May 18, 2025
Make Believe Ballroom - 5/16/25 Edition
On this week's Make Believe Ballroom, bringing youClassic Big Band Hits from the 30s and 40s– a band vocalist who was second only to Bing Crosby, more listeners submit lists of their favorite big band songs, Lenny from Down the Block with his Record Pick of the Week - this and many more great songs and stories to cherish and enjoy on the program.
The Make Believe Ballroom is broadcast on member-supported Jazz 90.1 WGMC in Rochester, NY, as well as on other fine radio affiliates across the United States and the United Kingdom, and is also available as a podcast.
WEBVTT
1
00:00:00.960 --> 00:00:17.519
Time kets, make believe fall time. Put all your cares away.
2
00:00:19.440 --> 00:00:23.280
All the bands are here to bring good cheer your way.
3
00:00:25.199 --> 00:00:32.880
It's make really falling time and free to everyone. It's
4
00:00:32.960 --> 00:00:38.960
no time to friend your Dalis said, by bye. You
5
00:00:39.640 --> 00:00:44.759
suppose your eyes and vis you lie in your solitude.
6
00:00:45.799 --> 00:00:50.159
Your favorite bands are on this stand, and mister Miller,
7
00:00:50.280 --> 00:00:53.840
once you're in the wood, it's make believe falling time.
8
00:00:54.759 --> 00:00:56.960
We are of sweet Roman.
9
00:00:59.000 --> 00:00:59.799
Is you make really?
10
00:01:01.000 --> 00:01:03.359
I'm on last Dass.
11
00:01:03.119 --> 00:01:08.840
Last, Hello world, I'm Jeff Presler, turning on the lights
12
00:01:08.840 --> 00:01:12.319
of the Make Believe Ballroom and welcoming you into my
13
00:01:12.519 --> 00:01:16.359
crystal studio for another program of the great big band
14
00:01:16.439 --> 00:01:20.319
hits of the nineteen thirties and nineteen forties. Whether you're
15
00:01:20.319 --> 00:01:24.000
listening on the radio via great affiliates like Jazz ninety
16
00:01:24.079 --> 00:01:29.239
point one WGMC in Rochester, New York, or on podcast,
17
00:01:29.799 --> 00:01:33.760
or perhaps on internet radio across the United Kingdom, any
18
00:01:33.760 --> 00:01:37.200
way you've gotten here, I'm delighted and ready to bring
19
00:01:37.239 --> 00:01:40.920
you an hour of some wonderful big band jazz, swing,
20
00:01:41.000 --> 00:01:45.760
blues and boogie woogie classics. Folks, you're listening to the
21
00:01:45.799 --> 00:01:52.159
Make Believe Ballroom broadcasting almost continuously since nineteen thirty five,
22
00:01:52.879 --> 00:01:56.680
and once again welcome one and all into my Crystal studio.
23
00:01:56.799 --> 00:01:59.879
Good show planning for you. Today, I'm going to continue
24
00:02:00.120 --> 00:02:04.799
i did last week, and that is to play selections
25
00:02:04.840 --> 00:02:08.919
from big band record lists that were put together by
26
00:02:09.039 --> 00:02:13.479
a few of our listeners who have graciously shared them
27
00:02:13.719 --> 00:02:17.719
with us. Also the lost tapes of Lenny from down
28
00:02:17.759 --> 00:02:22.159
the Block on today's program. What tapes were lost? Well,
29
00:02:22.199 --> 00:02:25.560
I'll discuss that in just a little while, and in
30
00:02:25.680 --> 00:02:29.479
just a moment, a mini tribute to a banded vocalist
31
00:02:29.960 --> 00:02:34.080
whose popularity, for a while at least well at rival
32
00:02:34.319 --> 00:02:37.560
that of one of the greatest crooners of all time.
33
00:02:38.159 --> 00:03:18.120
First though, how about a little Charlie Barnett.
34
00:03:00.400 --> 00:03:03.360
The moby hllerybove you.
35
00:03:05.000 --> 00:03:09.039
Hamny be wit for fam Ribbon is the thing for
36
00:03:09.280 --> 00:03:15.840
me is the kinder direct It puts you in the
37
00:03:15.960 --> 00:03:19.680
good bisdom enough hamed to be waitful.
38
00:03:21.319 --> 00:03:22.240
Is the thing for me.
39
00:03:24.360 --> 00:03:27.840
If you want to be your sender, you don't live
40
00:03:28.080 --> 00:03:32.159
out of to be November. You can't a major Steve
41
00:03:32.439 --> 00:03:33.800
when you run that bound.
42
00:03:33.840 --> 00:03:41.120
The boy.
