March 14, 2025
Make Believe Ballroom - 3/14/25 Edition
On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States as well as in the United Kingdom –a little known bandleader with a famous wife, a big band baseball...
On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States as well as in the United Kingdom –a little known bandleader with a famous wife, a big band baseball fanatic, Lenny from Down the Blocks Record Pick of the Week, listeners emails - this and many more great records to enjoy on the show.
WEBVTT
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Time.
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It's make believe ballroom time. Put all your cares away.
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All the bands are here to bring good cheer your way.
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It's make believe ballroom time and free to everyone. It's
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no time to friend your Dalis.
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Said Bamba.
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Yours.
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Close your eyes and visual lie in your solitude. Your
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favorite bands are on List Dance and Mister Miller.
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But you're in the mood.
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It's make believe ballroom time.
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We are of sweet romance.
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As you make it.
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Come on, Joe.
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Last, Dast Last, Hello world.
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I'm Jeff Presler, turning on the lights of the Make
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Belief Ballroom and welcoming you into my crystal studio for
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another program of the great big band hits of the
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nineteen thirties and nineteen forties. Whether you're listening on the
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radio via great affiliates like Jazz ninety point one WGMC
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in Rochester, New York, or on podcast, or maybe on
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internet radio being beamed across the United Kingdom, I'm delighted
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to bring you an hour of some wonderful big band jazz, swing,
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blues and boogie woogie classics. Folks, you're listening to the
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Make Believe Ballroom broadcasting almost continuously since nineteen hundred and
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thirty five, and welcome back, friends to another week of
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the Ballroom. I always enjoy playing records we have played
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before on the show, records like this.
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Swing mister Charlie. Oh swing, mister Charlie.
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Each time you do it, you add something to with
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if Sweeten.
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Is lotty all, keep the heating in Lotty all.
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When you bon't join them once on one, I'll be
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bouncing into paradisemal.
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Swing mister Charlie. Oh swing mister Charlie. Please let me
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swing it with you. Do what you've done before. Later
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on you can tell me more.
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Swing mister Charlie.
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Swing out, swing out, swing out, Swing out, Charlie. Swing
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mister Trumper, swing at pan all swaying, mister jombone, swaying, everybody.
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Swaying six six six six six.
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We just listened to on Columbia Records, Swing Mister Charlie
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by Herbie K and his orchestra vocal by the Three Ks,
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recorded in Chicago, February the twenty fourth, nineteen thirty six,
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and no, Folks, Herbie Kay was not related to the
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swing and sway of Sammy K.
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But he did.
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Herbie K did have a famous wife who sang with
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his orchestra for a few years. Herbie k was for
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the most part, the leader of a Midwest band who
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played out of Chicago. The band eventually went up and
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down the coast of California for a while. Herbie gained
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some national recognition when his orchestra was heard on the
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radio frequently from a really true big band mecca of
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the big band era, that being the famed Blackhawk Restaurant
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in Chicago. Now, Herbie hired a vocalist in nineteen thirty two,
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and he eventually married her in nineteen thirty five, and
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just one year later, in nineteen thirty six, she decided
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to move to Hollywood to pursue a film career, and
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her marriage to Ka ended in nineteen thirty nine. And
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I would assume that when she decided to go to Hollywood,
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Herbie wanted to keep an eye on her, and that's
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why his band did a California swing for a while,
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also recorded some records out there. And I'm going to
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play now a record from Herbie Kay and his orchestra
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in which she sang. I'm going to give you an
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easy clue to try to figure out who she was,
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and the clue is she went on to achieve fame
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and fortune in Hollywood with the help of a Bing
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Crosbie and Bob Hope. So can you name her? Well, first,
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let's hear her and I'll give you the answer at
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the end of the record.
