May 8, 2025
Make Believe Ballroom - 5/9/25 Edition
Join Jeff Bressler for some great Big Band Music of the 30's and 40's on this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States and the United Kingdom –the...
Join Jeff Bressler for some great Big Band Music of the 30's and 40's on this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States and the United Kingdom –the majority of today's program is dedicated to two listners who were so kind in sharing lists of their favorite big band musicians and tunes - this and many more great songs and stories to cherish and enjoy on the program.
WEBVTT
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It's make Belief ballroom time.
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Put all your cares away. All the bands are here
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to bring good cheer your way.
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It's make belief ballom time and free to everyone.
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It's no time to friend your Dalis said Bamba yours.
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Close your eyes and.
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Visualize in your solitude. Your favorite bands are on this
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dance and mister Miller, but you're in the wood.
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It's make believe ballroom time.
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We are a sweet romance.
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You make believe Bob, Come on.
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Joe Last Das Last, Hello World, I'm Jeff Presler, turning
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on the lights of the Make Belief Ballroom and welcoming
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you into my crystal studio for another program of the
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great big band hits of the nineteen thirties and nineteen forties.
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Whether you're listening on the radio via great affiliates like
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Jazz ninety point one WGMC in Rochester, New York, or
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maybe enjoying a podcast of this program, or perhaps you're
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tuning in via Internet radio across the United Kingdom. Any
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way you've gotten here, I'm certainly delighted and already to
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bring you an hour of some wonderful big band jazz, swing,
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blues and boogie woogie classics. Folks, you're listening to the
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Make Believe Ballroom broadcasting almost continuously since nineteen thirty five.
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And welcome, Welcome, one and all into my crystal studio.
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Plenty of music and a story of two playing for
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you today. I just said plenty of music, and here
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is exhibit A.
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I don't want friends fried potatoes, read ripe tomatoes. I'm
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never satisfied. I want the frim fraB songs with the
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Ason fail which your five fi on the side. I
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don't want folk jobs and bacon. That one awaken my
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appatite inside. I want the friend fav songs with the
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Osen failure, which you five five on the side. Now
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a fella he's really got to eating, and a fella
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shirty rise five will get you in. I'm gonna feed
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myself right tonight. I don't want fishcation ripe.
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Bring you heard what I said?
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Way to please serve mind fried. I want the bram
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Rab salce with the Osmon fad WHICHI fire fire on
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the side.
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I don't want French hart potatoes, red ripe tomatoes.
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Believe me, I'm never satisfied.
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I want the friend of bram sas were the arms
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fail with a baffle on the side. I don't want
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por chops and bacon that water wagon, my apo tarrants.
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I want the friend of friends sway other some fai
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with a toffle.
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On the side.
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Now, a fella was really god to eat and a
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fella should eat right.
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Fine, will get to tell I'm gonna fit myself like tonight.
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I don't want fish cakes, right Bray, you heard what
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I said. Waiter, waiter, please, sir, my father, I want
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the friendly fad so husband me ah some fair with
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a tougher on the side.
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The frim fram Sauce vocals by Ella Fitzgerald and Louis Armstrong,
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of course Louise Trumpet all under the leadership of Bob
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Haggard and his Orchestra, recorded on Decca Records in nineteen
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forty six. Probably the most famous rendition of the song
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was by Nat King Cole and his trio. They recorded
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that I Think in nineteen forty five for the up
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and coming newest record label, Capitol Records. The frim fram
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Sauce opening the program today on this edition of The
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Believe All Road.
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He's a Gurbstone Cuty, his Mama's pride and beauty. They
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call him jelly bean parts. He's hair in the bed
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and flashes it down and scatters little jelly beans all
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around town. Why the boys all love him. They think
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he's a riot if you know what I mean. Won't
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drink that the bold beer wine eats ice cream sodas.
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But all the time, I'm a Gerbstone cuty, Mama's fright
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and beauty. And they call him jelly bean. I mean,
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they call him jail Libby. He's a Gurbstone beauty, his
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mama's fried end beauty. They call him jelly Bean. Potts's
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are in the bed and then flashes him down, scattered
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little jelly beans all around town. By the boys all
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love him. They think he's a riot. If you know
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what I mean, I won't drink that bean Bolt beer wine.
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Just keeps that ice cream all the time of Gurbstone beauty,
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Mama's fright and beauty. They call him jeal y Bean,
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I mean Jellybden.
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From Vocalion Records, jelly Bean. He's a curbside cutie. They
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call him jelly Bean. By the Great Phil Harris and
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his orchestra vocal By Fell recorded in Lost Angelus December
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the seventeenth, nineteen thirty six, and you know what, I'm
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in the mood for three in a row. And this
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song is an excellent lead into our first major segment
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on today's edition of the Make Believe Ball.
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Rom I'm going to say right down and range myself
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a lot of.
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And make me leaeve the game from you. I'm going
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to rain for her own.
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So sweet that all allows me all my being a
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lot of kisses on the bottom.
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M M, I don't be glad I got home.
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I'm gonna smile and say I hold your feeling.
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Better him clothes with long.
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The way you do.
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I'm gonna sat right down and write myself, let her
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him mad believe it came from you. Gonna smile and
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say I hope you're feeling better, and.
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Long and loud away.
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I'm going to.
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Write my letter.
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And make.
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Bad Game for him.
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A Victor record disc I'm gonna sit right down and
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write myself a letter by Fats Waller and his rhythm
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vocal by the unmistakable voice of Fats, recorded in New
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York City, May the eighth, nineteen thirty five, and that
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record was actually the first time I'm going to sit
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right down and write myself. A letter was ever recorded
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Fats Waller, and I did say before the record that
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that song was an excellent lead into today's first segment
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on the Make Believe Ballroom. And this segment comes not
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as the result of a letter, but rather an email.
