May 2, 2025
Make Believe Ballroom - 5/2/25 Edition
Hosted by Jeff Bressler, the Make Believe Ballroom brings you Classic Big Band Hits from the 30s and 40s
This week's show, broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States and the...
Hosted by Jeff Bressler, the Make Believe Ballroom brings you Classic Big Band Hits from the 30s and 40s
This week's show, broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States and the United Kingdom, is dedicated to records from bandleaders we have not featured on the Ballroom over the past year. Also, Lenny from Down the Block has his Record Pick of the Week and many more great songs and stories to cherish and enjoy on the program.
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Tikets make Believe ball on time, But all your cares away,
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all the bands are here to bring.
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Good cheer your way.
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It's make me a falling time and free to everyone.
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It's no time to friend your dalis said by mine.
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Suppose your eyes and visu lie in your solitude. Your
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favorite bands are on the stand, and mister Miller, once
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you're in the mood, it's make believe falling Time. We
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are a sweet Roman. Is you make common to last?
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Dast list?
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Hello world, I'm Jeff Presler, turning on the lights of
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the Make Believe Ballroom and welcoming you into my crystal
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studio for yet another program of the great big band
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hits of the nineteen thirties and nineteen forties. Whether you're
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listening today on the radio via great affiliates like Jazz
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ninety point one WGMC in Rochester, New York, or on
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a podcast, or perhaps on internet radio across the UK,
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anyway you have arrived. I am delighted that you are
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here and ready to bring you an hour of some
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wonderful big band jazz, swing, blues and boogie woogie classics. Folks,
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you're listening to the Make Believe Ballroom broadcasting almost continuously
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since nineteen thirty five, and hello friends today, I'm very
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excited because I have a special program for you. If well,
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if you've been following the Make Believe Ballroom for a
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number of years, you know that once a year, I
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look through the playlists of the last twelve months to
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find out which band leaders I haven't played in that time.
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So we're gonna hear a number of records today, not
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from Benny Goodman or Artie Shaw or Glenn Miller or
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Cab Callaway or Count Basie or Duke Ellington of the
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Dor season like, but we're gonna hear songs from musicians
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who were popular during the big band era but whose
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music is not so wildly popular today. And that perhaps
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is why I takes a year between tunes from some
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of these guys. But they're all very talented, and I
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think you're really going to enjoy the music. And hope
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that makes sense to you. Dylan, the snotty kid is here.
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He just walked into the studio. Dylan, what I just
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said that that makes sense to you? Dylan, half looking
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at his phone, half off in space, half nodding his head.
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So I guess even Dylan. That made some sense, So
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I guess we are on our way, and Dylan, thanks
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for coming into the studio once again. I mentioned this frequently.
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Dylan is twenty three years old, and here at the
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Crystal Studio. We have some auxiliary studios down the hallway
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where podcasts are made, and Dylan does a very nice
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podcast on gaming. But Dylan listening several months ago to
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one of our shows as I was broadcasting it in
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the hallway, we have like a little green room, so
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to speak, with some couches and a coffee maker and things.
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He actually enjoyed the music. So sometimes he comes in
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early to hear the whole show and sits here in
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the studio. So Dylan, welcome once again. But back to
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the business at hand. The first record I am going
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to play today is from Bobby Sherwood. Bobby was best
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known in the industry as Bing Crosby's favorite guitar player,
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but in actuality, Bobby was a very versatile, multi talented musician.
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Sherwood could sing, he could compose, he was an arranger,
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and he played multiple instruments, though he focused mainly during
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his professional career on the guitar, which I just mentioned.
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But when he started leading his own band, he leaned
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more towards the trumpet, and today Bobby Sherwood is best
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remembered for this song.
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Used to.
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From Capitol Records. We just heard the Elk's Parade Bobby
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Sherwood and his Orchestra, recorded on May the second, nineteen
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forty two, and that was our first selection of a
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show dedicated today to only play band leaders who we
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have not heard from in the past year. Here on
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the one the only, the original Make Believe Ballroom.
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The object of my affection can change my complexion, complied
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to Rosy Red. Oh, anytime she holds my hand and
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tells me that she's mine. There are many girls who
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can thrill me and some who can kill me. But
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I'll just hang around Oh and keep acting like a
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clown until she says she's mine now. I'm not afraid
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that she'll leave me now, because she's not that kind
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who takes a dare, But instead I trust her implicitly.
