April 24, 2026
Make Believe Ballroom - 4/24/26 Edition
On this week's edition of the Make Believe Ballroom, hosted by Jeff Bressler, a historic reunion between Duke and Satchmo, the history behind some song names, a little Texas Swing 40s-style, and more records and reminiscences from the big band and jazz era.
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It's make Believe ballroom time.
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Put all your cares away.
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All the bands are here to bring good cheer your way.
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It's make Believe ballroom time and free to everyone. It's
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no time to friend your Dalis said Bombas.
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Close your eyes and vis you lie in your solitude.
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Your favorite bands are on this dance and mister Miller,
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but you're in the wood.
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It's make Believe ballroom time.
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We are a sweet romance.
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You make body.
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Come on jone, last days, last.
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Hello world. I'm Jeff Bresler, turning on the lights of
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the Make Belief Ballroom and welcoming you into my Crystal
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studio for another program of classic big band music from
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the nineteen thirties and forties. Please get ready as I
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play for you some amazing jazz, swing, blues, and boogie
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woogie favorites. Folks, you're listening to the Make Believe Ballroom,
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broadcasting almost continuously since nineteen thirty five. And welcome one
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and all into the Crystal Studio. And thanks so much
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for joining me today. Let's get things underway right away
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with a little early cab callaway.
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City of.
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That of the tenth Sam said, rest anything.
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It's given to give him to bump up and you
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ve pump didn't see didn't did you do done? Lock
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nudged you did do do?
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Do you do?
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Sun?
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Sound Sunday Sun and so over?
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He didn't need if you pump money and.
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Son and so did wilted.
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Con sorrow over he did.
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He did need you ludge sus sus sus.
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He didn't winded.
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And on Victor Records, we just heard Cab Callaway and
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his Cotton Club Orchestra with the interesting title for that
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record of Father Got his Glasses recorded in New York
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City back in nineteen thirty three, with the vocal scatting
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by Cab himself. So you might be asking how died
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the song title Father Got his Glasses come to be well.
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I mentioned on this show many times the wonderful, unique
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and Harlem expression filled dictionary called cabs Hepster Dictionary written
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by Cab Callaway, which had two publishings with tens of
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thousands of copies distributed, who was the first dictionary ever
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credited to an African American. So the title of the
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record is a nod to one of the band's arrangers,
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that being trombonist Harry White, who co authored the chart.
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We just heard with Redman Eddie Barfield. Now Harry White
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needed his cheaters, he needed his reading glasses for writing arrangements.
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And according to CAB's Hepster's Dictionary, if you've got your
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glasses on quote unquote, you are ritzy or snooty. You
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fail to recognize your friends. You are upstage. So that's
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the fun explanation to an interesting title. Let's play another
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early Cab callaway when he led his Cotton Club Orchestra
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in the early nineteen thirties.
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You dirty dog, you better stop your sniff being round
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like that. I'm not just what you're dripping now, are
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you dog? Dirty?
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Dirty dirty?
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You stiff and snapping? You've been japping all you don't.
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Say.
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They got the news all over town. You and my
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wife been running round. Stop it for you down hi,
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you joke. Deacon Green's been talking to He said that
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he saw you. Here's my wife interphew. I you do myny.
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You don't, you dirty, dirty, dirty dirty dog. Stop your
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sniffing rap back back. Not just what you drop now,
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my you dop, you dirty, dirty, dirty dirty dog. You
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sniff and snapping, nipping yipping all you don't.
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You dumb you don't you.
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Sip in Stamn?
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From Victor Records. I You Dog, recorded in nineteen thirty two.
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I'm Jeff Bresler and this is the weekly edition of
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the Make Believe Ballroom. Let's spin another disc than a
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listener's request.
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When you think that's sense that sense that study, ah,
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then you spring down down, don't you see when you play,
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dont do that?
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Do that study? That's the way that is.
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Don't you see me?
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Did you sing as we?
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Then you riff?
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But I'm not down when you think that that's not study?
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Ah?
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Thank you s bringing.
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Loud tr Don't you see?
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That?
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Was trumpet player and bandleader Freddie Jenkins and his Harlem
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seven with Swinging Them Down, recorded on Victor Records in
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New York City back in nineteen thirty six. Freddie Jenkins
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was very talented. He played with Duke Ellington starting in
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nineteen twenty eight. He stayed with Duke until nineteen thirty five,
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when a chronic lung ailment certainly not beneficial to a
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trumpet player, sidelined him. By nineteen thirty six, he recovered
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enough to record a number of sides for Victor and
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eventually felt well enough to go back to Duke for
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another stint, starting in nineteen thirty seven, but unfortunately, by
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nineteen thirty eight the lung ailment returned and he retired
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and went on to work in songwriting. He became a
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popular disc jockey. He worked as a music journalist and
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became interestingly enough, a deputy sheriff in Fort Worth, Texas.
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Now the great British music journalist Stanley Dance, who was
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very close to Duke Ellington, related a story that Duke
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once told him about Freddy. So Duke recalled the time
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when he was leading the orchestra when Sarah vaugh As
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a matter of fact, two we featured a few weeks back,
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was his vocalist and they were playing in Dallas Fort Worth, Texas.
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So Duke told Stanley that there was a good crowd
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in the huge auditorium that night. The promoter, we were told,
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had a problem because of ticket counterfeiting. Deputy Sheriff Freddie
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Jenkins came in dressed Texas style with a big hat
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on his head and a gun on his hip. He
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looked a picture of health as he made an on
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stage speech and special presentation to his former employer whether
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the ticket counterfeiting part was a ruse of the truth.