43
00:03:40.439 --> 00:03:46.800
Hot money hab to be wit for that Famy Ribbon
44
00:03:46.960 --> 00:03:47.639
is the thing.
45
00:03:47.599 --> 00:03:59.919
For me, The.
46
00:04:30.879 --> 00:04:48.720
Me that did me, bog.
47
00:04:51.240 --> 00:04:52.000
Cock.
48
00:05:20.399 --> 00:05:23.879
If you want to be a sender, you don't give
49
00:05:24.120 --> 00:05:25.959
out with being novendor.
50
00:05:26.720 --> 00:05:27.959
You grab a major.
51
00:05:27.800 --> 00:05:29.240
Steve and then you run it.
52
00:05:29.480 --> 00:05:32.360
Thrown by.
53
00:05:33.680 --> 00:05:38.759
Rhythman is so fine it makes the trouble off your mind.
54
00:05:39.959 --> 00:05:41.240
Me wit mod.
55
00:05:43.040 --> 00:05:43.879
The thing for me?
56
00:05:44.759 --> 00:05:50.480
Why a thing for me?
57
00:05:52.959 --> 00:05:56.160
From Deco Records, we just heard I Like to riff
58
00:05:56.680 --> 00:06:01.000
Charlie Barnett and his Orchestra, trumpet and vocal by Peanuts Holland,
59
00:06:01.360 --> 00:06:05.600
recorded in New York City, April thirtieth, nineteen forty two,
60
00:06:06.439 --> 00:06:10.000
and the music and lyrics on that song I Like
61
00:06:10.160 --> 00:06:15.800
to riff or by Nat King Cole into Peanuts Holland,
62
00:06:16.720 --> 00:06:21.800
probably one of the more underrated musicians of the big
63
00:06:21.959 --> 00:06:26.360
band era. So I said, I wanted to discuss and
64
00:06:26.439 --> 00:06:30.680
play some music from a crooner who had an enormous
65
00:06:31.240 --> 00:06:36.120
amount of popularity in the late thirties and very early
66
00:06:36.279 --> 00:06:43.560
nineteen forties. In nineteen thirty six, Tommy Dorsey recruited three
67
00:06:43.720 --> 00:06:50.199
vocalists from Bert Bloch's orchestra to join his band and
68
00:06:50.399 --> 00:06:53.800
to under block. These three vocalists were known as the
69
00:06:53.959 --> 00:06:59.000
Three Chirps. When they joined Tommy Dorsey, he changed the
70
00:06:59.120 --> 00:07:03.439
name and they became the Three Esquires. Now the three
71
00:07:03.639 --> 00:07:11.240
Esquires were trumpeter vocalist Joe Bauer, arranger vocalist Axel Stordahl.
72
00:07:12.319 --> 00:07:19.160
Axel later became the driving force behind so many Sinatra arrangements,
73
00:07:19.720 --> 00:07:24.240
and the third member of the Esquires was Jack Leonard.
74
00:07:24.720 --> 00:07:27.680
And I want a key on one of those Esquires,
75
00:07:27.759 --> 00:07:33.079
specifically Jack Leonard. Now Jack, in addition to his vocals
76
00:07:33.399 --> 00:07:39.439
with the Three Esquires, eventually became Tommy Dorsey's primary solo
77
00:07:39.680 --> 00:07:43.879
singer in the late nineteen thirties, and he actually rivaled
78
00:07:44.000 --> 00:07:47.839
for a while, believe it or not, the great Bing
79
00:07:48.079 --> 00:07:53.120
Crosby as the country's top male singer. To add to
80
00:07:53.279 --> 00:07:58.160
his superb voice, Jack Leonard was said to be a
81
00:07:58.279 --> 00:08:03.439
very handsome guy that had many female admirers. Now due
82
00:08:03.480 --> 00:08:09.079
to his status as this romantic singer, Jack Leonard, who
83
00:08:09.240 --> 00:08:12.439
was not only liked by his fans, but literally by
84
00:08:13.040 --> 00:08:18.639
everyone in the music industry. Well, Jack actually was a
85
00:08:18.680 --> 00:08:22.959
little self conscious because he was nearsighted and he refused
86
00:08:23.000 --> 00:08:26.240
to wear glasses in public. I guess so as not
87
00:08:26.399 --> 00:08:34.519
to spoil his persona as a romantic figure. You know, folks,
88
00:08:35.200 --> 00:08:37.639
I was just thinking about this many of you who
89
00:08:37.679 --> 00:08:44.679
were around prior to contact lenses and laser surgery. You
90
00:08:44.919 --> 00:08:49.679
folks also might have been self conscious wearing glasses, and
91
00:08:49.799 --> 00:08:52.879
I can certainly remember so many friends and girlfriends who
92
00:08:52.879 --> 00:08:57.879
would not wear their glasses for that very reason, and
93
00:08:58.360 --> 00:09:03.120
they would squint through movies and dates that couldn't identify
94
00:09:03.679 --> 00:09:06.279
everyone at a party that was more than six feet
95
00:09:06.360 --> 00:09:09.200
out of range. Remember that there were a lot of
96
00:09:09.240 --> 00:09:12.720
people walking around squinting back. Then let me get back
97
00:09:12.759 --> 00:09:16.600
to Jack Leonard though, and play one with him and
98
00:09:16.720 --> 00:09:22.679
Tommy Dorsey, and then the circumstances that curtailed Jack's long
99
00:09:22.879 --> 00:09:24.200
term popularity.