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She can go where she wants to go, do what
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she wants to do, and I Stow won't care, because
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the object of my affection can change my complexion from
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white to losy red. Oh, anytime she holds my hand
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and tells me that she's mine.
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Mine now I am.
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I'm not afraid that she'll leave me now because she's
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not that kind who takes it care. But instead I
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trust her implicitly. She can go where she wants to go,
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do what she wants to do, and I show won't
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care because the Object of my Affection can change my
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complexion from why to those events. Oh anytime that baby
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holds my hand and tells me.
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That she's.
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From Brunswick Records, We Just Listened to the Object of
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My Affection by Jimmy Greer and his Orchestra with a
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vocal by Pinky Tomlin, recorded in Los Angeles, October fifth,
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nineteen thirty four, and the band leader. Jimmy Greer was
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a clarinetist, a composer, and the band leader. Early on
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in his career, he worked with some of the greats,
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including Abe Lyman, Georgie Stall, and Gus Arnheim. Jimmy Greer
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was pretty popular as a band leader in the thirties,
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but Jimmy forever will be remembered for writing the song
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we Just Heard the Object of My Affection, which he
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co wrote along with Pinkey Tomlin. Now The version I
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just played was a popular tune back in nineteen thirty four,
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and it became even more popular one year later in
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thirty five, when Jimmy Greer went back into the studio
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for Brunswick and made an even better seller with the
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Boswell Sisters providing the vocals. Jimmy Greer the second band
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leader whose music we have not heard on the Make
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Believe Ballroom over the past year, And why don't we
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go now for a third recording? It's nothing, No, we
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just listened to Frankie Newton and his Cafe Society Orchestra
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with Frankie's Jump recorded on Parlophone Records in New York
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City in April of nineteen thirty and Frankie Newton was
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a highly regarded jazz trumpeter. He played with Chickwebb, Benny Carter,
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and Lucky Millinder. Between March nineteen thirty seven and August
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of nineteen thirty nine. Frankie Newton recorded eight sessions as
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a band leader, and Frankie's Jump came out of one
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of those studio dates. Frankie Newton, let's keep writing the
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wrong by continuing to honor band leaders whose music we
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have not played over the past year. Let's go to
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a record now, what about one from Dick sta Bile.
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Dick played the sax and he was also clarinetist, serving
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as a musician and bandleader for over forty years. So
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long and successful career for Dick Stabile, and I've picked
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the good one from Dick for your listening pleasure.
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My ambition to audition for a swell radio Yes, to
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tell you why I love you from Coast to coat.
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It's not the money in the honey that I keep
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thinking of, it's the chance to romance you from coast
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to coast. Sometimes I start to pour off my heart
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and writing, but through a micro word sound more exciting.
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So if I get work on the network, honey, I'll
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sing you a host when I broadcast I Love You
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from Coast to coo.
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An absolutely wonderful record from Sachs Great Dick Stabeel and
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his orchestra, I Love You from Coast to Coast on
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Bluebird Records, recorded in nineteen thirty six. Billy Trask was
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on the vocal for that one, and Dick actually did
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double duty on that record. We also get to hear
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him play the clarinet A little later on in the
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piece Dick Stabiel and his orchestra. Folks, thanks for joining
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me for all or part of today's edition of the
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Make Believe Ballroom. I could be reached at Jeff at
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make Believe Ballroom Radio dot com. That's Jeff at make
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Believe Ballroom Radio dot com. And I think I'll play
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one more. Then I'm going to read an email I
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received this week at that very same Jeff at make
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Believe Ballroom dot com. So for your listening pleasure, have
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it a little music by pianist, arranger and bandleader Bob Zerke.
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That was Bob Zerky and his Delta Rhythm Band. Everybody's
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Step was the name of the tune. It was recorded
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on Victor Records in nineteen thirty nine. Now Bob Zerky's
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big break came when he substituted for the popular pianist
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Joe Sullivan, who was featured in the Bob Crosby Orchestra.
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Now Joe. Unfortunately, Joe Sullivan had contracted tuberculosis and that
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kept him in a sanitarium for a couple of years.
