Jan. 23, 2026
Make Believe Ballroom - 1/23/26 Edition
The player is loading ...
On this week's edition of the Make Believe Ballroom - the greatest public relations stunt in big band history, a story of the early days of the Ballroom hosted by Martin Block, some well-known arrangers, in addition to many more songs and reminisces.
WEBVTT
1
00:00:12.279 --> 00:00:14.800
It's make believe ballom time.
2
00:00:15.640 --> 00:00:17.920
Put all your cares away.
3
00:00:19.839 --> 00:00:22.559
All the bands are here to bring.
4
00:00:22.359 --> 00:00:23.760
Good cheer your way.
5
00:00:25.679 --> 00:00:31.359
It's make belief ballroom time and free to everyone.
6
00:00:33.240 --> 00:00:36.399
It's no time to friend your Dalis.
7
00:00:36.039 --> 00:00:45.479
Said bombs, close your eyes and visual lie in your solitude.
8
00:00:46.520 --> 00:00:48.719
Your favorite bands.
9
00:00:48.280 --> 00:00:49.640
Are on this stance.
10
00:00:49.759 --> 00:00:52.960
And mister Miller, what you in the wood? It's make
11
00:00:53.039 --> 00:00:54.679
believe ballroom time.
12
00:00:55.600 --> 00:00:58.119
We are a sweet romance.
13
00:01:00.000 --> 00:01:00.600
Did you make me?
14
00:01:01.920 --> 00:01:02.280
Come on?
15
00:01:02.719 --> 00:01:09.439
Gentle last das last, Hello World, I'm Jeff Presler, turning
16
00:01:09.480 --> 00:01:12.599
on the lights so the Make Believe Ballroom and welcoming
17
00:01:12.640 --> 00:01:17.319
you into my Crystal studio for another program of classic
18
00:01:17.719 --> 00:01:22.400
big band jazz from the nineteen thirties and forties. Please
19
00:01:22.439 --> 00:01:26.400
get ready as I play for you some amazing swing, jazz,
20
00:01:26.439 --> 00:01:31.439
blues and boogie woogie favorites. Folks, you're listening to the
21
00:01:31.599 --> 00:01:38.719
Make Believe Ballroom, broadcasting almost continuously since nineteen thirty five.
22
00:01:40.879 --> 00:01:44.480
Welcome one and all into the Crystal Studio today, and
23
00:01:44.599 --> 00:01:48.840
thanks for joining me to get things started. Let's dip
24
00:01:48.920 --> 00:01:52.719
into the old record Pin for One by Benny Goodman
25
00:01:53.000 --> 00:03:25.479
and Helen Ward.
26
00:02:16.360 --> 00:03:36.360
To work all three.
27
00:03:37.840 --> 00:03:40.599
Here by caw Far.
28
00:03:42.719 --> 00:03:43.719
Dreaming us.
29
00:03:47.919 --> 00:03:55.879
You say.
30
00:03:57.080 --> 00:03:59.400
Here by ca f.
31
00:04:01.879 --> 00:04:08.960
Hoving than you made me.
32
00:04:15.560 --> 00:04:18.279
You are heels of flo.
33
00:04:25.399 --> 00:04:34.040
I've been up with you with small Tree.
34
00:04:36.000 --> 00:04:38.120
Here by my.
35
00:04:40.480 --> 00:04:44.839
Screaming, your glow.
36
00:04:45.120 --> 00:04:47.759
So close beside me.
37
00:04:50.720 --> 00:05:04.879
Is s O stream moll Tree.
