July 10, 2026
Make Believe Ballroom - 7/10/26 Edition
On this week’s show: a historic “jass” record, Benny Goodman’s first job, an on-air mistake corrected, emails from listeners—this and many more great songs and stories to cherish and enjoy on the program.
WEBVTT
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It's make Believe Ballroom time.
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Put all your cares away. All the bands are here
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to bring.
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Good cheer your way.
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It's make Belief Ballroom time and free to everyone.
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It's no time to friend your Dalis.
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Said bombs, close your eyes.
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And visual lie in your solitude.
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Your favorite bands are on this dance and mister Miller,
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but you in the mood.
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It's make Believe Ballroom time.
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We are a sweet romance as you make believe bo Come.
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On Jo the last dance last, Hello world, I'm Jeff Presler,
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turning on the lights the Make Believe Ballroom and welcoming
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you into my Crystal studio for another program of classic
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big band music from the nineteen thirties and forties. Please
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get ready as I play for you some amazing jazz, swing, blues,
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and boogie woogie favorites. Folks, you're listening to the Make
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Believe Ballroom, broadcasting almost continuously since nineteen thirty five, and
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to welcome, Welcome, Welcome one and all into the Crystal Studio.
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And thanks so much for joining me today. It was
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going to take a sip of coffee, but this record
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is certainly caffeine enough for me.
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Several things anything, don't any of you?
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From Bluebird Records and recorded in New York City on
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July the first, nineteen thirty seven. We just heard under
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the baton of bandleader Lucky Millinder the Mills Blue Rhythm
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Band with jammin for the jackpot, a jack pot winner,
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to get things underway here today on the make believe ballroom.
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So let's roll the dice for another Lucky seven, another
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winning seventy eight RPM. And the odds are certainly in
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our favor. With Benny Goodman, Why you know, I just
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met old boy Sylvester.
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And what he had to tell me was pleasant.
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That man knows everything about everybody, you.
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Really think, so I should do well.
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Let me tell you about some folks you ain't doing
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that on yet. Who gathered all the dog of the doom?
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Who gives it to you?
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Does it?
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A brown who catered to the gossip a tribe. Doctor
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Hagel and mister Jib, they corner eat and all of
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the clues they've published what soon become news Live. Wise,
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you had better subscribe doctor Haggle and mister Jib from
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the room bar argument, get out them, murmur and home.
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They don't know from nothing, so they always wind up
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bigging up on way. If you want to hear him again,
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just bring around the bottle agend he gonna let us
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know how to him. Buy him and Doctor Haggle and
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the Surgis.
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From Columbia, Doctor Heckel and Mister Jibe by Benny Goodman
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and his Orchestra vocal by Jack T. Garden with Dick
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Madonna and Charlie T. Garden, recorded in New York City
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on October the twenty seventh, nineteen thirty three.
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Jack T.
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Garden and Benny Goodman great friends from their time with
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the Ben Pollack Orchestra. Now, not only did Ben Pollack
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have one of the top orchestras in the country in
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the late twenties through the thirties, but he had a
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nickname Pollock did and that was the Father of swing.
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And he had that name due to his uncanny ability
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to discover legendary teenage musicians. Benny Goodman started working for
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Ben Pollack when he was only sixteen years old.
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Jack T.
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Garden was in his very early twenties when he started
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with Ben. Some other Pollock proteges included Harry James Glenn Miller,
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who did a lot of arranging and composing for Pollock,
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Jimmy McPartland, Bob Crosby and many others got their starts
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with Pollock. Why don't we listen to Ben Pollock and
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his orchestra with Harry James in a song that they
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co wrote together.
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How might you talk about the packing?
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Is?
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That's the day that you should do? Hold you get away?
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No?
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How do the no?
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And if you pack? What's you going to pay?
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Sob holda?
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You packing to the side and the back.
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Were looking on him.
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He's taking on the back.
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I'll pack it to me.
