Feb. 7, 2025
Make Believe Ballroom - 2/7/25 Edition
On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States as well as in the United Kingdom –some well-known sibling musicians from the big band era,...
On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States as well as in the United Kingdom –some well-known sibling musicians from the big band era, listeners emails lead us to a treasured female singer and a group never played on the program - this and many more great records to enjoy on the show!
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Time.
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It's make believe ballroom time.
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Put all your cares away.
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All the bands are here to bring good cheer your way.
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It's make believe ballroom time and free to everyone. It's
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no time to friend your Dallisa Bamba yours, close your
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eyes and visual lie in your solitude. Your favorite bands
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are on List Dance and Mister Miller.
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But you're in the mood.
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It's make believe ballroom time.
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We are of sweet romance as you make it.
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Come on Joe Lass Dance Last.
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Hi, folks, I'm Jeff Bresler, turning on the lights of
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the make Believe ballroom and welcoming you into my crystal
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studio for another program with the great big band hits
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of the nineteen thirties and nineteen forties. Whether one of
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my longtime listeners or a new listener on public, community
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or university radio stations across the US as well as
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in the UK, grab your dance ticket. It's free and
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let's listen to some wonderful big band jazz, swing, blues
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and boogie woogie classics. Hello World, and from coast to coast,
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don stations like Jazz ninety point one WGMC in Rochester,
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New York and other fine radio affiliates. I welcome you
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all to the Make Believe Ballroom, the one, the only,
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the original Make Pulle Ballroom, broadcasting almost continuously since nineteen
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hundred and thirty five, and folks, let me immediately go
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to the playlist computer and pick a good one to
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start the proceedings of this week's Make Believe ball Room.
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With That was Glenn Miller and his orchestra with Jersey Bounce,
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recorded on June the second, nineteen forty four, during a
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Chesterfield Cigarette radio broadcast emanating from Rockford, Illinois. And this
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broadcast was on the radio just weeks before Glenn had
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volunteered to join the war effort by enlisting in the military,
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which has many of us now unfortunately led to his
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declared death on December sixteenth, nineteen forty five, at the
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age of forty one. You know, I've been receiving a
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few emails from listeners who enjoy the increase in radio
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remote big band performances that I've been playing here on
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the Ballroom over the last several weeks, and I will
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continue to do that. I also want to acknowledge some
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of our UK listeners who have thanked the ballroom for
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playing more British recorded big band music music just like
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this an we just heard British band leader Freddie Gardner
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and his swing orchestra with you Can't Stop Me from Dreaming,
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recorded in London, December of nineteen thirty seven. Friends, let
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me play one more. Then I'm gonna go into a
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series of records from siblings whose music was popular during
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the big band era.
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I've got you under my skin? Won't you please let
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me in? I've got you.
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So deep in the heart of me, so deep in
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my heart. You really hard lady, I've got you, got
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you on the my sallow mallo.
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All.
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I'm trying so hard not to kid.
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Then, I've got you under my skin.
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I said to myself, this fair never vote goes so well?
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What I won't tell?
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Why should I try to resist.
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When darling I know so well?
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Tell tell.
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I've got you.
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Under my skin. Won't you please let me out?
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I sacrifice said it.
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Come what might be for the sake of heaven.
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You mirror in spite of the warning parts comes in
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the night.
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And repeat and repeat.
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Don't you know that food that you never can't win?
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Take off your sk you your mentality wake up to
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as the tea.
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But each time I do, just a thought of.
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You makes me sound loop. I've got.
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And I've got you, I've got you Musk.
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That was a great violinist. And also on this record
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providing the vocal, Stuff Smith, I've Got You under My Skin,
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recorded March of nineteen forty. I'm Jeff Wrestler, and thanks
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for joining me today on this edition of the Make
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Believe Ballroom and Folks. As I just promised before, Stuff Smith,
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some music now by siblings who were popular during the
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big band era, And why don't I start with the
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Henderson brothers. I'm talking about Fletcher and Horace. Let me
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now play a recording from the younger brother of Fletcher, pianist, organist,
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the ranger and band leader Horace Henderson.
