June 13, 2025
Make Believe Ballroom - 6/13/25 Edition
This week's Make Believe Ballroom with Jeff Bressler brings you Classic Big Band Hits from the 30s and 40s -One of the all time great female vocalists first record as a younf teenager, a dubious record company executive, Lenny from Down the Block with his Record Pick of the Week—this and many more great songs and stories to cherish and enjoy on the program.
WEBVTT
1
00:00:12.320 --> 00:00:14.880
It's make Believe Ballroom time.
2
00:00:15.679 --> 00:00:21.519
Put all your cares away. All the bands are here
3
00:00:21.800 --> 00:00:22.559
to bring.
4
00:00:22.399 --> 00:00:23.800
Good cheer your way.
5
00:00:25.719 --> 00:00:32.560
It's make belief Ballom time and free to everyone.
6
00:00:33.280 --> 00:00:36.439
It's no time to friend your Dalis.
7
00:00:36.079 --> 00:00:37.479
Said Bamba.
8
00:00:39.960 --> 00:00:40.359
Yours.
9
00:00:40.479 --> 00:00:45.520
Close your eyes and visualize in your solitude.
10
00:00:46.560 --> 00:00:51.000
Your favorite bands are on this stance and mister Miller,
11
00:00:51.119 --> 00:00:54.719
but you in the mood. It's make Believe Ballom time.
12
00:00:55.640 --> 00:00:58.399
We are a sweet romance.
13
00:01:00.079 --> 00:01:00.640
As you make it.
14
00:01:01.159 --> 00:01:04.200
Bob, come on, Jole, last, Dass.
15
00:01:04.120 --> 00:01:06.799
Last, Hello world.
16
00:01:07.040 --> 00:01:09.959
I'm Jeff Bresler, turning on the lights of the Make
17
00:01:10.040 --> 00:01:14.760
Believe Ballroom and welcoming you into my crystal studio for
18
00:01:14.799 --> 00:01:18.599
another program of classic big band hits from the nineteen
19
00:01:18.760 --> 00:01:22.439
thirties and nineteen forties. Whether you're listening on the radio
20
00:01:22.719 --> 00:01:27.920
via great affiliates like Jazz ninety point one WGMC in Rochester,
21
00:01:28.079 --> 00:01:32.439
New York, or on a podcast or on internet radio
22
00:01:32.719 --> 00:01:36.519
in the United Kingdom, please get ready as I spin
23
00:01:36.680 --> 00:01:40.480
for you some amazing big band jazz, swing, blues and
24
00:01:40.599 --> 00:01:45.959
boogie woogie favorites. Folks, you're listening to the Make Believe Ballroom,
25
00:01:46.519 --> 00:01:53.280
broadcasting almost continuously since nineteen thirty five, and friends. We
26
00:01:53.560 --> 00:01:58.280
have a show just packed with music today. Let's warm
27
00:01:58.400 --> 00:02:01.959
things up in the study video to get this engine
28
00:02:02.079 --> 00:02:02.920
up to pressure.
29
00:02:57.840 --> 00:03:04.360
Swing mister johnyr swing mister Charlie. I don't care what
30
00:03:04.719 --> 00:03:09.159
to just make it a hortoon. Play a normal tune
31
00:03:10.479 --> 00:03:14.800
of a theme that's new, and don't you hit is
32
00:03:14.960 --> 00:03:20.599
harder than anything ever since time begin. Swing mister Charlie,
33
00:03:21.439 --> 00:03:26.719
or swing mister Charlie. No one can swing in live
34
00:03:27.960 --> 00:03:28.319
you do.
35
00:03:29.759 --> 00:03:32.400
I can't get enough of.
36
00:03:32.520 --> 00:03:33.919
That swingable rhythm.
37
00:03:34.120 --> 00:04:25.680
Stuff, Swing mister Charlie. Swing Oh, Swing mister Charlie, or
38
00:04:26.120 --> 00:04:31.920
swing mister Charlie. I don't care what to just make
39
00:04:32.040 --> 00:04:36.439
it a hot tune. Play a borrow tune of a
40
00:04:36.639 --> 00:04:40.920
theme that's snoop, and you don't you hit? His hart
41
00:04:41.120 --> 00:04:46.279
than anything I've heard since time began. Swing mister Charlie,
42
00:04:46.959 --> 00:04:52.240
or swing mister Charlie. No one gets swingy.
43
00:04:53.560 --> 00:04:53.920
You do.
44
00:04:55.319 --> 00:04:58.199
I can't get enough of the.
