Jan. 3, 2025
Make Believe Ballroom - 1/3/25 Edition
On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States as well as in the United Kingdom – some great nicknames of prominent band musicians and vocalists...
On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States as well as in the United Kingdom – some great nicknames of prominent band musicians and vocalists along with their music, a look at a long forgotten Carnegie Hall concert - this and many more great records to enjoy on the show!
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It's make Believe ballom time.
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Put all your cares away. All the bands are here
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to bring good cheer your way.
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It's make believe ball and time and free to everyone.
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It's no time to friend your Dalis said bombs.
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Close your eyes.
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And as you lie in your solitude, your favorite.
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Bands are on this dance and.
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Mister Miller, but you're in the wood.
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Its make Believe ballroom time.
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We are a sweet romances you make believe.
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Come on, Joe, last dance Last.
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Hi, folks, I'm Jeff Presler, turning on the lights of
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the make Believe Ballroom and welcoming you into my crystal
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studio for another program of the great big band hits
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of the nineteen thirties and nineteen forties, whether one of
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my longtime listeners or new lists there on public, community
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or university radio stations across the US as well as
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in the United Kingdom. Please grab your dance ticket. It's
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free and let's listen to some wonderful big band jazz, swing,
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blues and boogie woogie classics. Hello World, and from coast
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to coast on stations like Jazz ninety point one WGMC
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in Rochester, New York. Another fine radio affiliates, Welcome to
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the Make Believe Ballroom, the one, the only, the original
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Make Believe Ballroom, broadcasting almost continuously since nineteen hundred and
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thirty five. And let's see if I can pick a
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winner from my playlist to get things underway today. As
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I peruse the list, I see right here a winner
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indeed that I will pick, because who can ever go
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wrong with the great Artie Shaw?
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Do Do Do Do Do do?
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You're a lucky guy when you consider the highest biller
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can't buy the gleam in your eyes. You're lucky guy.
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Thank you luckiest time. You got a honey who wants
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no money. She'll take you just as you are. Thank
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you luckiest time. Hey fella, save fella. Don't realiz it's faded,
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you raided. Open up your eyes.
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You're lucky guy.
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You're just beginning, so have your ending and let your
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troubles go ride.
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No one can nine. You're lucky guy.
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You're a lucky guy. Artie Shawn is orchestra vocal by
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Tony Pastor from a nineteen thirty eight radio remote and
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a great way to start the proceedings on this week's
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Make Believe Ballroom, Folks, let me play one more than
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a segment from an idea I had earlier today.
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I got the world on a string, sitting on a rainbow,
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got the string around my finger.
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What a world?
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What a life?
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I'm in love.
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I got a song that I sing. I can make
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the rainbow, and it's time.
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I'm move my finger.
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Fucking me? Can't you see?
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I'm in love? Life is a beautiful thing. Long as
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I hold the string. I'd be a silly solwan soul
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if I should never let it go. I got the
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world on.
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A string, sitting on a rainbow, got the string around
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my finger.
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Won a world? Won a line?
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Bather did.
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Lund game one of fudd We directed the unking of
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the Lundon.
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Did the one not?
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What a wonderful recording we just heard the first time
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ever recording of the great American standard I've Got the
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World on a String, presented to us on Brunswick Records
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Cab Callaway and his orchestra. Vocal by Cab, recorded in
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New York City, November the ninth, nineteen thirty two. That
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was a great record. I'm Jeff Presler, and you're listening
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to the Make Believe Ballroom and now Friends as promised
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a segment from a thought. I don't get very many
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of those, but from a thought I had earlier in
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the day. I was listening to some music and the
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artist whose record I was playing had a nickname, and
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that got me to thinking just how many big band
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artists did indeed have nicknames? So I scrambled around to
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come up with several recordings from band leaders, musicians, and
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vocalists who did indeed possess interesting nicknames. So the first
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record I will play was recorded by dipper Mouth. Who
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is dipper Mouth attatatas dipper Mouth Blues? A song first
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recorded by King Oliver's Creole Jazz band in nineteen twenty three.