100
00:10:19.120 --> 00:10:26.039
Marie the Dolly Spray, Marie.
101
00:10:27.519 --> 00:10:31.559
You Sue two.
102
00:10:31.600 --> 00:10:35.080
Five, Rbot, Dorry.
103
00:10:37.320 --> 00:10:43.559
And Tims go back as you recall the.
104
00:10:46.000 --> 00:10:47.039
In all its.
105
00:10:46.960 --> 00:10:53.159
Flames of your kids so many.
106
00:10:54.600 --> 00:10:56.559
The word.
107
00:10:58.039 --> 00:11:00.639
Would you Surrey go.
108
00:11:04.519 --> 00:11:06.080
Nen't in any way?
109
00:12:42.159 --> 00:12:47.320
On Victor Records the Irving Berlin classic Marie by Tommy
110
00:12:47.440 --> 00:12:52.600
Dorsey and his orchestra vocal by Jack Leonard, recorded in
111
00:12:52.799 --> 00:12:57.639
New York City January the twenty ninth, nineteen thirty seven.
112
00:12:58.279 --> 00:13:01.600
So Jack Leonard was sitting on top of the world
113
00:13:01.679 --> 00:13:06.639
in the late thirties and early forties. An ever popular vocalist,
114
00:13:06.799 --> 00:13:11.559
with his popularity growing liked, as I mentioned by everyone
115
00:13:11.720 --> 00:13:16.320
he ever met, it was a real shocker that just
116
00:13:16.360 --> 00:13:20.279
a couple of years after joining Tommy Dorsey and with
117
00:13:20.440 --> 00:13:26.600
whom he Jack actually helped raise that already massively popular
118
00:13:26.759 --> 00:13:31.080
orchestra to even greater heights. Well, Tommy Dorsey let him
119
00:13:31.159 --> 00:13:36.840
go in November of nineteen thirty nine. Now his bandmates
120
00:13:36.960 --> 00:13:42.600
were equally shocked and surprised at this news. The rumor
121
00:13:42.799 --> 00:13:46.799
at the time was that Tommy Dorsey had grown well,
122
00:13:46.840 --> 00:13:52.120
he'd grown suspicious of Jack's intentions, fearing that he was
123
00:13:52.200 --> 00:13:55.559
going to leave soon for a solo career, so he
124
00:13:55.879 --> 00:14:01.799
decided to force lener it out now himself, maybe a
125
00:14:01.919 --> 00:14:07.360
Tommy Dorsey's suggestion, who might have thought Tommy Dorsey might
126
00:14:07.480 --> 00:14:10.639
have thought that it was a bad idea to let
127
00:14:10.799 --> 00:14:14.360
Jack go. Well, Jack went out and said that he
128
00:14:14.519 --> 00:14:18.679
needed a break and would return soon, And indeed, an
129
00:14:18.720 --> 00:14:23.399
announcement was made a week later that Leonard and Dorsey
130
00:14:23.639 --> 00:14:27.799
had patched up their differences and that Jack would return
131
00:14:28.000 --> 00:14:35.279
to the band permanently. He unfortunately though never did. Now
132
00:14:35.559 --> 00:14:41.080
Dorsey had just lost his other full time vocalist, Edith Wright.
133
00:14:41.279 --> 00:14:47.240
The previous month and ultimately decided to in the end
134
00:14:47.600 --> 00:14:52.200
use the opportunity of shedding Jack Leonard to revamp his
135
00:14:52.600 --> 00:14:57.200
entire orchestra, which might have also played a part in
136
00:14:57.360 --> 00:15:02.720
the singer's departure when it came to Tommy Dorsey's strategy.