45
00:04:58.319 --> 00:05:07.639
Swing of over thom stuff, Swing mister Charmie, Cling mister John.
46
00:05:12.279 --> 00:05:16.720
On Decca Records, Swing mister Charlie. You might have recognized
47
00:05:16.759 --> 00:05:21.040
the vocalist, Yes, of course it was Judy Garland, who
48
00:05:21.199 --> 00:05:25.720
was just thirteen when she recorded This Swinger with Bob
49
00:05:25.879 --> 00:05:30.560
Crosby and his band Swing Mister Charlie, recorded on June
50
00:05:30.600 --> 00:05:35.879
the twelfth, nineteen thirty six, in New York City. How
51
00:05:35.920 --> 00:05:41.160
about another Crosby Garland collaboration that came out of that
52
00:05:41.560 --> 00:05:50.920
very same Decca recording session, Sama.
53
00:05:50.800 --> 00:05:55.279
The Home of Sweet Romance Samo. When you had a glance,
54
00:05:55.759 --> 00:06:02.480
Samo gives heavy feed a chest your fam just like
55
00:06:02.600 --> 00:06:06.639
a cleaning line. Your lips are woman, sweet as wine.
56
00:06:06.959 --> 00:06:09.519
Your cheeks all swarm and close to mine.
57
00:06:10.160 --> 00:06:10.759
Be bor.
58
00:06:12.959 --> 00:06:17.959
Have my heart is singing while the bad is swinging.
59
00:06:18.800 --> 00:06:23.759
Never tired of romping stopping with you at the Savoy
60
00:06:23.879 --> 00:06:28.480
watch im perfect holiday Saboi where we can glide and
61
00:06:28.639 --> 00:06:30.079
swing Savoian.
62
00:06:30.399 --> 00:06:32.000
Let me stump away.
63
00:06:32.199 --> 00:06:33.120
With you.
64
00:07:20.480 --> 00:07:32.839
Savoy Tavot table your mom.
65
00:07:32.839 --> 00:07:34.319
Just like a cringing mine.
66
00:07:34.879 --> 00:07:38.519
Your lips a woman sweet as wine, Your cheeks were
67
00:07:38.720 --> 00:07:40.360
salted close to mine.
68
00:07:41.079 --> 00:07:44.199
Neiby, oh all.
69
00:07:44.160 --> 00:07:48.759
My heart is singing while the band he's swinging.
70
00:07:49.639 --> 00:07:54.560
Never tired of robbin stopping when you have the Savoy
71
00:07:54.680 --> 00:07:55.319
but your.
72
00:07:57.560 --> 00:08:01.240
Sabot Savon.
73
00:08:06.519 --> 00:08:10.800
Stomping at the Savoy Vocal by thirteen year old Judy
74
00:08:10.920 --> 00:08:15.759
Garland Orchestra conducted by Bob Crosby recorded in New York
75
00:08:16.160 --> 00:08:19.720
June the twelfth, nineteen thirty six. And folks, you know,
76
00:08:20.439 --> 00:08:24.639
there's a great story that's told about this recording of
77
00:08:24.800 --> 00:08:30.160
Stomping at the Savoy. This was Judy's very first commercial
78
00:08:30.639 --> 00:08:34.840
record release, along with swing mister Charlie. So, as the
79
00:08:34.960 --> 00:08:40.279
story goes, Judy Judy Garland was assigned by Deck of
80
00:08:40.399 --> 00:08:44.879
Records to sit in with the Bob Crosby band for
81
00:08:44.960 --> 00:08:50.639
a couple of tracks. But Bob Crosby's band manager, Gil Rodin,
82
00:08:51.159 --> 00:08:54.960
who also by the way, played sacks with the band, well,
83
00:08:55.000 --> 00:08:59.519
he wasn't at all impressed with Judy, and he went
84
00:08:59.600 --> 00:09:04.440
to Deck and told them that the Crosby name should
85
00:09:04.519 --> 00:09:08.919
not be included on the label. Now, in addition to
86
00:09:09.080 --> 00:09:12.480
not being enamored by Garland, Gil felt it was a
87
00:09:12.559 --> 00:09:15.639
bad image for the band to be recording with a
88
00:09:16.639 --> 00:09:19.759
oh with a little thirteen year old squirt. So the
89
00:09:19.919 --> 00:09:25.080
record label for Stompin' at Savoy, the Decca record label
90
00:09:25.279 --> 00:09:32.639
simply reads Stompin' at the Savoy, Judy Garland, thirteen years old.