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I Don't Know Love.
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And follow.
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That was Horace Henderson and his orchestra Rhythm Crazy, recorded
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October the third, nineteen thirty three on Parlophone Records. Now,
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why don't we play one by the more well known
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older brother to Horace, the legendary pianist, bandleader, arranger and
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composer Fletcher Henderson.
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The series of Uncle Fellow Jesus Ching couple Man, No
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Time Me.
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Sing, a popular tune of the era, Blue Loo Fletcher
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Henderson and his Orchestra with Ray Eldridge and chw Berry,
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recorded on Vocalion Records in nineteen thirty six. And the
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name that's synonymous with Fletcher Henderson that being Benny Goodman.
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So many of Benny's hits can be attributed to the
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arranging of Fletcher Henderson. Now a name synonymous with Benny
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Goodman has to be Harry Goodman. You might say, I've
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heard of Benny, but who was Harry Well? Harry Goodman
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was a bassist and sometimes tuba player. He was in
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Benny's orchestra for many years. As a matter of fact,
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two of Benny's older brothers, Irvin Goodman and Freddie Goodman,
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were also great musicians in their own right. Let me
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now play a Benny Goodman record where Harry Goodman was
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playing bass in his orchestra.
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See but you're, sir.
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When I say well, I'm.
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Even your lovely as well. When I say love I
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mean for really, I'm mad about you. You're about the
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grandest thing that I ever knew. You got just want
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to say, and I admit I get a look as pray.
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And I'm we love before.
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What else could.
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It be when a boy like you love me?
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I mean, honestly, but your.
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Well recorded on Victor Records, December the ninth, nineteen thirty six,
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Gee but your swell vote Helen Ward and based by
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Benny Goodman's brother Harry. That was a lightly played Goodman
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tune and I enjoyed bringing it to you here today
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on the Make Bullyeve Ballroom. I'm Jeff Bresler, and I
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want to thank you in advance for perhaps spending the
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entire hour with me, or even part of the hour
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in the Crystal studio to reach me. I'm Jeff at
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makebullye Ballroomradio dot com. That's Jeff at Makebully Ballroom Radio
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dot com. And in just a little while some of
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your emails will be read for all the world to hear.
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But for now, I am playing for you music from
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famous siblings of the big band era, and in my
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humble opinion, the most famous of siblings had to be
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the Dorsey brothers, Jimmy and Tommy, who started their careers
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in the late twenties with the Dorsey Brothers Orchestra, only
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to see them eventually split in nineteen thirty five their
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separate ways, Both of course, had amazing careers with their
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own orchestras. The two brothers eventually reunited in the forties
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with their combined bands, and many considered their relationship volatile,
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and it was when musical differences were exposed, but they
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remained close brothers throughout their careers. You know, I'm just
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thinking our producer Emeritis Lenny from down the block, who
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many of you remember. He once came into the Crystal
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studio with I think it was a mid nineteen nineties.
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A US post Office issued commemorative postage stamp excuse me
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in honor of Jimmy Dorsey and Tommy Dorsey. Remember it
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was in a very nice little plexiglass case. I don't
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have that stamp, but I can serve certainly honor the
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dorse through two records. I am going to play for you.
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I could learn my A, B C, bring Homide and setna.
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See in my mind, Dad, I see if I had
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rhythm in my nursery, rhyme in the corner on a stool,
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I said, because.
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I broke a room.
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But I show them that I know fool.
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If I had rhythm in my nursery rhyme, La La
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lahlah won't get me far. Lately I've been thinking, if
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I had a little bit of rhythm, I could be
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a Washington or On Lincoln, Simple Simon at the Fair
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Medal Simon, who was there about those two guys?
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I don't care.
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I need rhythm in my nursery rhyme, Oh Mary lad.
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Lad, But I need rhythm in my nursery.
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Rhymes my mind.