137
00:15:02.840 --> 00:15:07.320
So Jack Leonard was replaced in the Dorsey Van by
138
00:15:07.600 --> 00:15:13.279
Alan de Witt, a huge mistake on Dorsey's part as
139
00:15:13.399 --> 00:15:17.879
he failed to work out and Tommy Dorsey decided to
140
00:15:17.960 --> 00:15:22.519
cut his losses and Alan de Witt was replaced after
141
00:15:22.639 --> 00:15:26.799
less than two months with the Dorsey Orchestra who replaced him,
142
00:15:26.840 --> 00:15:30.759
who replaced Alan de Witt well, and only Frank Sinatra
143
00:15:31.360 --> 00:15:34.639
so over. In the next few years, Jack Leonard, at
144
00:15:34.720 --> 00:15:37.600
the height of his popularity, found a lot of work
145
00:15:37.679 --> 00:15:41.759
on radio. He was appearing three times a week on CBS.
146
00:15:42.440 --> 00:15:42.559
Now.
147
00:15:42.639 --> 00:15:46.279
When Leonard wasn't on the radio, he was either performing
148
00:15:46.360 --> 00:15:49.600
in theaters or in the recording studio. He had signed
149
00:15:49.639 --> 00:15:54.000
the contract with Okay Records. Now he was about to
150
00:15:54.080 --> 00:15:57.039
head to Hollywood for a screen test for a movie
151
00:15:57.879 --> 00:16:01.559
when he received his draft notice in March of nineteen
152
00:16:01.720 --> 00:16:06.440
forty one. It was a long run for Jack in
153
00:16:06.559 --> 00:16:10.559
the Army, as he spent the entirety of the war
154
00:16:10.919 --> 00:16:15.240
in the military. Now he didn't request any special privileges
155
00:16:15.360 --> 00:16:19.320
to serve with an orchestra, but due to his popularity,
156
00:16:19.919 --> 00:16:24.080
he was eventually singing and leading his own military band.
157
00:16:24.679 --> 00:16:29.120
When he was discharged in nineteen forty six, he received
158
00:16:29.240 --> 00:16:33.679
many offers, but many of those offers sort of fizzled
159
00:16:33.919 --> 00:16:39.000
after a while because his recording style, maybe due to
160
00:16:39.120 --> 00:16:42.200
his long time in the military, became a kind of
161
00:16:42.480 --> 00:16:48.080
old and passe, so Jack by the late nineteen forties
162
00:16:48.200 --> 00:16:51.720
had pretty much finished off his career. He did work
163
00:16:51.759 --> 00:16:55.679
as an executive with Natkin Cooldo for many years, but
164
00:16:55.840 --> 00:17:00.320
his old days of fame and adulation were a forgotten memory. Marie,
165
00:17:02.279 --> 00:17:07.799
one more as we pay tribute to vocalist Jack Leonard.
166
00:18:33.960 --> 00:18:36.119
You are.
167
00:18:37.359 --> 00:18:43.039
The promised kiss of spring time that makes the lonely
168
00:18:43.279 --> 00:18:45.640
winter seem low.
169
00:18:49.160 --> 00:18:51.359
You ware.
170
00:18:52.680 --> 00:18:59.240
The breathless Hussha evening that trembles on the drink of
171
00:18:59.400 --> 00:19:05.559
the love the solve. You are the aims you b
172
00:19:07.160 --> 00:19:13.400
that might ditar the dearest things. I know.
173
00:19:15.319 --> 00:19:20.000
What you are, so.
174
00:19:23.599 --> 00:19:32.839
My happy arms will hold you, and so that moment
175
00:19:33.079 --> 00:19:36.920
provide when all the things.
176
00:19:36.759 --> 00:19:37.519
You are.
177
00:19:39.400 --> 00:20:24.559
More, all the things you Are a familiar song by
178
00:20:24.799 --> 00:20:28.519
Tommy Dorsey and his orchestra vocal by Jack Leonard, recorded
179
00:20:28.599 --> 00:20:32.720
on Victor Records in nineteen thirty nine. A little mini
180
00:20:32.880 --> 00:20:37.759
tribute to Jack Leonard. I'm Jeff Bresler and you're listening
181
00:20:37.880 --> 00:20:42.079
to the one, the only, the original Make Believe Ballroom.
182
00:20:42.559 --> 00:20:46.400
How about another record then, a listener's favorite big band
183
00:20:46.559 --> 00:20:47.480
eras song.
184
00:20:47.359 --> 00:22:05.759
List are.
185
00:22:06.920 --> 00:22:09.119
Somehow Us.