91
00:09:33.159 --> 00:09:38.120
Very interesting story there about Judy Garland and Bob Crosby,
92
00:09:38.840 --> 00:09:40.840
and now friends.
93
00:09:42.720 --> 00:09:47.320
Gonna smile and say I hope you're feeling better.
94
00:09:50.440 --> 00:09:53.039
And load with loud a way.
95
00:09:58.240 --> 00:09:59.519
I'm going with that.
96
00:10:15.440 --> 00:10:18.120
Yes, we get letters each week in the form of
97
00:10:18.320 --> 00:10:23.679
emails Jeff at make Believe Ballroom Radio dot com. That's
98
00:10:23.799 --> 00:10:27.120
Jeff at make Believe Ballroom Radio dot com to reach me.
99
00:10:27.840 --> 00:10:30.840
And today I'm going to read only one email since
100
00:10:30.879 --> 00:10:34.240
I am going to put a pretty large string of
101
00:10:34.320 --> 00:10:37.879
music together in just a few minutes. The email that
102
00:10:38.159 --> 00:10:41.200
I have in front of me, and it's not in
103
00:10:41.279 --> 00:10:44.639
front of me, it's wait a second, here it is
104
00:10:45.360 --> 00:10:52.080
the email boy is from Chuck Goosoff, who listens via iHeartRadio,
105
00:10:53.080 --> 00:10:57.799
and he writes, Jeff, I enjoyed your discussion last week
106
00:10:58.000 --> 00:11:02.399
on your theory that the cabaret tax might have played
107
00:11:02.600 --> 00:11:08.200
the primary reason big bands dissolved and the music unfortunately died.
108
00:11:09.159 --> 00:11:13.360
You mentioned the Great Musician Strike of nineteen forty two
109
00:11:13.559 --> 00:11:18.039
to forty four, when union musicians were not allowed to
110
00:11:18.200 --> 00:11:22.720
record for the labels, as another major cause of the
111
00:11:22.840 --> 00:11:26.600
demise of the big band. I have read that one
112
00:11:26.799 --> 00:11:32.240
label called the Hit Record continued to cut sides in
113
00:11:32.360 --> 00:11:37.720
a situation that can only be regarded as underhanded. The
114
00:11:38.080 --> 00:11:43.879
Genius record empresario who may also be regarded as shady.
115
00:11:44.559 --> 00:11:49.559
Eli Oberstein might have been the ringleader in this plot.
116
00:11:50.519 --> 00:11:55.840
It was speculated that Oberstein continued to release new records
117
00:11:55.960 --> 00:12:01.960
during the band the band Excuse Me, contending that he
118
00:12:02.200 --> 00:12:08.200
acquired these recordings from Mexico to distribute in the US.
119
00:12:09.120 --> 00:12:13.320
He said bands crossed the border to make these recordings
120
00:12:13.840 --> 00:12:19.919
to circumvent their involvement in the strike, But evidence exists
121
00:12:20.600 --> 00:12:26.200
that selections were actually recorded in clandestine hotel room sessions
122
00:12:26.919 --> 00:12:32.159
involving non union musicians right here in the USA. Can
123
00:12:32.240 --> 00:12:36.440
you play a record from the Hit Record label that
124
00:12:36.759 --> 00:12:42.039
was made during the record strike? Regular listener, I'm glad
125
00:12:42.320 --> 00:12:46.039
I was able to submit this interesting piece of history
126
00:12:46.639 --> 00:12:52.240
regarding the musician strike, and that signed Chuck Goosoff. Well,
127
00:12:52.320 --> 00:12:57.840
thank you, Chuck. A very interesting historic and informative email.
128
00:12:58.080 --> 00:13:02.399
To be sure, Chuck, I did a little research and
129
00:13:02.799 --> 00:13:07.559
most of it certainly concurs with your version of events.
130
00:13:08.120 --> 00:13:13.000
So let's play one from the Hit record label purportedly
131
00:13:13.159 --> 00:13:17.720
recorded with non union musicians during the strike of nineteen
132
00:13:17.879 --> 00:13:19.519
forty two to forty four.
133
00:13:23.399 --> 00:13:27.759
Holiday long Way the Reno Shine, she debard of the
134
00:13:28.279 --> 00:13:29.080
MB nine.
135
00:13:29.600 --> 00:13:38.360
She's Magan History Working History shot lookout for the time,
136
00:13:38.960 --> 00:13:40.480
sailing up there on the.
137
00:13:43.639 --> 00:13:48.480
Modern road.
138
00:13:48.639 --> 00:13:52.039
Gotta boy Bramcharlie, Charlie.
