April 4, 2025
Make Believe Ballroom - 4/4/25 Edition


On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States as well as in the United Kingdom – more records recorded on the same day, a demanding Frank...
On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States as well as in the United Kingdom – more records recorded on the same day, a demanding Frank Sinatra, a listner sends us a special record to play, Lenny from Down the Block and his record pick of the week - this and many more great songs to cherish and enjoy on the program.
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It's make believe ballroom time. Put all your cares away.
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All the bands are here to bring good cheer your way.
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It's make belief.
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Ballom time and free to everyone.
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It's no time to friend your Dalis said Bamba.
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Yours.
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Close your eyes and visualize in your solitude.
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Your favorite bands are on this dance and mister Miller,
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but you in the wood.
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Its make believe ballroom time. We are of sweet romance
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is to make bottom. Come on, Joe, last dance.
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Last, Hello world, I'm Jeff Bresler, turning on the lights
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of the Make Belief Ballroom and welcoming you into my
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crystal studio for another program of the great big band
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hits of the nineteen thirties and nineteen forties. Whether you're
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listening on the radio via great affiliates like Jan's ninety
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point one WGMC in Rochester, New York, or on a podcast,
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or perhaps listening on internet radio across the United Kingdom,
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I'm delighted to bring you an hour of some wonderful
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big band jazz, swing, blues and boogie woogie classics. Folks,
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you are listening to the Make Believe Ballroom, broadcasting almost
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continuously since nineteen thirty five, and once again, welcome into
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my Crystal studio. And during that little opening, I said
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that I'm delighted to bring you an hour of someone full,
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big band jazz, and I will begin to deliver on
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that promise right now.
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They pay and pakful.
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Creating anything may any people.
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That was Ziggy Ellman and his Orchestra with Deep Night,
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recorded for Bluebird Records on November twenty seventh, nineteen thirty nine.
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I didn't check the release date when I put that
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into my playlist Deep Night. There's some significance there, I'll
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tell Well, let me tell you about that moment. First,
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I just wanted to mention that Ziggy Ellman, in actuality,
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did not have his own band in nineteen thirty nine.
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He used most of Benny Goodman's musicians for the record
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I just played, and at the time trumpet player, Ziggy
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Ellman was, as we most of us know, a valued
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member of Benny Goodman's orchestra. So the reason I was
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a little shocked and that I had to take a
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sip of water was that that record was recorded on
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November twenty seventh, that being my birthday, not nineteen twenty nine.
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But the same day and month, so I didn't realize that.
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As I mentioned now, I am moving my chair, scooting over,
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wheeling over to the other computer here. If you remember
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a few shows back, I think I did it twice.
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I matched to some records that were recorded on the
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same day. So why don't I see what was up
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on my birth date November twenty seven and November twenty seventh,
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nineteen thirty nine, putting that into this box here and
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whila magically. On that day, Victor had twenty four studio
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sessions with Ziggy Ellman, accounting four one, two, three four
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of those, and on the same day Jimmy Dorsey recorded
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five sides let me find one of those to play
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for you stand by Okay here, recorded on November the
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twenty seventh, nineteen thirty nine, Jimmy Dorsey and his orchestra
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with do it Again. We'll hear vocals by Helen O'Connell
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and Bob Everley.
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I love the way you kiys do it again. You've
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never seen to mess do it again. The sugle drips
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from your tu limbs.
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So honey, won't you kiss me again?
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I love the way you smile.
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Do it again?
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And every once in a while, do it again. Oh
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there it goes that wrinkled nose. But I love to
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see you do it again.
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You have a way of flirting. That's why I'm certain.
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From now on your mind.
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Oh there's no DeLine. I'm lucky. I am. Oh the
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children my spines. So won't you hold me? Kiss me again?
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And when we say good man, do it again? If
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one little kiss can ring such bleas.
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Then you know I'm gonna do it again. You have
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a way of certain That's why I'm certain. From love,
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oh your mind.
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There's no day nine. I'm lucky. I am. Oh, oh
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chill and mo spines.