186
00:23:28.759 --> 00:23:33.079
From Decca Records, Chick Web and his Orchestra with Lyndy
187
00:23:33.400 --> 00:23:39.000
Hopper's Delight, recorded in nineteen thirty eight. So friends, last
188
00:23:39.039 --> 00:23:43.559
week I played selections from the favorite big band songs
189
00:23:43.880 --> 00:23:49.440
record lists of Paul Poga and Jim Hulsey, two of
190
00:23:49.559 --> 00:23:54.279
our listeners. Jim a longtime listener and Paul Poga new
191
00:23:54.359 --> 00:23:58.039
to us here in the Make Believe Ballroom. I played
192
00:23:58.079 --> 00:24:04.359
selections from their lists. They were inspired from the list
193
00:24:05.000 --> 00:24:09.680
of swing dancers John and Elaine Stewart who listened to
194
00:24:09.839 --> 00:24:14.799
the Make Believe Ballroom in Los Angeles, and they had
195
00:24:14.880 --> 00:24:17.640
sent us a listo about a month ago. I have
196
00:24:17.720 --> 00:24:21.000
two more lists to peruse today that also came from
197
00:24:21.400 --> 00:24:26.000
listeners after the Stuart's list was broadcast, and the first
198
00:24:26.160 --> 00:24:32.079
is from an iHeart radio listener Tam Morgan and Tam
199
00:24:32.160 --> 00:24:37.000
Wrights love to Make Believe Ballroom, A regular listener inspired
200
00:24:37.119 --> 00:24:40.519
to give you my list of favorite swing era songs.
201
00:24:40.599 --> 00:24:44.920
I hope you enjoy them, and that's sign Tam. Thanks Tam.
202
00:24:45.759 --> 00:24:50.440
I don't know if you're Tam as in Tammy or
203
00:24:50.559 --> 00:24:55.359
perhaps Tam as in Tam O'Shanter. Nevertheless, male or female,
204
00:24:55.519 --> 00:25:02.400
it doesn't matter. I'm thinking about those tam O'Shanter hats. Yes,
205
00:25:02.519 --> 00:25:05.720
Tam o' shanter was a man, and there was a
206
00:25:05.839 --> 00:25:09.960
poem written Tam o' shanter which I think was it
207
00:25:10.119 --> 00:25:15.480
was by uh Robert Burns. Yes, Robert Burns wrote that poem,
208
00:25:15.559 --> 00:25:20.599
and Tam O'Shanter was indeed a man, So I guess
209
00:25:20.960 --> 00:25:25.680
maybe Tam Morgan is male. And to why I kind
210
00:25:25.720 --> 00:25:29.960
of on this tangent about Robert Burns and tam O'Shanter
211
00:25:30.119 --> 00:25:34.359
hats is beyond me. What does matter is that Tam
212
00:25:34.480 --> 00:25:39.519
Morgan gave us a great fifteen songs on a list
213
00:25:40.000 --> 00:25:43.319
I'll be happy to play three. Let's start with this one.
214
00:26:23.279 --> 00:26:26.160
Say look here, looking, what's this place up town? And
215
00:26:26.319 --> 00:26:28.559
all the helpcats rave about stuff?
216
00:26:28.640 --> 00:26:31.039
Boy at that stuff Savoy.
217
00:26:31.000 --> 00:26:33.440
Well tell me Jack, what's this place, Mike?
218
00:26:33.720 --> 00:26:35.680
So I can come up and swaying.
219
00:26:35.400 --> 00:26:40.759
Some night where the folks start jumping, where the man's
220
00:26:40.839 --> 00:26:45.920
keep romping, where your feet start stopping, where your heart
221
00:26:46.039 --> 00:26:49.119
keeps stopping. So by boy, come on and jump for joy.
222
00:26:49.240 --> 00:26:50.440
We just want to go. We want to go.
223
00:26:50.599 --> 00:26:54.680
We want to go where where your feet calls Panny,
224
00:26:55.680 --> 00:26:59.839
let your hearts go, Freddy rather cook out mc kenny,
225
00:27:00.960 --> 00:27:05.960
Where the drive time, Tanny. We want to go, We
226
00:27:06.079 --> 00:27:06.640
wanna go, We.
227
00:27:06.720 --> 00:27:07.480
Want to go there.
228
00:28:41.680 --> 00:28:47.359
From Decca Records, Savoy, Lucky Millinder and his Orchestra, recorded
229
00:28:47.440 --> 00:28:51.799
in New York City on February eighteenth, nineteen forty two,
230
00:28:53.039 --> 00:28:56.039
and the first of three selections I will play today
231
00:28:56.519 --> 00:29:01.240
from a Favorites lest submitted by Tam Morgan. Folks feel
232
00:29:01.279 --> 00:29:04.279
free to submit your list of favorite Big Band era
233
00:29:04.480 --> 00:29:08.519
songs Jeff at Make Believe Ballroom Radio dot com. That's
234
00:29:08.599 --> 00:29:11.440
Jeff at Make Believe Ballroom Radio dot Com. And now
235
00:29:11.480 --> 00:29:13.480
how about another one from TAM's list?