38
00:05:10.920 --> 00:05:14.560
We just heard Smoke Dreams by Benny Goodman and his
39
00:05:14.720 --> 00:05:20.079
Orchestra with the vocal by Helen Ward, recorded on Victor Records,
40
00:05:20.399 --> 00:05:25.240
December the ninth, nineteen thirty six. And you know, in
41
00:05:25.319 --> 00:05:29.560
all the years I have played Benny Goodman records featuring
42
00:05:29.639 --> 00:05:32.240
Helen Ward as the vocalist, I don't think I ever
43
00:05:32.399 --> 00:05:39.160
mentioned that Benny was dating and in a relationship with
44
00:05:39.319 --> 00:05:43.879
Helen Ward for a couple of years. But that relationship
45
00:05:43.959 --> 00:05:47.319
broke up both career wise and as a couple by
46
00:05:47.519 --> 00:05:52.439
year's end of nineteen thirty six. And this record I
47
00:05:52.519 --> 00:05:58.279
think was the last the two made together, Benny Goodman
48
00:05:58.839 --> 00:06:03.079
and Helen Ward. To start things off today in the
49
00:06:03.120 --> 00:06:07.959
make Believe ballroom, let me play one more as we
50
00:06:08.040 --> 00:06:10.839
take the swing factor up a notch, and then a
51
00:06:10.920 --> 00:06:15.000
female vocalist I never ever played here on the make
52
00:06:15.079 --> 00:08:05.879
Believe Ballroom.
53
00:07:59.639 --> 00:08:05.439
The neighbor.
54
00:08:07.720 --> 00:08:17.360
Set study.
55
00:08:20.600 --> 00:08:36.320
Them, and I'm not.
56
00:09:29.519 --> 00:09:33.960
From Victor Records. We just enjoyed Tommy Dorsey and his
57
00:09:34.159 --> 00:09:39.600
orchestra playing Little White Lies, recorded in New York City
58
00:09:39.879 --> 00:09:45.399
on December sixth, nineteen thirty seven. I'm Jeff Presler, and
59
00:09:45.440 --> 00:09:48.519
you're listening to the one, the only, the original Make
60
00:09:48.600 --> 00:09:55.759
Believe ballroom broadcasting almost continuously since nineteen thirty five. And
61
00:09:56.159 --> 00:09:59.799
you know, folks, I'm going to go off agenda here
62
00:10:00.039 --> 00:10:03.679
for a moment. I will get to the female vocalist.
63
00:10:03.759 --> 00:10:07.480
I have never played here on the ballroom shortly, but
64
00:10:07.600 --> 00:10:09.480
I thought it would be fun, and I've done this
65
00:10:09.519 --> 00:10:15.440
in the past. Tommy Dorsey recorded Little White Lies on
66
00:10:15.559 --> 00:10:20.840
December sixth, nineteen thirty seven, for Victor Records. So what
67
00:10:21.080 --> 00:10:25.679
else was recorded on that same day? Well over at
68
00:10:25.799 --> 00:10:29.879
Victor Records, who were located at one fifty five East
69
00:10:29.919 --> 00:10:34.519
twenty fourth Street in New York City. Tommy Dorsey recorded
70
00:10:34.720 --> 00:10:39.360
six sides on that day, December sixth, nineteen thirty seven.
71
00:10:40.639 --> 00:10:46.080
And let's take a look over at Decca Records at
72
00:10:46.159 --> 00:10:50.759
fifty West fifty seventh Street in New York City. Busy Day.
73
00:10:50.799 --> 00:10:57.200
They recorded forty sides that day, and amongst those forty
74
00:10:57.440 --> 00:11:01.080
were two sides by the famous day dancing duo The
75
00:11:01.240 --> 00:11:07.320
Nicholas Brothers. Now, the Nicholas Brothers were the pre eminent
76
00:11:07.960 --> 00:11:12.080
dancing duo during the era, and we are, and I've
77
00:11:12.120 --> 00:11:15.559
mentioned this many times on the last few shows. We
78
00:11:15.679 --> 00:11:21.039
are so fortunate to have YouTube because you can see
79
00:11:21.279 --> 00:11:27.519
the brothers, the Nicholas Brothers dancing during Jumpin' Jive with
80
00:11:27.919 --> 00:11:31.399
Cab Callaway and his orchestra that was featured in the
81
00:11:31.480 --> 00:11:38.159
nineteen forty three movie Stormy Weather. And I think, in
82
00:11:38.240 --> 00:11:43.240
my humble opinion, it was the greatest dance routine ever
83
00:11:43.600 --> 00:11:47.039
to be filmed, and I encourage you to take a look.