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Goodness racious, this little lady standing right before my Heaven
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only knows. And these funny clothes you're so hard to
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ragg No dressed up in a gown that trails on
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the floor, in a picture that your mummy wools, living
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in a wood that you never saw, My little lady
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in make releve? What a pair of shoes for two
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tiny feet? And what a pair of gloves? Why the
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fingers don't mean posing in a glass? It's your joy
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is don't cleanse my little lady in maid. Believe in
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your tiny arm. Use the doll you unfold means the
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world and all to you. But you could never love
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the doll that you hold half as much as I long.
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Mom is Bell, dream your little dreams and may they
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come true. May the coming years bring happiness to all
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My future dreams are wrapped up in you, my little lady,
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May be dream your little dreams, and may they all
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come true. May the coming years bring joy and gladness
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to you.
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All.
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My future dreams are wrapped right in.
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My heart for you.
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My bye, Little Lady.
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May recorded on Columbia Records in nineteen thirty eight Herbie
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Kay and His Orchestra with Little Lady Make Believe vocal
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by the great Dorothy Lamore, who was catapulted to fame
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as she acted and sang in a number of Bing
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Crosby and Bob Hope Road series film musical comedies such
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as The Road to Singapore and six more after that.
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Dorothy Lamour who initially got her start on the road
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to fame, and that road to fame was not via
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a Crosby and Hope road picture, but rather by her
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chance to get her career started with Herbie Kay and
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His Orchestra. Now another question, but I'm not going to
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give you a clue. Who was the Big Band Era's
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greatest baseball fan? Who was the Big band eras greatest
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baseball fan. I'll discuss that shortly, but first this record.
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Another thing I have.
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Never folks.
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We just heard a swinging version of a beloved piece
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that goes all the way back to eighteen eighty two.
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I'm talking about Emil wall Tuffles skaters Walltz, and here
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today on DECA Records a piece titled skaters Waltz in
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Swing Time Bob Crosby and his orchestra, recorded in New
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York City, January the twenty third, nineteen thirty nine. So
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we mentioned Bing Crosby before, so I decided why not
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play a record by his brother, Bob skaters Waltz in
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Swing Time here on the one, the only, the original
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make believe ball rom And I told you before a
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Skater's Waltz that I would reveal the Big Band era's
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greatest baseball player and fan, and that had to be
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trumpeter Harry James, who was, indeed, if you've ever read
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about him, a very obsessive type. He loved baseball, women,
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all forms of gambling, blew most of his fortune on gambling.
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He also loved and was obsessed with, unfortunately liquor, horse racing,
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and the aforementioned baseball. Harry was a great athlete. In
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his youth he played American Legion baseball. Harry James, Well,
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it's actually hard to believe that Harry could be one
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of the greatest band leaders of the nineteen forties. And
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also so obsessed with the American pastime that you actually
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had to be, in essence, a decent ballplayer to ever
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be part of Harry Band. So with the James Band,
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how you played baseball, and this is a true story,
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was almost as important as your musical prowess. In the
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nineteen thirties and nineteen forties, just as an aside, there
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were big band baseball leagues that would play in the afternoons.
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Most of those big bands, the big famous big bands
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of the thirties and forties, that indeed have teams. But
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Harry he was determined to feel the best possible team
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he could, and almost the entire Harry James Orchestra team
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members had a background of either having played high school
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or semi pro or college baseball, and what position they
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played and how they did at the plate was almost
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as important to Harry James as their musicals. Now, his
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musicians constructed baseball fields and cow pastures all over the
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East in order to be able to practice constantly while
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on the road. They were home based in New York. Now,
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Harry's devotion to the sport also sometimes made the band
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late for gigs. Now, Harry's insistence on only allowing members
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to join the band who could also play baseball.
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Well.
