30:46.200 --> 00:30:50.680
228
00:30:50.799 --> 00:30:56.160
229
00:30:56.680 --> 00:31:03.079
230
00:31:03.240 --> 00:31:09.359
231
00:31:09.440 --> 00:31:12.880
232
00:31:12.960 --> 00:31:17.799
233
00:31:17.880 --> 00:31:21.559
234
00:31:21.799 --> 00:31:27.559
235
00:31:27.720 --> 00:31:31.599
236
00:31:32.039 --> 00:31:35.960
237
00:31:36.039 --> 00:31:42.839
238
00:31:44.359 --> 00:31:51.079