84
00:11:47.759 --> 00:11:51.720
But the Nicholas Brothers also made a few records with
85
00:11:51.879 --> 00:11:58.120
the vocal provided by Harold Nicholas and the tapping by
86
00:11:58.360 --> 00:12:01.840
brother Faired. So let's go to Decca Records to their
87
00:12:01.919 --> 00:12:06.440
studios on December the sixth, nineteen thirty seven. And hear this.
88
00:12:16.799 --> 00:12:20.639
If you're feeling low down cause the sky's a grat
89
00:12:21.360 --> 00:12:27.320
just wrap your cares in rhythm and down and Sha
90
00:12:27.399 --> 00:12:32.639
cares away. If Old Gloom the show down, he'll be
91
00:12:32.720 --> 00:12:33.440
on his way.
92
00:12:34.279 --> 00:12:37.000
Just wrap your cares in rhythm and dwn.
93
00:12:39.159 --> 00:12:41.120
Oohsha cares away.
94
00:12:41.960 --> 00:12:45.120
Now I'm here to teach you all how to make
95
00:12:45.200 --> 00:12:49.360
your life of a song. Just you keep deathing on
96
00:12:49.519 --> 00:12:53.480
wood ready by, and you can't go wrong. Next time
97
00:12:53.600 --> 00:12:58.519
you're in trouble, you'll come out. Okay, Just wrap your.
98
00:12:58.559 --> 00:13:05.440
Cares in rhythm and I'm gonna give you one more chance.
99
00:13:07.799 --> 00:14:10.679
Just rabord, chirs and rhythm. Mad can's you see down?
100
00:14:11.039 --> 00:14:11.399
Does?
101
00:14:11.440 --> 00:14:14.879
This guy's free from rasp, the canting rhythm.
102
00:14:14.720 --> 00:14:15.559
And down.
103
00:14:18.759 --> 00:14:26.799
Bumping the diceboll glue, the show down doors. He's beyond
104
00:14:26.960 --> 00:14:30.799
his way. Rap your casting rhythm and down.
105
00:14:33.720 --> 00:14:39.720
Excuse yeah, now I'm here.
106
00:14:40.200 --> 00:14:43.120
See you want how to make your life us home?
107
00:14:44.519 --> 00:14:46.360
Just you keep tapping on wood.
108
00:14:46.399 --> 00:14:49.000
A week of heat and you can't go wrong.
109
00:14:49.679 --> 00:14:54.240
Next time you rip, you come out of kids here,
110
00:14:54.639 --> 00:14:56.879
Rap your casting rhythm and down.
111
00:14:59.360 --> 00:14:59.919
I'm gone.
112
00:15:00.000 --> 00:15:06.559
I give you one more jameraikas and rhythm.
113
00:15:12.720 --> 00:15:14.639
He read this rhythm, d.
114
00:15:16.200 --> 00:15:20.679
Wrap your cares and rhythm and dance the Nicholas Brothers,
115
00:15:20.799 --> 00:15:25.720
the legendary Bobby Hackett playing the trumpet on that recording.
116
00:15:27.039 --> 00:15:31.919
I now want to talk to you about the vocalist
117
00:15:32.159 --> 00:15:36.679
Carlotta Dale, who I never played here on the ballroom.
118
00:15:37.320 --> 00:15:43.919
She was well known as a radio songstress, and through
119
00:15:44.120 --> 00:15:48.200
radio she met Jan Savat the band leader, and she
120
00:15:48.399 --> 00:15:52.840
began singing for him. She spent a while with Jan
121
00:15:53.080 --> 00:15:58.120
before joining Will Bradley and his orchestra. So why don't
122
00:15:58.159 --> 00:16:03.159
I play? Two by Carlotta Dale, the first with Jan
123
00:16:03.360 --> 00:16:06.919
Savat and then one with Will Bradley.
124
00:17:06.920 --> 00:17:11.119
Day. They are.
125
00:17:14.039 --> 00:17:22.039
The same old ud follows me about the same old
126
00:17:22.240 --> 00:17:25.960
counting in my heart whenever.