236
00:30:31.960 --> 00:30:43.440
Nothing in.
237
00:30:56.240 --> 00:31:54.319
Me for Dancers only on Decca Records, Recorded in New
238
00:31:54.440 --> 00:31:59.319
York City, January the twenty sixth, nineteen thirty seven. Jimmy
239
00:31:59.599 --> 00:32:05.759
Lunz Bird and his orchestra with that Christopher Columbus sounding
240
00:32:05.920 --> 00:32:09.279
riff as part of four Dancers Only. Let me play
241
00:32:09.359 --> 00:32:12.759
one final tune from listener Tam Morgan's list.
242
00:32:21.319 --> 00:32:30.000
You've seen him up and down the oven, and now
1
00:00:00.960 --> 00:00:17.519
2
00:00:19.440 --> 00:00:23.280
3
00:00:25.199 --> 00:00:32.880
4
00:00:32.960 --> 00:00:38.960
5
00:00:39.640 --> 00:00:44.759
6
00:00:45.799 --> 00:00:50.159
7
00:00:50.280 --> 00:00:53.840
8
00:00:54.759 --> 00:00:56.960
9
00:00:59.000 --> 00:00:59.799
10
00:01:01.000 --> 00:01:03.359
11
00:01:03.119 --> 00:01:08.840
12
00:01:08.840 --> 00:01:12.319
13
00:01:12.519 --> 00:01:16.359
14
00:01:16.439 --> 00:01:20.319
15
00:01:20.319 --> 00:01:24.000
16
00:01:24.079 --> 00:01:29.239
17
00:01:29.799 --> 00:01:33.760
18
00:01:33.760 --> 00:01:37.200
19
00:01:37.239 --> 00:01:40.920
20
00:01:41.000 --> 00:01:45.760
21
00:01:45.799 --> 00:01:52.159
22
00:01:52.879 --> 00:01:56.680
23
00:01:56.799 --> 00:01:59.879
24
00:02:00.120 --> 00:02:04.799
25
00:02:04.840 --> 00:02:08.919
26
00:02:09.039 --> 00:02:13.479
27
00:02:13.719 --> 00:02:17.719
28
00:02:17.759 --> 00:02:22.159
29
00:02:22.199 --> 00:02:25.560
30
00:02:25.680 --> 00:02:29.479
31
00:02:29.960 --> 00:02:34.080
32
00:02:34.319 --> 00:02:37.560
33
00:02:38.159 --> 00:03:18.120
34
00:03:00.400 --> 00:03:03.360
35
00:03:05.000 --> 00:03:09.039
36
00:03:09.280 --> 00:03:15.840
37
00:03:15.960 --> 00:03:19.680
38
00:03:21.319 --> 00:03:22.240
39
00:03:24.360 --> 00:03:27.840
40
00:03:28.080 --> 00:03:32.159
41
00:03:32.439 --> 00:03:33.800
42
00:03:33.840 --> 00:03:41.120
43
00:03:40.439 --> 00:03:46.800
44
00:03:46.960 --> 00:03:47.639
45
00:03:47.599 --> 00:03:59.919
46
00:04:30.879 --> 00:04:48.720
47
00:04:51.240 --> 00:04:52.000
48
00:05:20.399 --> 00:05:23.879
49
00:05:24.120 --> 00:05:25.959
50
00:05:26.720 --> 00:05:27.959
51
00:05:27.800 --> 00:05:29.240
52
00:05:29.480 --> 00:05:32.360
53
00:05:33.680 --> 00:05:38.759
54
00:05:39.959 --> 00:05:41.240
55
00:05:43.040 --> 00:05:43.879
56
00:05:44.759 --> 00:05:50.480
57
00:05:52.959 --> 00:05:56.160
58
00:05:56.680 --> 00:06:01.000
59
00:06:01.360 --> 00:06:05.600
60
00:06:06.439 --> 00:06:10.000
61
00:06:10.160 --> 00:06:15.800
62
00:06:16.720 --> 00:06:21.800
63
00:06:21.959 --> 00:06:26.360
64
00:06:26.439 --> 00:06:30.680
65
00:06:31.240 --> 00:06:36.120
66
00:06:36.279 --> 00:06:43.560
67
00:06:43.720 --> 00:06:50.199
68
00:06:50.399 --> 00:06:53.800
69
00:06:53.959 --> 00:06:59.000
70
00:06:59.120 --> 00:07:03.439
71
00:07:03.639 --> 00:07:11.240