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It's most often attributed to Joe. As a matter of fact,
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he had a nickname. I think it was King Joe
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King Oliver, though some have argued that Louis Armstrong was
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in fact the composer. This is partially because dipper Mouth,
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in the song's title, was also a nickname of Armstrong's.
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The version we just heard was a Decca recording from
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August the seventh, nineteen thirty six, that featured Louis along
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with Jimmy Dorsey and his orchestra, so early on. Armstrong
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was also known as dipper short for dipper Mouth, and
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many feel that was a direct reference to the piece
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dipper Mouth Blues that we just listened to. Of course,
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Dippermouth was a secondary name for Louie. We all know
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him by his most endearing name, which was Satchmo or
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satch And it's really interesting how that nickname came about.
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The nicknames Satchmo and satch are short for satchel mouth.
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The nickname origin for Louie is historically not definitive. The
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most common tale that I've personally read in different books
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about Louie is the story of Armstrong, as a young
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boy in New Orleans, dancing on the streets for pennies.
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He scooped the pennies off the street and stuck them
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in his mouth to prevent bigger children from stealing them.
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For the term satchel mouth, Louis Armstrong, different mouth, satch Mo,
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satch What if you want to call him one of
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the greats of all time? Let's go now to another nickname.
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I ask you who was smack.
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Anything anything Anything?
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How was Fletcher Henderson and his Orchestra with Jangled Nerves
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recorded in Chicago once September the fourth, nineteen thirty six.
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The Great Fletcher Henderson, the legendary composer, band leader, arranger,
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pianist and composer, was indeed referred to as Smack. And again, folks,
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no definitive answer here, so I will have to go
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to a consensus from articles I have read in biographical
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information on Fletcher Fletcher Henderson and the origin of the nickname.
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Most repeated is that he got that moniker because of
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smacking sounds he made with his lips when someone spoke,
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and the same smacking sound repeated when he sat down
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to eat. That the most plausible explanation I can find
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of why Fletcher Henderson was called Smack. Let's look at
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another nickname, and with this vocalist, I am going to
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give you her real name, and then the stories concerning
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her nickname or names. Her real name was Eleanora Fagins.
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Every time rains, it rains pennis for heaven. Don't you
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know each plag contains pennis for heavens. You find your
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forte and bonneys all over town. Be he is sure,
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then your Unbrella, he is upside to train them for
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a package job. Sunshine and flowers. If you want the
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thing you love, you my slave shower. So when you
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hear I.
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THENNA, don't run under the tree.
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They're the Pennies from Heaven by You.
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And recorded November the nineteenth, nineteen thirty six in New York,
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New York, the Wonderful tune Pennies from Heaven and Again Friends.
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I had to rely on various sources to piece together
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the vocalist's nickname and stage name. Eleanora Fagin was her
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legal name, but Eleanora took her father's last name, which
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was Holiday. He had left the home when Eleanora was young,
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and she added the nickname Billy. Now I'm not sure
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where the Billy handle exactly comes from. I do know
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her good friend, saxophonist Lester Young called her Lady Day
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because of his tremendous respect for her and because he
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thought of her as every inch a lady. And of
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course I am talking about Billy Holliday. And now, folks,
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if I may take a moment, I'd like to talk
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to you about my companion program to the make Billy
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Ballroom The Milkman's Matinee, which is a weekly show of
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three overnight hours of the greatest music from the nineteen thirties,
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forties and fifties, as I open it up to also include,
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in addition to a big band jazz and swing, some
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early rock and roll, and do wop, a little country,
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some blues, western swing, basically an eclectic mixture of music.