139
00:13:52.320 --> 00:13:53.240
The Marie.
140
00:13:54.399 --> 00:14:00.559
Rog is protecting Chary working overtime on the evening when
141
00:14:00.679 --> 00:14:01.279
they gave.
142
00:14:01.159 --> 00:14:05.480
Her production, she was as fried as the girl could be.
143
00:14:06.360 --> 00:14:08.519
That's something drew about Gred White and.
144
00:14:08.559 --> 00:14:10.519
Drew about Rosie Uh.
145
00:14:43.519 --> 00:14:47.320
On the day long when the raino shine. She's abode
146
00:14:47.440 --> 00:14:49.039
of the seventy nine.
147
00:14:49.559 --> 00:14:50.320
She's made in.
148
00:14:50.440 --> 00:14:56.279
History working inctory, Rosie Uh the resent keep the bark,
149
00:14:56.440 --> 00:15:01.080
look out for saving times, sitting up there so much.
150
00:15:10.919 --> 00:15:18.120
Charlie the Marie Rosie is protecting John working overtime on.
151
00:15:19.840 --> 00:15:22.080
When they gave the production.
152
00:15:34.480 --> 00:15:40.159
On the hit record label Rosie the Riveter by Alan
153
00:15:40.480 --> 00:15:46.279
Miller and his orchestra with vocal quartet. That song, of course,
154
00:15:46.360 --> 00:15:51.240
saluting the women who worked in military airplane factories and
155
00:15:51.320 --> 00:15:56.639
were riveters during World War Two. So the hit records were,
156
00:15:57.039 --> 00:16:00.799
as we just heard, if you were listening then, carefully
157
00:16:01.039 --> 00:16:06.960
subpar in quality, performance and engineering. But that really didn't
158
00:16:07.039 --> 00:16:11.879
matter at the time because these records did provide record
159
00:16:12.000 --> 00:16:16.240
buyers with something they could not obtain anywhere else. That
160
00:16:17.399 --> 00:16:22.679
obviously being newly produced big band recordings of various popular
161
00:16:22.879 --> 00:16:27.879
song hits that emerged during the strike. To the best
162
00:16:27.919 --> 00:16:32.240
of my knowledge and some of the research I did,
163
00:16:32.840 --> 00:16:38.799
there really was no Alan Miller and his orchestra. An
164
00:16:38.919 --> 00:16:42.320
article I read in the May twenty ninth, nineteen forty
165
00:16:42.399 --> 00:16:48.320
three issue of Billboard magazine suggested that the name was fictitious.
166
00:16:49.000 --> 00:16:52.600
So let's play one more on the Hit Record Label,
167
00:16:52.840 --> 00:16:57.679
this one featuring Willie Kelly and his orchestra, with Tonight
168
00:16:57.720 --> 00:17:01.840
I'm going to See Baby, that was recorded in nineteen
169
00:17:02.000 --> 00:17:03.080
forty three.
170
00:18:06.319 --> 00:18:10.759
To night, I'm gonna see Baby.
171
00:18:12.119 --> 00:18:17.000
I'm gonna see baby tonight about night.
172
00:18:19.640 --> 00:18:20.160
I'll be.
173
00:18:22.119 --> 00:18:24.000
So happy when I'm.
174
00:18:24.119 --> 00:18:30.519
With just spending my time with that baby I'm mine.
175
00:18:32.119 --> 00:18:34.599
I'm so excited.
176
00:18:35.519 --> 00:18:37.279
I can hardly wait.
177
00:18:39.279 --> 00:18:45.400
Because I'm hoping maybe Baby's gonna name that certain day
178
00:18:46.440 --> 00:18:47.440
to night.
179
00:18:49.039 --> 00:18:57.400
I'm gonna see baby, that wonderful baby who's gonna be mine.
180
00:19:31.160 --> 00:19:36.440
Now, this name was not fictitious. Willie Kelly was at
181
00:19:36.519 --> 00:19:40.920
one time a trumpet player with Artie Shaw's first orchestra
182
00:19:41.839 --> 00:19:46.000
in the late nineteen thirties. So again, thank you to
183
00:19:46.200 --> 00:19:50.559
Chuck Goosa for your informative email about the Hit Record
184
00:19:50.720 --> 00:19:57.440
Label and the infamous at that time, record pirate Eli Oberstein.