72
00:07:12.319 --> 00:07:19.160
73
00:07:19.720 --> 00:07:24.240
74
00:07:24.720 --> 00:07:27.680
75
00:07:27.759 --> 00:07:33.079
76
00:07:33.399 --> 00:07:39.439
77
00:07:39.680 --> 00:07:43.879
78
00:07:44.000 --> 00:07:47.839
79
00:07:48.079 --> 00:07:53.120
80
00:07:53.279 --> 00:07:58.160
81
00:07:58.279 --> 00:08:03.439
82
00:08:03.480 --> 00:08:09.079
83
00:08:09.240 --> 00:08:12.439
84
00:08:13.040 --> 00:08:18.639
85
00:08:18.680 --> 00:08:22.959
86
00:08:23.000 --> 00:08:26.240
87
00:08:26.399 --> 00:08:34.519
88
00:08:35.200 --> 00:08:37.639
89
00:08:37.679 --> 00:08:44.679
90
00:08:44.919 --> 00:08:49.679
91
00:08:49.799 --> 00:08:52.879
92
00:08:52.879 --> 00:08:57.879
93
00:08:58.360 --> 00:09:03.120
94
00:09:03.679 --> 00:09:06.279
95
00:09:06.360 --> 00:09:09.200
96
00:09:09.240 --> 00:09:12.720
97
00:09:12.759 --> 00:09:16.600
98
00:09:16.720 --> 00:09:22.679
99
00:09:22.879 --> 00:09:24.200
100
00:10:19.120 --> 00:10:26.039
101
00:10:27.519 --> 00:10:31.559
102
00:10:31.600 --> 00:10:35.080
103
00:10:37.320 --> 00:10:43.559
104
00:10:46.000 --> 00:10:47.039
105
00:10:46.960 --> 00:10:53.159
106
00:10:54.600 --> 00:10:56.559
107
00:10:58.039 --> 00:11:00.639
108
00:11:04.519 --> 00:11:06.080
109
00:12:42.159 --> 00:12:47.320
110
00:12:47.440 --> 00:12:52.600
111
00:12:52.799 --> 00:12:57.639
112
00:12:58.279 --> 00:13:01.600
113
00:13:01.679 --> 00:13:06.639
114
00:13:06.799 --> 00:13:11.559
115
00:13:11.720 --> 00:13:16.320
116
00:13:16.360 --> 00:13:20.279
117
00:13:20.440 --> 00:13:26.600
118
00:13:26.759 --> 00:13:31.080
119
00:13:31.159 --> 00:13:36.840
120
00:13:36.960 --> 00:13:42.600
121
00:13:42.799 --> 00:13:46.799
122
00:13:46.840 --> 00:13:52.120
123
00:13:52.200 --> 00:13:55.559
124
00:13:55.879 --> 00:14:01.799
125
00:14:01.919 --> 00:14:07.360
126
00:14:07.480 --> 00:14:10.639
127
00:14:10.799 --> 00:14:14.360
128
00:14:14.519 --> 00:14:18.679
129
00:14:18.720 --> 00:14:23.399
130
00:14:23.639 --> 00:14:27.799
131
00:14:28.000 --> 00:14:35.279
132
00:14:35.559 --> 00:14:41.080
133
00:14:41.279 --> 00:14:47.240
134
00:14:47.600 --> 00:14:52.200
135
00:14:52.600 --> 00:14:57.200
136
00:14:57.360 --> 00:15:02.720
137
00:15:02.840 --> 00:15:07.320
138
00:15:07.600 --> 00:15:13.279
139
00:15:13.399 --> 00:15:17.879
140
00:15:17.960 --> 00:15:22.519
141
00:15:22.639 --> 00:15:26.799
142
00:15:26.840 --> 00:15:30.759
143
00:15:31.360 --> 00:15:34.639
144
00:15:34.720 --> 00:15:37.600
145
00:15:37.679 --> 00:15:41.759
146
00:15:42.440 --> 00:15:42.559
147
00:15:42.639 --> 00:15:46.279
148
00:15:46.360 --> 00:15:49.600
149
00:15:49.639 --> 00:15:54.000
150
00:15:54.080 --> 00:15:57.039
151
00:15:57.879 --> 00:16:01.559
152
00:16:01.720 --> 00:16:06.440
153
00:16:06.559 --> 00:16:10.559
154
00:16:10.919 --> 00:16:15.240
155
00:16:15.360 --> 00:16:19.320
156
00:16:19.919 --> 00:16:24.080
157
00:16:24.679 --> 00:16:29.120