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So Bob gained a lot of fame while holding the
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spot for Joe's return. Now, when he was healthy again,
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he once again, obviously I'm talking about Joe Sullivan took
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his piano seat back with the Crosby So Durky, with
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his positive exposure as a temporary member of the Bob
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Crosby Band, tried to start his own orchestra, but unfortunately,
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demons kept on popping up in Bob's life. A critical
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and public reception of Zerki's Delta Rhythm Band was extremely positive,
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but Zerk unfortunately ended up being well. He ended up
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being totally unreliable, unpredictable, and somewhat volatile as a band leader,
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not the tools you actually need to play well with others.
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But unfortunately this was partly due to his alcohol dependency
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and alleged drug use. So the band came to a
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halt not long after its final RCA victor session of
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May nineteen forty, which also proved Zerki's last visit to
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the Commercial rec According studio. Afterwards, Zurki served the jail
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sentence in Detroit for I think it was failing to
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pay alimony to a past wife. So Zerki blew by
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his own doing what should have been a shining career. Now,
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unlike Zerki and I'm going to go out a sequence
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here a little, as I always do on the show.
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Joe Sullivan was beloved by the public as well as
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Bob Crosby and his orchestra. He was so beloved Joe
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Sullivan was that when he was recovering from tuberculosis, Bob
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Crosby organized and appeared with the orchestra in a five
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hour benefit for him at the Pain Pacific Auditorium in
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Los Angeles in May of nineteen thirty seven in front
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of an audience of six thousand Joe Sullivan's supporters. Now,
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that show was broadcast over at two different radio stations,
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with fourteen bands attending to help raise money for Joe,
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including Woody Herman, Ray Noble, Jimmy Dorsey, Jimmy Greer who
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he just played, Louis Prima, Harry Owen, and Victor Young.
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Other performers included Connie Boswell, the Great, Johnny Mercer, and
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Red Norvo, and as a result, they all got together
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to help Joe Sullivan pay down his medical bills and
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several thousand dollars were raised to help ease the burden
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on Joe. Why don't I play one by Joe? And
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I didn't really intend on adding this today, so let
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me look through my Joe Sullivan playlist, and Joe actually
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fits the criteria of today's program, which is only play
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records by artists who have not played who we have
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not played excuse me over the last few years. And
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here's a nice one that I always liked by Joe Sullivan.
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About I think.
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That was Little Rock Getaway, a piano solo by Joe
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Sullivan from Decca Records, recorded in nineteen thirty five. And
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now my friends.
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Letters, good letters.
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So yes, we do indeed get correspondents, maybe not letters,
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but plenty o emails and recorded messages. A lot of
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music to cover today, and my attempt to play as
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many songs as I can by bandleaders who's music I
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haven't played it all over the past year. So let
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me now read one, and if there's time at the
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end of the show, I'll read another. This one comes
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from Jerry Cox, who listens on our flagship affiliate, The
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Great Jazz ninety point one in Rochester, New York, and
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Jerry rights high I perked up when you discussed big
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band mortals on Stamps in nineteen ninety three. For those
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who didn't hear that program on the Ballroom a few
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weeks back. I did indeed play music by big band
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artists who were memorialized as part of a United States
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Postal United States Postal Service series that was called Legends
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of American Music. Let me go on with this cemail
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all started again from the top. I perked up when
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you discussed big band of Mortals on stamps in nineteen
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ninety three. While not a big stamp collector, I have
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made a few purchases over the years, not as investments
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but for my own pleasure. One of my prized postal
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items is a nineteen ninety nine cell Celebrate the Century
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nineteen forties, the Big Band Sound stamp and first day
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issue the postcard with the op I just lost my
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place here. The postcard with the Big Band Sound is
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stamped Dobbins Air Force Base, Georgia, with postmark reading February nineteenth,
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nineteen ninety nine. It's a beautiful stamp on a beautiful
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postcard with a photograph of a big band on stage
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in a ballroom. I treasure it. Thanks for the show
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where you celebrated some music from musicians who appeared on
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postage stamps, and that is signed Jerry Cox and I
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thank you very much. Jerry, thanks for sharing. And you know,
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I looked up stamps from that series, The Legends of
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American Music, and I found that a lot of stamp
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dealers have sheets of stamps from that series that are
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literally on sale for only a few dollars. And if
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I don't forget next week, I'm going to make a
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