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There's a line of well you pecked one, then we'll
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pay for How shall I pack?
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You do?
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The shall I do?
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Whoa peck?
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Peck peck? Tell you peck holloll o?
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Okay, oh well hey, hey wow what lina my at?
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That's taken? Boy, okay, we don't take, we don't take,
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we don't take up of the word.
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We're all rid.
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Ben Pollock and his orchestra Peckin recorded for Vocalion Records
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on December the eighteenth, nineteen thirty six, trumpet of course
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by Harry James. And when Ben Pollack wrote that song
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with Harry James, Harry was just nineteen years old at
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the time. I'm Jeff Presler, and you're listening to the
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weekly edition of the Make Believe Ballroom, And what started
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as a single Benny Goodman recording has turned into a
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mini discussion about the great bandleader Ben Pollock. So why
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don't I stay on that topic for a few moments now.
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Although Ben made some great choices in selecting teenage and
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young twenties talent, some of the personal choices he made
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didn't have the same results. Ben had a singer in
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the band named Dorus Robbins, and her and other things
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caused a crack in the foundation of the band, which
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caused it to come to a dramatic end in December
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of nineteen thirty four. And as the story goes, the
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members of the band were totally infuriated by Pollacks both
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romantic and managerial preoccupation with Dorus Robbins. So the entire
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ensemble staged a mutiny and walked out on Ben Pollock,
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and that collective group of musicians stayed together to form
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the nucleus of the highly to become successful Bob Crosby Orchestra.
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As I mentioned, Bob Crosby originally one of the Pollock
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young proteges. Now Ben married Doris and he reformed a band,
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the same band we heard in the song Peckin I
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played with Harry James and I don't think I mentioned,
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but also Irving Fasola was on the clarinet in that one.
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Why Don't I now play for You? The first recording
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of the Bob Crosby Band formed after the mass exodus
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from Ben Pollock.
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It was in a little gypsy te ro when I
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was feeling blue. It was in a little gypsy tea
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room I first laid eyes on you when the gypsy
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came to read the teele. It made me feel quite
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gay when she said that someone in the tea room
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would steal my heart. Aware, I really thought it inconceivable,
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but just imagine my supply. You made the story quite
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believable right there in front of mind, with a smile
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and sweeter than the roses. You made a dream come to.
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It was in a little gypsy tea room I gave my.
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From Decca Records. In a little Gypsy tea Room by
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Bob Crosby and his orchestra Vocal by Bob Crosby, recorded
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in New York City, June, the first nineteen thirty five,
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and that song reached the number one spot on the
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Lucky Strike Hit Parade on the radio. I'm Jeff Brestler,
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and you're listening to the One, the Only, the original
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Make Believe Ballroom broadcasting since nineteen thirty five, and currently
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the third longest running musical radio program behind The Grand
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Old Opry and The Real Opry. The weekly broadcasts of
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the Metropolitan Opera when they are in season. I played
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Benny Goodman to start the segment that led to Ben
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Pollock and his musical teenage Proteges. Did you guys know
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that nineteen year old Ella Fitzgerald recorded with Benny Goodman
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for a very short period of time. While Benny's regular vocalist,
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the long running Helen Ward, was on a short leave
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of absence, Goodman hired teenage Ella to step in. She
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recorded three tracks X during the hell Award absence. Let
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me play one for you.
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Now, good night, my lord, you tie your owning, lending.
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You not.
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My lord, my moment with you now in nehing.
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In your heaven.
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Holding you go to me.
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It will be heaven. Leave to hold it again.
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Dream that the boat.
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Have promised to lead us to marble till then, my lord,
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how do we read the new navil SA.
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So all the presence we'll have to pull Fleap.
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My Love good not my lord remeber that.
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You mo.