185
00:19:58.079 --> 00:20:01.400
I'm Jeff Bressler, and you're listening to the One, the Only,
186
00:20:01.720 --> 00:20:07.680
the original Make Believe Ballroom, broadcasting almost continuously since nineteen
187
00:20:07.920 --> 00:20:12.960
thirty five, and now for you. I said a little
188
00:20:13.000 --> 00:20:15.279
while ago that I was going to play a pretty
189
00:20:15.359 --> 00:20:20.160
large string of music, and I will shortly for an explanation, though,
190
00:20:20.960 --> 00:20:25.759
we go to sunny Tampa, Florida, where the producer emeritus
191
00:20:26.079 --> 00:20:29.880
of the Make Believe Ballroom, the Maha of the monotone,
192
00:20:30.640 --> 00:20:34.440
the platter pusher, the disk driver, the one the Only
193
00:20:34.880 --> 00:20:36.519
Lenny from down the block.
194
00:20:37.319 --> 00:20:40.359
Hi, gang, Lenny from down the block, Here with my
195
00:20:41.240 --> 00:20:44.799
record pick of the Week. Last week, my wife Cookie
196
00:20:44.880 --> 00:20:47.079
told me if I didn't clean my home office, she
197
00:20:47.119 --> 00:20:50.759
would throw me off the balcony. Since we live on
198
00:20:50.880 --> 00:20:53.400
the first floor of our condo in Florida. I didn't
199
00:20:53.440 --> 00:20:57.200
take her threat too seriously. I did decide to clean, though,
200
00:20:57.920 --> 00:21:00.680
and I found a notebook that contained many of the
201
00:21:00.799 --> 00:21:04.519
playlists Jeff has used on the program each week. In
202
00:21:04.640 --> 00:21:07.720
the notebook was a list from twenty eighteen that, for
203
00:21:07.880 --> 00:21:13.599
whatever reason, we never used. So this week, instead of
204
00:21:13.680 --> 00:21:16.079
a record Pick of the Week, I present to you
205
00:21:16.319 --> 00:21:18.880
many record picks of a week going back to August
206
00:21:18.960 --> 00:21:20.039
of twenty eighteen.
207
00:22:15.599 --> 00:22:19.079
Everybody knows that's just the muddy wheeler.
208
00:22:20.440 --> 00:22:24.400
Bunny seemed like heaven on high where the moon is
209
00:22:24.519 --> 00:22:29.720
shining rise, letting me dream away the night where the lazy.
210
00:22:29.480 --> 00:22:32.960
Weaver goes by, go away.
211
00:22:34.119 --> 00:22:34.920
Let us be.
212
00:22:36.440 --> 00:22:39.200
Just the reaver, you and beating.
213
00:22:41.440 --> 00:22:47.200
Everything is due all along the Mississippi. Hey don't want
214
00:22:47.440 --> 00:22:48.599
as happy as I.
215
00:22:49.359 --> 00:22:51.079
Why never want to roam?
216
00:22:51.400 --> 00:22:55.319
Let me live and make my home where the lazy
217
00:22:55.440 --> 00:23:18.160
reaper goes by, go away. Let us be.
218
00:23:19.799 --> 00:23:22.279
Just the river, you and me.
219
00:23:24.680 --> 00:23:29.480
Everything is due on along woman sip the bee. Hey
220
00:23:29.640 --> 00:23:32.039
don't want us happy aside.
221
00:23:32.319 --> 00:23:35.319
While I never want to go. Let me live in
222
00:23:35.440 --> 00:23:36.160
make my home.
223
00:23:37.640 --> 00:23:48.119
Lazy river goes by, Lazy river goes by, Lazy river goes.
224
00:23:48.160 --> 00:23:53.279
Bye, Where the lazy river goes by, from the twentieth
225
00:23:53.359 --> 00:23:57.000
century Fox film Banjo on My Knee. We just heard
226
00:23:57.200 --> 00:24:01.519
Roy Eldridge and his orchestra with a beautiful vocal by
227
00:24:01.759 --> 00:24:08.720
Gladys Palmer, recorded on Vocalion Records in Chicago, Illinois, January
228
00:24:08.839 --> 00:24:11.359
the twenty fifth, nineteen thirty seven, and that was the
229
00:24:11.440 --> 00:24:15.400
first selection from Lenny from Down the blocks playlist that
230
00:24:15.599 --> 00:24:19.920
he developed, but for whatever reason we never used. In
231
00:24:20.119 --> 00:25:15.839
August of twenty and eighteen, you know.