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We don't know, but a great reunion between Duke Ellington
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and Deputy sheriff former trumpeter Freddie Jenkins. I'm Jeff Bresler,
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and you're listening to the one, the only, the original
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Make Believe Ballroom to reach me, I'm Jeff at Make
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Believe Ballroom Radio dot com. That's Jeff at Make Believe
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Ballroom Radio dot com. And one of those folks who
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reached out to us is our friend Michael Fusco in
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New York City, ballroom historian extraordinaire, and he writes, Hi, Jeff,
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can you play Benny Goodman's La Rosita that was recorded
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in nineteen forty one? The music from this was used
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on a nineteen sixty one song You and Your Love
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by Italian American crooner Julius LaRosa. Thanks Jeff, and keep
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up the good work keeping alone live the greatest music
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of all time, and that is signed by Michael Fusco.
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Thanks Michael, and I will play the record in just
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a moment, But first I must acknowledge that the vocalist
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Julius la Rossa was, believe it or not, a past
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host of this very Make Believe Ballroom. We just heard
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from Columbia Records La Rosita, recorded in New York City
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on June the eleventh, nineteen forty one, with Benny Goodman
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and his orchestra. Why don't I now play for you?
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And Michael the B side of that nineteen forty one
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Columbia recording.
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They asked me how I knew my true love was true? I,
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of course replied, something here inside cannot be denied. They said,
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some day fine and all who love are blood. When
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your heart's on fire, you must real life smoke gets
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your arm. So whatcha and I get in last to think.
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Love you to day?
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My love is blown away and I'm will love my
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laughing friends right USA?
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Can the fly?
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So I smile and say when a lovely flamel smoke gets.
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Your the standard smoke gets in your eyes. Benny Goodman
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and his orchestra vocal by Helen Fast the Columbia B
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side to the song La Rosita. So thank you, Michael
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Fusco for your request again to reach me. I'm Jeff
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at Make Believe Ballroom Radio dot com. That's Jeff at
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Make Believe Ballroom Radio dot com, and I have another
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listener's email coming up in just a little while.
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I'm no crude, I'm no being, I'm the drummer.
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Man.
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That's wing trumpet, sexophones.
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That is where I get.
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Whats inst ghost a cow bells, be stock about.
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Side.
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Don't plays a role as you can here, don't don't
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plays a break because you're very clear.
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All Romba, all a Gray Listen, Oh that's Gray.
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The recorded in London, England, on July the fifteenth, nineteen
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thirty six, for Parlophone Records. We just heard Joe Daniels
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and his hot shots. Drummer goes to town. Why don't
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we now let me see if I have this record?
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Hold on here I do. Why don't we now go
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from the drums of Joe Daniels to the drums of
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Buddy Rich.
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There's our own sentimental gentleman of swing.
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Tommy Dorsey is tombone and his band.
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Step Step Step sep second Stepping.
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Sud from the nineteen forty three film Du Barry was
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a Lady. Tommy Dorsey and his orchestra with Buddy Rich
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playing the drums, and the tune was well get it.
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So there's this old story about Buddy Rich. I don't
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know if it's true or not, but it's been told
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for over forty years. When Buddy passed away back in
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nineteen eighty nine, I think it was from a brain tumor. Allegedly,
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he kept his wit right up until the last moment, because,
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according to the Los Angeles Times obituary for Buddy, when
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a nurse asked if he was allergic to anything before surgery,
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he said yes, quote unquote country music. Well maybe he
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said that, maybe he didn't, but I'm sure in the
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nineteen thirties and forties Buddy must have heard country music
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like this, country music that had some swing.
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You within.
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My heart loves a melody, a.
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Song of all seantom wearing dreams. I live with the
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memory beneath the stars all along.
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It was there I've found beside the Alamo, en chant
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and strange as.
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The glow up above a moon lit path. And only
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she would know still he is my broken song of love,
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mooning all your slender.
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Only my heart, all back my road.
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Rows of sand, tom lips of sweet and tender, like
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petals falling apart, speak once again.
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Of my long.
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Road, open song, empty words I know still live in
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my heart, all along.
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For that moon litpath by the Lamo Hen Rolls, My
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Rows of Sand and Tom.
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We just heard on Okay Records Bob Wells and his
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Texas Playboys with the New San Antonio Rose, recorded on
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April nineteenth, nineteen forty and featuring the fiddle of Bob
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Wells and the vocal by his longtime singer Tommy Duncan
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and the friends. If you ever have the time, try
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to listen to some Bob Wills Western swing favorites. I
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guarantee you you won't be disappointed. Waylon Jennings, As a
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matter of fact, the great country singer. Many of you
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who enjoy country music might know his recording a hit
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song titled Bob Wills is Still the King. I think
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he recorded that back probably sometime in the mid nineteen seventies.
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Another listener's email coming up after this recording.
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Hey, listen to my story. Her disposition is rather sweet
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and charming, at times alarmy, so they say that down
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not outa da dada.
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She had a mad restolear handsome, large jetstrong to whom
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she used to sing this song.
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Hey, Daddy, I want to die but ring race. Let's
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have everything, Daddy, you want to get the best for me?
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Uh, hey, daddy, Gee, won't Alexwell get sables close with
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parabless labels?
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Daddy, you want to get the best for me?
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It's an amazing repolation with a bit of stimulation.
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I'd be a great sensation. I'd be your insportation, Daddy.
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I want to brand new card Champagne ca me. Daddy,
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you want to.
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Get the best for me?
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Hey, Daddy, I want to dive and ring grace Let's
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Sam Brings.
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Daddy, you want to get the best for me?
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Yeah?
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Yeah, Hey daddy, Gee what alex Well in sables close
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with farms labels?
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Daddy, you wanna get the best for me?
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Da?
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Da Da.
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