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That was Tommy Dorsey and is clam Bake seven. And
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you know, over the last couple of weeks I love
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the clam Bake seven. We played a few of their records.
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But here today with the B side of a Victor
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record by Tommy Dorsey and the clam Bag seven Rhythm
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in My Nursery rhyme vocal by Edith Wright, recorded on
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December the ninth, nineteen thirty five. I just covered Tommy.
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Now on to brother, Jimmy.
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Says the se a.
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Hand from Decca Records. That was Parade of the Milk
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Bottle Caps by Jimmy Dorsey and his Orchestra, recorded in
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Los Angeles, July the seventh, nineteen thirty six. Jimmy Dorsey
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also the composer of that tune. I'm Jeff Presler, and
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we've just listened to a series of records featuring a
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number of different Big Band siblings. Plenty more where that
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came from, and maybe we can do a few more
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before the end of the program. But I now want
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to draw your attention to a few emails I received
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this past week.
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Letters, good letters, dog so ah.
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Yes, friends, we do get letters, actually emails, and I
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want to read a few to you. Now, I guess
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people don't really write letters anymore, but if you want
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to send an email, Jeff at Make Belie Ballroomradio dot com,
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Jeff at make Bully Ballroomradio dot com, and I'm always
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eager to read your comments and fulfill your requests. The
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first email today is from Alan Harper, who listens in Ashkosh, Wisconsin,
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probably through our syndicator, Global Community Radio. He writes. Alan
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Harper writes, Jeff, I was recently at a youth hockey game.
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They played instead of the national anthem, Kate Smith singing
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God Bless America? Did Kate Smith ever record with the
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Big Band or sing sing? And that signed Alan Harper.
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Thanks so much for the email. Alan. Kate Smith was
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of course an American icon. She didn't sing with any
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big bands, but she did do a number of successful
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featured solo recordings. But probably more important than her recordings
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was what Kate's main occupation was as a vocalist, that
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being on the radio. As a matter of fact, she
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was known as the first Lady of Radio. She was
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certainly beloved right throughout her career until a time of death,
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and she was a huge radio star for so many years.
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She began singing on the radio in nineteen thirty one
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and through a series of different shows, she stayed on
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the radio until the early nineteen sixties. As a matter
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of fact, I recall it was probably in the nineteen seventies,
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perhaps the early eighties, not sure of the exact date,
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but I know what. Kate Smith also did a TV
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talk show. She was undoubtedly the most famous female soloist
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during World War Two and a major patriot. And to
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follow up on her patriotic tendencies, I found this little
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piece of information that I'd like to read for you.
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Let me just pull this up. Here we are through
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her personal and radio appearances to promote the sale of
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war bonds, Kate Smith contributed to the purchase of over
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six hundred million bonds, which today would be the equivalent
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of several billion dollars of war bonds. She raised this
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money during a series of marathon radio broadcasts. No other
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show Busy Business Star came near her as a revenue
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producer of war bonds to finance the United States war effort. Now,
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Alan Harper, I could play a Kate Smith standard like
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when the Moon Comes over the Mountain, But of course
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the show is mostly about big band swing. So I
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picked through a number of records and found that Kate, indeed,
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although not in her usual repertoire, could swing.
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Steps may come and go, danceins we got to know.
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Like the Charleston and back Bottom my favorite, since that
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modern grave rhythm has made us pray.
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Call the new steps, the two steps.
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Listen to Cake sincopas brand new step that is collegial
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here year.
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Randw cras a blade today quite the bulk and fun
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of say want hold then go wucklyga hear ye here
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hear ye, snap your fingers, walk around and then shake
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your shoulders. Go the tli slanted dotia you and pusha
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not on coming rhythmster or tuture fancy first just gony
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and bend it as interview in low down.
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Hig you hold down that's a college rhythm.
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Sway, and then you found and long you found.
241
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And then you just must have alma something.
242
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Consumption.