232
00:25:33.839 --> 00:25:37.319
Glass we were made at bar each other. The range
233
00:25:37.359 --> 00:25:40.880
your glass that we waited for each other. There we
234
00:25:41.039 --> 00:25:48.240
agree fardally live to justice some of these theminies range
235
00:25:48.279 --> 00:25:53.680
of glass, we get along together. Ranger Glass. We can
236
00:25:53.799 --> 00:25:59.279
laugh at Norman whether bolds declare whatever they can see,
237
00:25:59.359 --> 00:26:05.359
We're happy Angel glass. Just like two lovers on Victor
238
00:26:05.440 --> 00:26:12.880
covers and white of Sun or Raine, we find Rawman's
239
00:26:13.559 --> 00:26:19.240
Everything we meet is lover Lane glass. Lad, I guess
240
00:26:19.319 --> 00:26:23.319
it's name. The flavor range of glass. Everything is down
241
00:26:23.400 --> 00:26:30.079
a flavor every day we can say everything is Agent Glass.
242
00:27:45.400 --> 00:27:51.000
Benny Goodman All Star recording released by Columbia Records, October eighteenth,
1
00:00:12.320 --> 00:00:14.880
2
00:00:15.679 --> 00:00:21.519
3
00:00:21.800 --> 00:00:22.559
4
00:00:22.399 --> 00:00:23.800
5
00:00:25.719 --> 00:00:32.560
6
00:00:33.280 --> 00:00:36.439
7
00:00:36.079 --> 00:00:37.479
8
00:00:39.960 --> 00:00:40.359
9
00:00:40.479 --> 00:00:45.520
10
00:00:46.560 --> 00:00:51.000
11
00:00:51.119 --> 00:00:54.719
12
00:00:55.640 --> 00:00:58.399
13
00:01:00.079 --> 00:01:00.640
14
00:01:01.159 --> 00:01:04.200
15
00:01:04.120 --> 00:01:06.799
16
00:01:07.040 --> 00:01:09.959
17
00:01:10.040 --> 00:01:14.760
18
00:01:14.799 --> 00:01:18.599
19
00:01:18.760 --> 00:01:22.439
20
00:01:22.719 --> 00:01:27.920
21
00:01:28.079 --> 00:01:32.439
22
00:01:32.719 --> 00:01:36.519
23
00:01:36.680 --> 00:01:40.480
24
00:01:40.599 --> 00:01:45.959
25
00:01:46.519 --> 00:01:53.280
26
00:01:53.560 --> 00:01:58.280
27
00:01:58.400 --> 00:02:01.959
28
00:02:02.079 --> 00:02:02.920
29
00:02:57.840 --> 00:03:04.360
30
00:03:04.719 --> 00:03:09.159
31
00:03:10.479 --> 00:03:14.800
32
00:03:14.960 --> 00:03:20.599
33
00:03:21.439 --> 00:03:26.719
34
00:03:27.960 --> 00:03:28.319
35
00:03:29.759 --> 00:03:32.400
36
00:03:32.520 --> 00:03:33.919
37
00:03:34.120 --> 00:04:25.680
38
00:04:26.120 --> 00:04:31.920
39
00:04:32.040 --> 00:04:36.439
40
00:04:36.639 --> 00:04:40.920
41
00:04:41.120 --> 00:04:46.279
42
00:04:46.959 --> 00:04:52.240
43
00:04:53.560 --> 00:04:53.920
44
00:04:55.319 --> 00:04:58.199
45
00:04:58.319 --> 00:05:07.639
46
00:05:12.279 --> 00:05:16.720
47
00:05:16.759 --> 00:05:21.040
48
00:05:21.199 --> 00:05:25.720
49
00:05:25.879 --> 00:05:30.560
50
00:05:30.600 --> 00:05:35.879
51
00:05:35.920 --> 00:05:41.160
52
00:05:41.560 --> 00:05:50.920
53
00:05:50.800 --> 00:05:55.279
54
00:05:55.759 --> 00:06:02.480
55
00:06:02.600 --> 00:06:06.639
56
00:06:06.959 --> 00:06:09.519
57
00:06:10.160 --> 00:06:10.759
58
00:06:12.959 --> 00:06:17.959
59
00:06:18.800 --> 00:06:23.759
60
00:06:23.879 --> 00:06:28.480
61
00:06:28.639 --> 00:06:30.079
62
00:06:30.399 --> 00:06:32.000