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And this email I am about to read comes as
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a result of another email we received a few weeks
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back here in the Ballroom. That email was from John
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and Elaine Stewart of Los Angeles, California, and John and
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Elaine loved to swing dance as a couple at various
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venues in the LA area, and they wrote to us
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that they were inspired by past programs on the Ballroom
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where we played records from the Ralphie from Canarsi Record
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Club list. As many of you know, that's a list
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that Ralphie Carbone and his record club began in the
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mid nineteen thirties, and that list of big band favorites
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grew over the decades, swelling to over eight hundred songs.
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Not just eight hundred songs, but the record club over
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the decades ranked each and every one of those songs.
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So the Stewarts decided to create a record list of
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their own, and I was delighted to play a series
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of their favorite records. I mentioned that if any of
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our listeners were interested in sending us their favorites and
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list form, we'd be happy to play some of those
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selections on the show. Well, Lo and behold, we got
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a nice response on my call to action, and today
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we're going to delve into some of the songs from
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two lists we received, and next week we'll look at
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two more lists that were emailed to the show. For
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the first list, I go to an email from Jim
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Halsey h a u l S, one of our dedicated Sarasota,
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Florida listeners, and Jim writes, Jeff, I have put together
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a list of some of my favorite swing songs. I
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hope you like it. I'm not a musical genius, so
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the list is not an analysis of scholarly selections. It's
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just music I like and I hope you like it too.
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Keep up the good work, Jim. Well, thanks Jim. Jim
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is a frequent emailer to the Make Believe Ballroom. Now,
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Jim's list, just counting has eight songs, and to me,
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each is a winner. And folks, you don't have to
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be a musical sk s. Coll Or to send me
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a list. Just let me know what big band music
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moved you or had some significance in your life. You
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simply love the tune. So let's start Jim Halsey's list
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with this selection.
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By Protect Us Again.
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We just heard Keep Them Flying Glenn Miller and his Orchestra,
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recorded on Bluebird in nineteen forty one, and an excellent
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choice from your list, mister Hulsey, a record I have
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not played for a very long time here on the
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Make Believe Ballroom. I think what we'll do is play
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three from your eight record list. So let me choose
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another one.
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Things didn't him Nothing the means to st.
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From the Studios of Columbia Records, recorded in Los Angeles
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on November the eighth, nineteen thirty nine, avalon Harry James
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and his Orchestra. That's another pick from the eight song
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favorites list of Jim Halsey from Sarasota, flow Arta. I
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said I'd play three from Jim's list. I am certainly
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a man of my word, well at least where where
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music is involved.
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Sling I give, but never does the same.
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Please don't get something.
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Just the same.
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Please scale don't get something Yeah, m.
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Let's says good Night, caw Dounia, sail me out, sell
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mell down.
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The.
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Beautiful Caledonia, what do you Heard?
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And his orchestra vocal by Woody recorded on Columbia Records
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back in nineteen forty five. And thank you very much,
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Jim Halsey for your outstanding list of eight favorite big
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band songs, and it was a pleasure to play three
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of them here today on the one, the only, the
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original Make Believe Ballroom and Folks, if you have a
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favorite big band playlist, please feel free to email it
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to me Jeff at Make Believe Ballroomradio dot com. That's
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Jeff at MakeBelieve Ballroom Radio dot com. And we'll be
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back in just a little while with another listener's big
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band swing favorites list. A few weeks ago, I told
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you the story of the almost decade long journey for
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the Ted Weems orchestra recording of the song Heartache to
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become a bona fide hit record, and I was ready
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to play an additional Ween song on that show, but
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I saw that we would not have the time to
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do that, so I now present you with that Ted
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Ween's leftover, but Leftovers still taste pretty good.
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There's play alas. I want normal with dreamon whiskey.
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Fla.
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Someone to go to old hokey Mom, back to the
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awful slimon.
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The Virgil tree and the honeybee clinging honey circle.
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Bar boy with wade phase really is not playing for me?
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Back you old smoky mind.
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Back to their home in Temantry.
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Beyond your gang lasers or labor Leon gay labors on labor.
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If thence slipped my home I've in from.
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Roam up in so long time.
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Fall the slip.
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I want to go.
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Back to old Smoky Mond, back to the awful tone,
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the birds.
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In a tree and the honeybee lnge honey circle bar.
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Bas war rever.
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Waitingly Moday for me bad smoky Mom. Back to the
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home in Tennessee.
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Ya Yo gay labor on neighbor maoyond.
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Gay labor onla.
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Mony from Decca Back to Smoky Mountain by Ted Weiams
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and his orchestra, vocal by Mary Lee and also Elmo Tanner,
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recorded in New York City, October the fifth, nineteen thirty nine,
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and on this record, the vocalist Mary Lee Mary Lee Wooters,
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was all of fourteen years old, when she sang that song,
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and with her fine yodeling and country presence, it was
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no doubt a match made in heaven. When she went
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on to appear in a number of singing cowboy movies
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in the nineteen forties, she was also a pretty good actress.
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She also performed in something like thirty different Hollywood movies.
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Let me play another Make this a little mini tribute
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to Mary Lee another song by Mary Lee Wooters.
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Life has been so empty since today you went away.
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Nothing seems to have a meaning.
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Once I used to greet each night and welcome every day.
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I've lost all interest somehow, all alone. Every day I
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keep wasting away, and you made me so hard sick.
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And so.
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It's the stars never glow, or the flower or no
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brow without you.
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I don't care anymore. You was a gammon. I mean
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nothing to me since you walked out through the door.
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If the birds never sing with the sweet breath of
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