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Your station might already feature the Milkman's Matinee as a
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post midnight feature. If not, just put Milk Band's Mattinee
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in the search on your favorite podcast platform, whether that
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be Apple, Spotify, iHeartRadio, or in all of them, and
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there you can hear past shows. Same true with this
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very Make Believe Ballroom. Once we play the programs on
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the radio, they then go into a podcast archive, the
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Make Believe Ballroom and Milkman's Matinee both in podcast form
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for your enjoyment. And now, folks, how about another nickname
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from the big band era, and I offer you a
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record by not one person, but two people who shared
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the nickname Mister and Missus.
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Swing Fall in Love.
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Fall in love, says my heart. It's roommates, take a change,
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says my arm. But each time that I.
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Almost in your arms, this old.
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School teacher brain of mind keeps ringing false alarms. Then
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my head rules instead, and I'm wise.
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To the scheme of that gleam in your eyes, so
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I kiss and rather was the moment where apot, oh,
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you fool, that was love, says my.
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Heart on Brunswick I just played, Says my Heart, Recorded
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in New York City, April the nineteenth, nineteen thirty eight.
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I attributed the song to Mister and Missus Swing, and
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the nickname Mister and Missus Swing, as I mentioned, is
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unique because it refers to more than one person. It
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was bestowed on Red NorVa and Mildred Bailey because there
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was no more swinging I meaning in a musical sense
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couple than they were during their marriage, producing numerous hit records.
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I think they were married in the early thirties, and
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if I recall a divorced right around nineteen forty, mister
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and Missus Swing, Red Norvo and Mildred Bailey. Let's play
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another one, this one a vocal by mister five by five.
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Mama, don't you beg your daddy.
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Horn no dim range, Mama, don't you beg your daddy
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morn dim rain, cause Mama, you already got.
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The best ay everything.
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I've seen you riding rod in a brand new car.
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I've been you ride.
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A round and a brand new car.
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I know you couldn't by.
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You're not used to Cabby.
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Now, get up, get up, get up, get a woman,
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Get up off your big bad rusty dust. Don't get me,
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get up, Get up, Get up, woman, Get up off
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your big bad rusting dust.
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Get up, Ma mo, get up before you get to rusty.
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Now you've got the very bad beath of every thing.
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Yeah, baby, you've got the bath every thing. You better lose.
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That yam bathing, all that brow up bred mama bo,
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you're letting me go away.
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On Columbia Records from nineteen forty three, Rusty Dusty Blues
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by camp Aasi and his orchestra and the vocalist known
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as mister five by five due to his portly build.
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I'm talking about Jimmy Rushing and folks have many more
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nicknames to share with you, but I will have to
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do that on a future show because I have another
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segment I want to share with you, as well as
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fulfill a few listeners' requests. To request a song, you
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can email me at Jeff at MakeBelieve Ballroom Radio dot com.
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That's Jeff at MakeBelieve Ballroomradio dot Com and the segment
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I want to present next deals with two groundbreaking Carnegie
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Hall concerts. If you recall, the also groundbreaking Benny Goodman
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concert in Carnegie Hall took place in January of nineteen
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thirty eight, The first of the two concerts I will
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discuss took place in December of that same year, nineteen
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thirty eight. But more about that in the moment. But first,
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since I played a song by mister five by five, Jimmy,
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why don't I play a record about mister five by
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five himself?
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Well, twirl my turban man a life you call mister
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five by five. He's one of those big fat balls
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and boys, solid avenue bars. Mister five five five, it's
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five feet tall anyside. Why he don't need you no
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more from hair to too than it do from side
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to side. Mister five by five got fifty chains and
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a line of child. He's a mellow old cast, a
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real handfast he be mister five bye five.
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That man really jump it for a bad man.
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The only trouble is no way of knowing whether he's
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coming on or cohen. Mister five by five slightly flop
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on his water side. He don't shake it no more
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from hair to toll, andy to from side to side.
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Fat man?
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Can we really jump it for a fat man?
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Boys the troubles.
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There's no way of.
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Knowing whether he's coming on or going. It's the five
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149
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151
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159
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160
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161
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163
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164
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173
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175
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176
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177
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178
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179
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180
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183
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190
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193
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201
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202
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240
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241
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242
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