127
00:17:25.720 --> 00:17:31.039
I think of you, and Darling, I think of you
128
00:17:32.559 --> 00:17:34.359
day in and day.
129
00:17:38.160 --> 00:17:41.559
Day day.
130
00:17:45.119 --> 00:17:50.000
I needn't tell you how my days begin.
131
00:17:52.000 --> 00:17:57.559
When I awake, I awakened, when the tank goes one
132
00:17:58.039 --> 00:18:04.079
personbility in you, that personility of babies.
133
00:18:04.599 --> 00:18:18.799
See you Gray, come shine, I'm need you and to
134
00:18:19.119 --> 00:18:21.119
me the days.
135
00:18:20.799 --> 00:18:29.960
Far then I can still, and the pounding becomes.
136
00:18:31.079 --> 00:18:33.039
The oceans roar.
137
00:18:34.960 --> 00:18:43.119
On holes and drawn. Can't you see it's law? Can
138
00:18:43.279 --> 00:18:44.839
there be any dime?
139
00:18:46.839 --> 00:18:48.440
When there it is?
140
00:18:49.319 --> 00:18:51.720
Stay day?
141
00:19:30.160 --> 00:19:38.039
Can't you see it's Can there be any doe? When
142
00:19:38.559 --> 00:19:39.240
there it is.
143
00:19:41.079 --> 00:19:41.279
Day?
144
00:19:42.880 --> 00:19:54.960
Day, day in and day out?
145
00:19:55.119 --> 00:20:03.519
Sung by Carlotta Day, recorded by Jan Savat and his
146
00:20:03.799 --> 00:20:07.559
top hatters, live from a broadcast from the Blue Room
147
00:20:07.839 --> 00:20:12.200
of Hotel Lincoln in New York City on August fifteenth,
148
00:20:12.480 --> 00:20:18.359
nineteen thirty nine, over the NBC Blue Radio Network day
149
00:20:18.480 --> 00:20:22.200
in and day out. Let me now play one of
150
00:20:22.559 --> 00:20:27.599
Carlotta Dale's vocals when she was with the a newly
151
00:20:27.799 --> 00:20:34.440
formed Will Bradley Orchestra, and then Carlotta Dale was involved
152
00:20:34.839 --> 00:20:40.039
when with Jan Savat in one of the strangest radio
153
00:20:40.279 --> 00:20:43.599
band publicity stunts of all time.
154
00:20:54.720 --> 00:20:59.079
Mean to me, why must you be me?
155
00:21:00.039 --> 00:21:00.720
You mean.
156
00:21:02.240 --> 00:21:09.559
Gee fey see to me? You like to see me crying.
157
00:21:11.880 --> 00:21:16.000
I don't know why I stay home.
158
00:21:17.279 --> 00:21:21.160
Each night when you sing bone.
159
00:21:22.319 --> 00:21:30.559
You don't and I'm left alone singing the blues and cloud.
160
00:21:32.279 --> 00:21:34.000
You drink me.
161
00:21:34.400 --> 00:21:48.279
Coldly each day and day you are waste. When they
162
00:21:48.720 --> 00:21:55.799
ever sun body is me, it must be.
163
00:21:57.720 --> 00:22:00.640
Very fun to be met to me?
164
00:22:02.759 --> 00:22:10.559
The honey Wag? Can you see what you mean to Me?
165
00:23:47.519 --> 00:23:55.880
BA?