158
00:16:29.240 --> 00:16:33.679
159
00:16:33.919 --> 00:16:39.000
160
00:16:39.120 --> 00:16:42.200
161
00:16:42.480 --> 00:16:48.080
162
00:16:48.200 --> 00:16:51.720
163
00:16:51.759 --> 00:16:55.679
164
00:16:55.840 --> 00:17:00.320
165
00:17:02.279 --> 00:17:07.799
166
00:18:33.960 --> 00:18:36.119
167
00:18:37.359 --> 00:18:43.039
168
00:18:43.279 --> 00:18:45.640
169
00:18:49.160 --> 00:18:51.359
170
00:18:52.680 --> 00:18:59.240
171
00:18:59.400 --> 00:19:05.559
172
00:19:07.160 --> 00:19:13.400
173
00:19:15.319 --> 00:19:20.000
174
00:19:23.599 --> 00:19:32.839
175
00:19:33.079 --> 00:19:36.920
176
00:19:36.759 --> 00:19:37.519
177
00:19:39.400 --> 00:20:24.559
178
00:20:24.799 --> 00:20:28.519
179
00:20:28.599 --> 00:20:32.720
180
00:20:32.880 --> 00:20:37.759
181
00:20:37.880 --> 00:20:42.079
182
00:20:42.559 --> 00:20:46.400
183
00:20:46.559 --> 00:20:47.480
184
00:20:47.359 --> 00:22:05.759
185
00:22:06.920 --> 00:22:09.119
186
00:23:28.759 --> 00:23:33.079
187
00:23:33.400 --> 00:23:39.000
188
00:23:39.039 --> 00:23:43.559
189
00:23:43.880 --> 00:23:49.440
190
00:23:49.559 --> 00:23:54.279
191
00:23:54.359 --> 00:23:58.039
192
00:23:58.079 --> 00:24:04.359
193
00:24:05.000 --> 00:24:09.680
194
00:24:09.839 --> 00:24:14.799
195
00:24:14.880 --> 00:24:17.640
196
00:24:17.720 --> 00:24:21.000
197
00:24:21.400 --> 00:24:26.000
198
00:24:26.160 --> 00:24:32.079
199
00:24:32.160 --> 00:24:37.000
200
00:24:37.119 --> 00:24:40.519
201
00:24:40.599 --> 00:24:44.920
202
00:24:45.759 --> 00:24:50.440
203
00:24:50.559 --> 00:24:55.359
204
00:24:55.519 --> 00:25:02.400
205
00:25:02.519 --> 00:25:05.720
206
00:25:05.839 --> 00:25:09.960
207
00:25:10.119 --> 00:25:15.480
208
00:25:15.559 --> 00:25:20.599
209
00:25:20.960 --> 00:25:25.680
210
00:25:25.720 --> 00:25:29.960
211
00:25:30.119 --> 00:25:34.359
212
00:25:34.480 --> 00:25:39.519
213
00:25:40.000 --> 00:25:43.319
214
00:26:23.279 --> 00:26:26.160
215
00:26:26.319 --> 00:26:28.559
216
00:26:28.640 --> 00:26:31.039
217
00:26:31.000 --> 00:26:33.440
218
00:26:33.720 --> 00:26:35.680
219
00:26:35.400 --> 00:26:40.759
220
00:26:40.839 --> 00:26:45.920
221
00:26:46.039 --> 00:26:49.119
222
00:26:49.240 --> 00:26:50.440
223
00:26:50.599 --> 00:26:54.680
224
00:26:55.680 --> 00:26:59.839
225
00:27:00.960 --> 00:27:05.960
226
00:27:06.079 --> 00:27:06.640
227
00:27:06.720 --> 00:27:07.480
228
00:28:41.680 --> 00:28:47.359
229
00:28:47.440 --> 00:28:51.799
230
00:28:53.039 --> 00:28:56.039
231
00:28:56.519 --> 00:29:01.240
232
00:29:01.279 --> 00:29:04.279
233
00:29:04.480 --> 00:29:08.519
234
00:29:08.599 --> 00:29:11.440
235
00:29:11.480 --> 00:29:13.480
236
00:30:31.960 --> 00:30:43.440
237
00:30:56.240 --> 00:31:54.319
238
00:31:54.440 --> 00:31:59.319
239
00:31:59.599 --> 00:32:05.759
240
00:32:05.920 --> 00:32:09.279
241
00:32:09.359 --> 00:32:12.759
242
00:32:21.319 --> 00:32:30.000