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58
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59
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60
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61
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62
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63
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64
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65
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66
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67
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68
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69
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70
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71
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72
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73
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74
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75
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76
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77
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78
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79
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80
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81
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82
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83
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84
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85
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86
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87
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88
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89
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90
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91
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92
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93
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94
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95
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96
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97
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98
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99
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100
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101
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102
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103
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104
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105
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106
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107
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108
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109
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110
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111
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112
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113
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114
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115
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116
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117
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118
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119
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120
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121
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122
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123
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124
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125
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126
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127
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128
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129
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130
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131
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132
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133
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134
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135
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136
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137
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138
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139
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140
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141
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142
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143
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144
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145
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146
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147
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148
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149
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150
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151
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152
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153
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154
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155
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156
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157
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158
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159
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160
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161
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162
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163
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164
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165
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166
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167
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168
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169
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170
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171
00:29:09.480 --> 00:30:14.480
172
00:30:22.920 --> 00:31:25.920
173
00:31:26.119 --> 00:31:30.839
174
00:31:30.920 --> 00:31:35.039
175
00:31:35.160 --> 00:31:40.279
176
00:31:40.319 --> 00:31:43.400
177
00:31:43.480 --> 00:31:47.480
178
00:31:47.559 --> 00:31:50.279
179
00:31:50.359 --> 00:31:53.240
180
00:31:53.279 --> 00:31:56.359
181
00:31:56.400 --> 00:32:02.000
182
00:32:04.839 --> 00:32:10.440
183
00:32:10.599 --> 00:32:16.039
184
00:32:16.119 --> 00:32:18.079
185
00:32:18.079 --> 00:32:21.599
186
00:32:21.599 --> 00:32:24.759
187
00:32:24.880 --> 00:32:27.920
188
00:32:27.960 --> 00:32:32.119
189
00:32:32.160 --> 00:32:37.720
190
00:32:38.559 --> 00:32:44.960
191
00:32:45.039 --> 00:32:48.799
192
00:32:49.720 --> 00:32:53.440
193
00:32:53.480 --> 00:32:57.880
194
00:32:57.920 --> 00:33:02.720
195
00:33:03.599 --> 00:33:06.759
196
00:33:06.839 --> 00:33:11.359
197
00:33:11.440 --> 00:33:16.359
198
00:33:17.279 --> 00:33:23.599
199
00:33:24.200 --> 00:33:30.039
200
00:33:30.160 --> 00:33:32.240
201
00:33:32.319 --> 00:33:36.799
202
00:33:36.920 --> 00:33:41.400
203
00:33:41.480 --> 00:33:45.440
204
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205
00:33:51.200 --> 00:33:54.839
206
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207
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208
00:34:05.680 --> 00:34:09.159
209
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210
00:34:12.920 --> 00:34:18.159
211
00:34:18.599 --> 00:34:22.559
212
00:34:22.639 --> 00:34:27.599
213
00:34:27.679 --> 00:34:31.039
214
00:34:32.360 --> 00:34:35.320
215
00:34:35.360 --> 00:34:38.880
216
00:34:39.000 --> 00:34:43.760
217
00:34:43.800 --> 00:34:49.159
218
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219
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220
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221
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222
00:35:10.440 --> 00:35:14.239
223
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224
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225
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226
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227
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228
00:35:54.079 --> 00:35:59.639
229
00:36:00.039 --> 00:36:03.840
230
00:36:04.599 --> 00:36:07.079
231
00:36:07.239 --> 00:36:12.360
232
00:36:12.599 --> 00:36:17.880
233
00:36:17.920 --> 00:36:22.079
234
00:36:22.079 --> 00:36:28.599
235
00:36:29.639 --> 00:36:35.119
236
00:36:35.199 --> 00:36:39.800
237
00:36:40.239 --> 00:36:46.559
238
00:36:46.639 --> 00:36:49.559
239
00:36:49.599 --> 00:36:52.880
240
00:36:53.440 --> 00:36:59.519
241
00:37:00.599 --> 00:37:06.000
242
00:37:07.440 --> 00:37:08.039