166
00:24:11.559 --> 00:24:15.880
Recorded by Will Bradley and his Orchestra for Vocalian Records
167
00:24:16.079 --> 00:24:19.319
on October the twenty sixth, nineteen thirty nine, in New
168
00:24:19.440 --> 00:24:24.480
York City. Mean to Me, Carlotta Dale vocal here on
169
00:24:25.559 --> 00:24:30.640
the Make Believe Ballroom. And as I told you before
170
00:24:30.759 --> 00:24:34.559
that record, I was going to tell you the story,
171
00:24:35.720 --> 00:24:39.359
a story that is not often told of what I
172
00:24:39.599 --> 00:24:44.440
consider to be one of the greatest radio public relations
173
00:24:44.559 --> 00:24:50.119
stunts ever achieved. It's actually kind of said funny and
174
00:24:50.279 --> 00:24:55.920
uplifting all at the same time. Had it involved Jan
175
00:24:56.119 --> 00:25:02.519
Savat and Carlotta Dale. And as the story goes, when
176
00:25:02.680 --> 00:25:08.240
Carlotta was working with the Jan Savat Orchestra in Philadelphia,
177
00:25:09.000 --> 00:25:14.279
her career actually almost came to an abrupt halt. She
178
00:25:14.559 --> 00:25:20.000
was in a car driven by Jan Savat when she
179
00:25:20.319 --> 00:25:24.440
and I'm not sure how it happened, but she fell
180
00:25:24.559 --> 00:25:30.039
out of the car and unfortunately suffered a serious compound
181
00:25:30.200 --> 00:25:34.359
skull fracture. That happened on June the twenty fifth, nineteen
182
00:25:34.519 --> 00:25:39.000
thirty six. Now, while she was recovering in the hospital,
183
00:25:39.039 --> 00:25:43.279
and it was a long recovery, it was planned that
184
00:25:43.440 --> 00:25:47.279
she would sing on the radio from her hospital bed
185
00:25:47.599 --> 00:25:52.960
and get this accompanied by Jan Savat and his top
186
00:25:53.039 --> 00:25:57.000
hatters who would be flying over the hospital and the
187
00:25:57.119 --> 00:26:01.799
city of Philadelphia in an airplane. As it was set
188
00:26:02.759 --> 00:26:06.880
and with the limited technology of the era, Jan and
189
00:26:07.000 --> 00:26:11.079
his musicians could not hear her, but she wore earphones
190
00:26:11.440 --> 00:26:16.400
to hear their music, which was transmitted from the aircraft
191
00:26:17.160 --> 00:26:22.880
via shortwave radio. The broadcast was also on the NBC
192
00:26:23.319 --> 00:26:27.799
Red network and it had a huge audience with people
193
00:26:27.960 --> 00:26:32.799
knowing in advance about the stunt. Some music and a
194
00:26:32.920 --> 00:26:37.400
rarely heard story here on the Make Believe Ballroom involving
195
00:26:38.039 --> 00:29:37.400
Carlotta dal The recorded by Fletcher Henderson and his orchestra
196
00:29:37.640 --> 00:29:41.960
for Decca Records on September the eleventh, nineteen thirty four,
197
00:29:43.400 --> 00:29:47.599
the well known down South Camp meeting one of the
198
00:29:47.799 --> 00:29:54.559
fathers of swing, the legendary Fletcher Henderson. I'm Jeff Bresler,
199
00:29:54.640 --> 00:29:57.279
and you're listening to the Make Believe Ballroom. I can
200
00:29:57.400 --> 00:30:00.880
be reached at Jeff at Make Believe ball Ballroom Radio
201
00:30:01.039 --> 00:30:05.599
dot com. That's Jeff at Make Believe Ballroom Radio dot com.
202
00:30:05.680 --> 00:30:07.720
And I'm going to read a listener's email to you
203
00:30:07.880 --> 00:32:50.880
in just a moment. But first, another record n recorded
204
00:32:50.920 --> 00:32:55.720
on Vocalion back in nineteen thirty four, Earl Hines and
205
00:32:55.960 --> 00:33:03.400
his orchestra with Madhouse. And you know, oh, I think
206
00:33:03.400 --> 00:33:08.039
it was Jimmy Monday who played the sacks for Earl
207
00:33:08.160 --> 00:33:14.440
Hines who wrote Jimmy wrote an arranged Mad House for
208
00:33:14.640 --> 00:33:19.720
Earl and thinking about it before I played Mad House,
209
00:33:19.839 --> 00:33:23.200
we heard down South Camp meeting by Fletcher Henderson and
210
00:33:23.279 --> 00:33:28.720
his orchestra, and there is a connection between Henderson and
211
00:33:28.880 --> 00:33:33.000
Monday in that they both went on to become primary
212
00:33:33.160 --> 00:33:39.440
arrangers for Benny Goodman Henderson. Fletcher Henderson more well known
213
00:33:39.720 --> 00:33:45.079
in that particular vein than Monday. But I might be wrong,
214
00:33:46.839 --> 00:33:52.400
but I think it was actually Jimmy Monday who first
215
00:33:52.880 --> 00:33:57.960
sold an arrangement to Benny Goodman and not Fletcher Henderson.