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That eventually created quite a dilemma for Harry won Francis
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Albert Sinatra back. In nineteen thirty eight, he was employed
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as a singing waiter at a roadhouse called the Rustic
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Cabin in Englewood Cliff's, New Jersey, where he was paid
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back in nineteen thirty eight fifteen dollars a week. Now,
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the roadhouse was connected to the WNEW radio station in
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New York, which was home also to the Make Believe Ballroom,
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and Frank began performing with a group live during wnew's
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Dance Parade show remotely from the Rustic Cabin. Now Harry
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James had heard Frank Sinatra sing on the radio on
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Dance Parade, he made contact with Frank. He went to
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Englewood Cliffs to the Rustic Cabin to talk to him,
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and he eventually signed him to a two year contract
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for seventy five dollars a week after he tried him out,
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he had a tryout at a show at the Paramount
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Theater in New York City. So Harry had a rising
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star as a singer, but as a baseball player. Frank
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Sinatra was anything but an asset. Actually, he really stunk.
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He played right field and his bantning average was in
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the realm of an anemic two hundred. But I guess
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that was one time and probably the only time, Harry
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had any band member on his big band team with
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such lowly statistics. And speaking of stats, the Harry James
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Frank Sinatra combo did not gel well. Initially, in nineteen
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thirty nine, Harry James and his orchestra recorded All or
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Nothing at All with the Frank Sinatra vocal. Now, that record,
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many people do not realize, had very weak sales on
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its initial release and never really gained much traction in
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the late thirties. Now the song aged very well though,
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and it went on to become a huge hit nineteen
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forty three when it was reissued by Columbia Records during
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the tragic I must say nineteen forty two to nineteen
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forty four musicians strike. It became so huge that the
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record topped the Billboard charts in nineteen forty three during
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a twenty one week stay and sold over a million copies.
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So Frank Sinatra by the early forties was becoming quite
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a hit. So Harry really had a treasure in holding
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on to that record and getting together with Columbia to
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re release it in nineteen forty three. So more Harry
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and Baseball in a minute, but now coming too bad
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Harry James and Frank Sinatra.
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Oh or nothing at all? Ah, f love never appeal
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to me, If your heart never could yeel to me,
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then I'd rather have nothing at.
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All, ah.
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Or nothing at all.
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If if it's love, there is no in between, Why
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begin and cry.
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For something that might have been?
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Nor I'd rather.
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Have nothing at all.
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Oh, please, don't bring your lips so close to my cheese.
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Don't smile.
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I'll be long beyond recall.
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The kiss in your eyes and the touch of your
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hand makes me wee, and my heart may grow dizzy
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and fall.
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And if I fell.
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Under the spell.
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Of your cold, I would be caught.
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In the undertoe.
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And so you.
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See, I have got to say.
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No, No, nothing at all.
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Oh, nothing at all, Frank Sinatra, Harry James, all or
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nothing at all. So Harry James was for a long
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time diehard Brooklyn Dodgers fan. He became very close friends
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with the Dodger manager at that time, Leo the Lip
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Darotia and also befriended several of the team's regular players.
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Now when his own Big band League team was not playing,
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Harry spent many afternoons at ebbitts Field before his evening gigs,
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ebbitts Field being the home of the Brooklyn Dodgers, and
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he also recorded some songs that he gave baseball titles too,
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like this one the.
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Head and the Gasmen Glomming Gloomy s.
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F Columbia Records The Dodgers Fan Dance by Harry James
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and his orchestra, recorded in New York City June the tenth,
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nineteen forty one. The song based on the classic composition
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Dance of the Hours. So Harry eventually became friends with
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the legendary Saint Louis Cardinal Hall of Famer first Basement
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stand the Man Musual, and he changed after meetings stand
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musical his loyalty to that club, the Saint Louis Cardinals.
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So a little baseball and Harry James, I'll be back
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with the listeners email in just a few moments.
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Aurora comes from Real Digon Narrow. She dances in the
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Little Street.
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Cafe, And when you're down in Real.
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Digon Arrow, here's what you hear each Latin lovers say,
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you're a sweetheart in a million, Ahora with your manners
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of Brazilian a horror. When you smile and call me honey.
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