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So won't you hold me to kiss me again? And
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when we say good night, do it again?
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If one little kids can bring such pleas, Oh do
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it again.
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Oh, even though it's not my birthday, Happy birthday to me,
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because those back to bank Ziggy Yellman and Jimmy Dorsey
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records were a great present indeed. And folks, how can
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I play Ziggi l Men without playing one by Benny
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Goodman Fish Benny Goodman and his Orchestra When you and
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I were young Maggie recorded on Victor Records December the ninth,
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nineteen thirty six. I'm Jeff Bresler, and you are listening
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to the one, the only, the original Make Believe Ballroom
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coming to you today from my Crystal Studio. Let me
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play another tune then. Frank Sinatra, as we all know,
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was chairman of the board. And as a chairman, what
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did old blue eyes expect to be there on the
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ready in his dressing room whenever and wherever.
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He pre formed.
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I'll give you that tidbit of information shortly.
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You don't know how much you can stop it. You
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don't know how much you can super You don't know
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how much your heart can supper for the hunting you
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fall loved. You don't know when kiss is so tender.
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May come from a lovely bretender. You don't know the
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joy of surrander for the hunting.
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You fall in love.
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Drops in high ages together. That's what loves made of.
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You don't know how much you can suffer hunting you
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fall in love.
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You don't know how much you can suffer.
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You who don't you know how much that you can suffer.
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You don't know how much your heart can suffer hunting
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falling love throbs in hot takes do you get there.
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That's what loves is made of.
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Laddy, you don't know how.
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Much you can supper Hunted, you fall holy alone for
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hot drops and heart age together, That's.
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What loves made of. Oh, you don't know how much
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you can supper.
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You don't know how much you suffer until you fall
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in love, until.
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You fall loved, not until you fall The.
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Andrews Sisters, you Don't Know how Much You Can Suffer,
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recorded on Decca Records in New York City on March third,
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nineteen thirty nine, A great tune when you might not
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have heard but back in nineteen thirty nine, you Don't
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Know how Much You Can Suffer was recorded by several
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bands and different vocalists. So before the Sisters, I said
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that I would let you in on what Frank Sinatra
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made perfectly clear that he wanted in his dressing room
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when he appeared in concert. In order for me to
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do that, I'm going to have to tell you a
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little story. Many of you folks might remember the iconic
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singing duo, the husband and wife duo of Steve Lawrence
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and Edie Gourmet, who were treasured figures in the music
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industry during I guess the sixties, seventies and eighties, nineties
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and beyond until for I think Edie passed first and
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then Steve passed after that. Well, nevertheless, they were invited
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to participate with Frank Sinatra in a series of concerts
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that was called the Diamond Jubilee World Tour. It was
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a long series of concerts. It started the first show
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was on December the eleventh, nineteen ninety and the series
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lasted almost a year, went to November sixteenth, nineteen ninety one,
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and it was indeed a world tour, taking Steve and
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Edie and Frank Sinatra literally across the globe. Steve and
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Edie although immensely popular at the time and when they
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appeared in Las Vegas and in concerts, they were of
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course the feature act. But to Frank Sinatra they acted
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simply as the opening act. Interesting fact, there now in
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their contract, Steven EDI's contract for the Diamond Jubilee, they
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were very low maintenance when it came to requesting amenities
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for their dressing room. In their contract, they simply asked
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that at each stop along the concert tour their dressing
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room have a coffee set up and bottled water. That's
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all they asked for now. Of course, the larger than
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life Frank Sinatra had much more grandiose requests as we
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would expect. I'm sure he hosted on many occasions VIPs
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and friends before or after his shows. So let me
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just pull up this list of Frank Sinatra requests via
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his contract for the Diamond Jubilee World Tour. Well, the
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first thing he asked for on the list was a
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color TV. Back in nineteen ninety. I don't think many
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folks had black and white TVs anymore, but Frank wanted
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to make sure that the one he got that he
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wasn't sure changed that it was a color TV. He
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also wanted an upright piano that I could understand. It
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was probably to tune up his voice before the show,
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also to help with his voice, and probably to prevent soreness.