63
00:06:32.199 --> 00:06:33.120
64
00:07:20.480 --> 00:07:32.839
65
00:07:32.839 --> 00:07:34.319
66
00:07:34.879 --> 00:07:38.519
67
00:07:38.720 --> 00:07:40.360
68
00:07:41.079 --> 00:07:44.199
69
00:07:44.160 --> 00:07:48.759
70
00:07:49.639 --> 00:07:54.560
71
00:07:54.680 --> 00:07:55.319
72
00:07:57.560 --> 00:08:01.240
73
00:08:06.519 --> 00:08:10.800
74
00:08:10.920 --> 00:08:15.759
75
00:08:16.160 --> 00:08:19.720
76
00:08:20.439 --> 00:08:24.639
77
00:08:24.800 --> 00:08:30.160
78
00:08:30.639 --> 00:08:34.840
79
00:08:34.960 --> 00:08:40.279
80
00:08:40.399 --> 00:08:44.879
81
00:08:44.960 --> 00:08:50.639
82
00:08:51.159 --> 00:08:54.960
83
00:08:55.000 --> 00:08:59.519
84
00:08:59.600 --> 00:09:04.440
85
00:09:04.519 --> 00:09:08.919
86
00:09:09.080 --> 00:09:12.480
87
00:09:12.559 --> 00:09:15.639
88
00:09:16.639 --> 00:09:19.759
89
00:09:19.919 --> 00:09:25.080
90
00:09:25.279 --> 00:09:32.639
91
00:09:33.159 --> 00:09:38.120
92
00:09:38.840 --> 00:09:40.840
93
00:09:42.720 --> 00:09:47.320
94
00:09:50.440 --> 00:09:53.039
95
00:09:58.240 --> 00:09:59.519
96
00:10:15.440 --> 00:10:18.120
97
00:10:18.320 --> 00:10:23.679
98
00:10:23.799 --> 00:10:27.120
99
00:10:27.840 --> 00:10:30.840
100
00:10:30.879 --> 00:10:34.240
101
00:10:34.320 --> 00:10:37.879
102
00:10:38.159 --> 00:10:41.200
103
00:10:41.279 --> 00:10:44.639
104
00:10:45.360 --> 00:10:52.080
105
00:10:53.080 --> 00:10:57.799
106
00:10:58.000 --> 00:11:02.399
107
00:11:02.600 --> 00:11:08.200
108
00:11:09.159 --> 00:11:13.360
109
00:11:13.559 --> 00:11:18.039
110
00:11:18.200 --> 00:11:22.720
111
00:11:22.840 --> 00:11:26.600
112
00:11:26.799 --> 00:11:32.240
113
00:11:32.360 --> 00:11:37.720
114
00:11:38.080 --> 00:11:43.879
115
00:11:44.559 --> 00:11:49.559
116
00:11:50.519 --> 00:11:55.840
117
00:11:55.960 --> 00:12:01.960
118
00:12:02.200 --> 00:12:08.200
119
00:12:09.120 --> 00:12:13.320
120
00:12:13.840 --> 00:12:19.919
121
00:12:20.600 --> 00:12:26.200
122
00:12:26.919 --> 00:12:32.159
123
00:12:32.240 --> 00:12:36.440
124
00:12:36.759 --> 00:12:42.039
125
00:12:42.320 --> 00:12:46.039
126
00:12:46.639 --> 00:12:52.240
127
00:12:52.320 --> 00:12:57.840
128
00:12:58.080 --> 00:13:02.399
129
00:13:02.799 --> 00:13:07.559
130
00:13:08.120 --> 00:13:13.000
131
00:13:13.159 --> 00:13:17.720
132
00:13:17.879 --> 00:13:19.519
133
00:13:23.399 --> 00:13:27.759
134
00:13:28.279 --> 00:13:29.080
135
00:13:29.600 --> 00:13:38.360
136
00:13:38.960 --> 00:13:40.480
137
00:13:43.639 --> 00:13:48.480
138
00:13:48.639 --> 00:13:52.039
139
00:13:52.320 --> 00:13:53.240
140
00:13:54.399 --> 00:14:00.559
141
00:14:00.679 --> 00:14:01.279
142
00:14:01.159 --> 00:14:05.480
143
00:14:06.360 --> 00:14:08.519
144
00:14:08.559 --> 00:14:10.519
145
00:14:43.519 --> 00:14:47.320
146
00:14:47.440 --> 00:14:49.039
147
00:14:49.559 --> 00:14:50.320
148
00:14:50.440 --> 00:14:56.279
149
00:14:56.440 --> 00:15:01.080
150
00:15:10.919 --> 00:15:18.120
151
00:15:19.840 --> 00:15:22.080
152
00:15:34.480 --> 00:15:40.159
153