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On Victor Records, recorded on December seventeenth, nineteen thirty six,
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Benny Goodman and his orchestra with Goodnight, My Love, featuring
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the then nineteen year old Ella Fitzgerald and a Benny
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Goodman twosome here today on the Make Believe Ballroom. And now,
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as I look at these shows itinerary, why don't I
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read a letter from a listener to reach me. I'm
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Jeff at MakeBelieve Ballroom Radio dot com. That's Jeff at
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Makebelie Ballroom Radio dot com. And this email is from
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Fred Clark in Sherman Oaks, California, and he writes, Jeff,
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I enjoyed the guitar of Django Reinhardt on last week's
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show as you played him on a military radio program.
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Do you have more of his music? And that is
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signed Fred, and of course we do. Fred. Djangle was
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a guest on the radio remote I played last week,
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but certainly he was one of the greatest guitarists of
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all time, specifically known for his work, as many of
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you know, with the quintet of the Hot Club of France,
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which he led with the legendary violinist Stefan Grippelli. So
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let me play a selection for you from the Hot
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Club of France.
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Dodger, Dodger, the whole stand new dust, That old sweet
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song keeps Dodge on my mind.
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Oh my man, Dodges' dog.
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The song of you comes, that soft and clean as
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the moon lights to the vine of the arms reached
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out to me, other eyes.
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Smiled tenderly still, then.
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Peaceful dreams I see the road leads back to you with.
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Dodger does.
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No peace are fine?
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Just mostly sounds Dodger on.
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Mama, Recorded in Paris on Victor Records, October fifteenth, nineteen
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thirty six. We heard Stefan Grippelli on the violin, Django Reinhart,
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Joseph Reinhart and the Pierre Foray with the guitars Louis
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Vola string bass and Freddie Taylor with a beautiful vocal
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Georgia on my mind. And thanks to Fred Clark in
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California for keeping us in his mind by sending an
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email again to reach me. Jeff at Make Believe Ballroomradio
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dot Com. That's Jeff at Make Believe Ballroom Radio dot Com.
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Ything Parsons pass Christ.
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From Vocalion Records at the jazz band ball written by
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Laraca and Shields Bobby Hackett and his orchestra, recorded in
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New York City on February the sixteenth, nineteen thirty eight,
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and the name of Larraca quite important in the annals
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of Dixieland jazz, and I think I will talk about
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one Nick Larraca after this record.
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Thank you God, verisig.
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Think that.
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Don't worry my thank till the day you die. It's
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good for you thing while your death are made, think
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till the bills are paid.
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Thing.
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Don't you be afraid it's good for you. When I'll
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gluncome drowned, you don't have to brown. It won't mean
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a thing to thing.
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Brother.
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It's a ring say.
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Nay thing and with all your mind it's good for you.
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Via Brunswick sing It's Good for You by the Dorsey
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Brothers Orchestra vocal by Jene Bows, recorded in New York City,
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September the twenty seventh, nineteen thirty two. So before the
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Dorsey Brothers, I promised to talk about the composer who
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wrote the Bobby Hackett song I played at the Jazz
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Band Ball his nickname. The composer's nickname was Nick laraka
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Pie Near, A groundbreaker, a talented a musician, composer and bandleader,
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but also an extremely polarizing character. Why don't we start
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our journey with Nick Laraka going way back in time
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to nineteen seventeen Dad from Victor Records, Livery Stable Blues,
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composed and played by the original Dixieland Jazz Band, recorded
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in New York City, February the twenty sixth, nineteen seventeen. Now,
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I'm going to tell you a little about Loraca. Much
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can be disputed. As I said, he was a polarizing figure.
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But the song we just heard Livery Stable Lose from
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back in nineteen seventeen was, without dispute, the first successfully
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recorded commercial jazz band record. It was also the first
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time the word jazz spelt on this record as jazz
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jass was ever used on a record. And that has
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nothing to do with the African American roots of American jazz,
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who no one disputes but Laca, As I said, he
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was polarizing, and he declared himself later on as the
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quote unquote father of jazz. So while the original Dixieland
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