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Sinatra asked for twelve rolls of cherry flavored life savers,
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an additional twelve rolls of assorted flavored life savers, and
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a dozen boxes of Looten's cough drops in cherry and
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honey flavor. Sounds like Frank like cherry flavored lozengers. Luckily, Frank,
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in his contract wasn't required to I guess stick his
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tongue out during a performance, because I'm sure the audience
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would have been aghast if they had to stare at
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his red tongue.
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Let's see.
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Frankie also insisted on three cans of Campbell's chicken and
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rice soup with a crock pot in which to cook it,
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plus a ladle and four porcelain soup bowls to serve it,
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along with silverware and a double burner hotplate like Steven Edie.
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He also requested hot coffee and a tea kettle with
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a gallon of spring water plus cream and sweeteners. In addition,
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twenty four cold diet and regular sodas, including coke, with
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seventy five percent of the cans or bottles being the
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diet version. When there we came up with that mathematical theory. Nevertheless,
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to satisfy his appetite, frank required a fruit bowl, a
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cheese tray with brie and crackers, two egg salad sandwiches
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to chicken salad sandwiches to ham and cheese sandwiches. I
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wonder if they were wrapped in cell of fane or
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served in a little more classic manner. He also requested
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potato chips and pretzels, plus a bowl of many tutsi rolls.
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He also wanted to make sure that there was honey,
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lemon limes, six linen napkins, six boxes of Kleenex, six
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hand towels, and to dry his hands after using two
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bars of ivory soap he requested also asked for six
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white bath towels as well, and I would assume that
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was just to probably dry himself off after being on
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the stage, probably worked up a sweat. He also asked
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for a private telephone and a dedicated line. So many
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of you must be saying, Jeff, you're leaving one very
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important factor about Frank Sinatra out, And of course you
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may be asking about a liquor. So on the bar,
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car Old Blue Eyes wanted bottles of Absolute vodka, Jack Daniels, whiskey, Shivas,
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Regal Scotch, beefeeder Gin, white wine, red wine, and Corvasier,
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accompanied by ginger Ale club soda and tonic water with
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one bucket of ice. And to serve things up, he
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wanted twelve wineglasses, twelve rocks glasses and twelve water glasses,
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and finally, for Frank Sinatra, a carton of camel cigarettes unfiltered.
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That's what Frank Sinatra requested in his contract during his
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dressing room stops during the Diamond Jubilee world tour. You know,
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folks reading that list, and I'm not kidding about this
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when I say that you could see probably can see
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Frank's humble, Hoboken, New Jersey roots in his requests. There
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is something. It's actually very sweet and middle class. And
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some of his requests when he could have had anything,
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asking for Campbell's soup, egg salad and chicken salad sandwiches. Again,
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he could have requested anything he wanted, but he settled.
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I guess on what he grew up with. So an
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interesting look at Frank Sinatra's dressing room requested ironments here
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on the make Believe ball room.
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When we're the Will's called evening is nine. I hurried
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to mind my Blue Heaven.
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Hut. Turned to the right, A little wild light. We'll
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lead you.
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To mind Blue Heaven.
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You see a smiling face, the fireplace, a cozy room,
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a little nest that's nestled where the roses bloom.
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Just Molly and me and baby make Street.
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We're so happy in mind.
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In my Blue Heaven.
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You see a smiling face, fireplace, cozy room, a little
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nest that's nestled, wet that's nestled.
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Where the roses blue.
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Molly Baby makes three. We're happy in my Happy, in
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my Heaven.
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One thing certain weird Blue in My Blue Heaven.
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Frank Sinatra My Blue Heaven, recorded on Columbia Records in
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nineteen forty nine. One more record, then a very cool
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listener's email.
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Why it is.
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Black and black is white for no good reason that
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I know, Only that my baby says it's so. Night
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is day and day is night. The moon at noon
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is all aglow, just because my baby says it. So
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