00:15:40.480 --> 00:15:46.279
154
00:15:46.360 --> 00:15:51.240
155
00:15:51.320 --> 00:15:56.639
156
00:15:57.039 --> 00:16:00.799
157
00:16:01.039 --> 00:16:06.960
158
00:16:07.039 --> 00:16:11.879
159
00:16:12.000 --> 00:16:16.240
160
00:16:17.399 --> 00:16:22.679
161
00:16:22.879 --> 00:16:27.879
162
00:16:27.919 --> 00:16:32.240
163
00:16:32.840 --> 00:16:38.799
164
00:16:38.919 --> 00:16:42.320
165
00:16:42.399 --> 00:16:48.320
166
00:16:49.000 --> 00:16:52.600
167
00:16:52.840 --> 00:16:57.679
168
00:16:57.720 --> 00:17:01.840
169
00:17:02.000 --> 00:17:03.080
170
00:18:06.319 --> 00:18:10.759
171
00:18:12.119 --> 00:18:17.000
172
00:18:19.640 --> 00:18:20.160
173
00:18:22.119 --> 00:18:24.000
174
00:18:24.119 --> 00:18:30.519
175
00:18:32.119 --> 00:18:34.599
176
00:18:35.519 --> 00:18:37.279
177
00:18:39.279 --> 00:18:45.400
178
00:18:46.440 --> 00:18:47.440
179
00:18:49.039 --> 00:18:57.400
180
00:19:31.160 --> 00:19:36.440
181
00:19:36.519 --> 00:19:40.920
182
00:19:41.839 --> 00:19:46.000
183
00:19:46.200 --> 00:19:50.559
184
00:19:50.720 --> 00:19:57.440
185
00:19:58.079 --> 00:20:01.400
186
00:20:01.720 --> 00:20:07.680
187
00:20:07.920 --> 00:20:12.960
188
00:20:13.000 --> 00:20:15.279
189
00:20:15.359 --> 00:20:20.160
190
00:20:20.960 --> 00:20:25.759
191
00:20:26.079 --> 00:20:29.880
192
00:20:30.640 --> 00:20:34.440
193
00:20:34.880 --> 00:20:36.519
194
00:20:37.319 --> 00:20:40.359
195
00:20:41.240 --> 00:20:44.799
196
00:20:44.880 --> 00:20:47.079
197
00:20:47.119 --> 00:20:50.759
198
00:20:50.880 --> 00:20:53.400
199
00:20:53.440 --> 00:20:57.200
200
00:20:57.920 --> 00:21:00.680
201
00:21:00.799 --> 00:21:04.519
202
00:21:04.640 --> 00:21:07.720
203
00:21:07.880 --> 00:21:13.599
204
00:21:13.680 --> 00:21:16.079
205
00:21:16.319 --> 00:21:18.880
206
00:21:18.960 --> 00:21:20.039
207
00:22:15.599 --> 00:22:19.079
208
00:22:20.440 --> 00:22:24.400
209
00:22:24.519 --> 00:22:29.720
210
00:22:29.480 --> 00:22:32.960
211
00:22:34.119 --> 00:22:34.920
212
00:22:36.440 --> 00:22:39.200
213
00:22:41.440 --> 00:22:47.200
214
00:22:47.440 --> 00:22:48.599
215
00:22:49.359 --> 00:22:51.079
216
00:22:51.400 --> 00:22:55.319
217
00:22:55.440 --> 00:23:18.160
218
00:23:19.799 --> 00:23:22.279
219
00:23:24.680 --> 00:23:29.480
220
00:23:29.640 --> 00:23:32.039
221
00:23:32.319 --> 00:23:35.319
222
00:23:35.440 --> 00:23:36.160
223
00:23:37.640 --> 00:23:48.119
224
00:23:48.160 --> 00:23:53.279
225
00:23:53.359 --> 00:23:57.000
226
00:23:57.200 --> 00:24:01.519
227
00:24:01.759 --> 00:24:08.720
228
00:24:08.839 --> 00:24:11.359
229
00:24:11.440 --> 00:24:15.400
230
00:24:15.599 --> 00:24:19.920
231
00:24:20.119 --> 00:25:15.839
232
00:25:33.839 --> 00:25:37.319
233
00:25:37.359 --> 00:25:40.880
234
00:25:41.039 --> 00:25:48.240
235
00:25:48.279 --> 00:25:53.680
236
00:25:53.799 --> 00:25:59.279
237
00:25:59.359 --> 00:26:05.359
238
00:26:05.440 --> 00:26:12.880
239
00:26:13.559 --> 00:26:19.240
240
00:26:19.319 --> 00:26:23.319
241
00:26:23.400 --> 00:26:30.079
242
00:27:45.400 --> 00:27:51.000