216
00:33:58.799 --> 00:34:04.000
Not one hundred percent were there. But and I'll go
217
00:34:04.160 --> 00:34:06.559
to the listener's email in just a moment that I
218
00:34:06.720 --> 00:34:10.800
promised I'm looking for a record a song that was
219
00:34:10.920 --> 00:34:15.679
composed and arranged by Monday for Benny Goodman. I know
220
00:34:15.800 --> 00:34:18.840
we played Benny earlier in the program with Helen Ward,
221
00:34:19.159 --> 00:34:23.639
but twice is fine for me. And as I look
222
00:34:23.960 --> 00:34:28.880
for the record in question, give me a moment. Here
223
00:34:28.960 --> 00:37:26.599
it is stand by Many Goodman Jam session on RCA
224
00:37:26.840 --> 00:37:31.920
Victor Records, recorded November fifth, nineteen thirty six, composed and
225
00:37:32.159 --> 00:37:39.760
arranged by Jimmy Monday, and now on the Make Believe Ballroom.
226
00:37:39.920 --> 00:37:43.760
My dear friends, onto that email I promised you earlier
227
00:37:44.880 --> 00:37:49.599
and it comes from a long time Las Vegas listener.
228
00:37:50.239 --> 00:37:53.679
He's written into the show many many times over the years.
229
00:37:54.719 --> 00:37:58.920
Who I call Charlie Tona because he's a fish When
230
00:37:58.960 --> 00:38:03.320
it comes to gambling in Las Vegas, a fish is
231
00:38:03.400 --> 00:38:08.800
a term used for poker players, usually ones who lose money.
232
00:38:09.119 --> 00:38:13.400
And I think that fits Charlie Tuna very well. But
233
00:38:13.840 --> 00:38:17.039
if you have as much money as Charlie Tuona, I
234
00:38:17.119 --> 00:38:22.079
guess it's just a drop in the ocean. Nevertheless, hope
235
00:38:22.119 --> 00:38:28.480
all as well, Charlie Durgins, retired drummer extraordinaire and permanent
236
00:38:28.599 --> 00:38:36.559
Las Vegas restaurant restaurant resident, and Charlie writs, hope all
237
00:38:36.719 --> 00:38:39.480
is good with you, Jeff and Lenny from down the
238
00:38:39.559 --> 00:38:43.960
block wherever he is. I heard a story about Martin Block.
1
00:00:12.279 --> 00:00:14.800
2
00:00:15.640 --> 00:00:17.920
3
00:00:19.839 --> 00:00:22.559
4
00:00:22.359 --> 00:00:23.760
5
00:00:25.679 --> 00:00:31.359
6
00:00:33.240 --> 00:00:36.399
7
00:00:36.039 --> 00:00:45.479
8
00:00:46.520 --> 00:00:48.719
9
00:00:48.280 --> 00:00:49.640
10
00:00:49.759 --> 00:00:52.960
11
00:00:53.039 --> 00:00:54.679
12
00:00:55.600 --> 00:00:58.119
13
00:01:00.000 --> 00:01:00.600
14
00:01:01.920 --> 00:01:02.280
15
00:01:02.719 --> 00:01:09.439
16
00:01:09.480 --> 00:01:12.599
17
00:01:12.640 --> 00:01:17.319
18
00:01:17.719 --> 00:01:22.400
19
00:01:22.439 --> 00:01:26.400
20
00:01:26.439 --> 00:01:31.439
21
00:01:31.599 --> 00:01:38.719
22
00:01:40.879 --> 00:01:44.480
23
00:01:44.599 --> 00:01:48.840
24
00:01:48.920 --> 00:01:52.719
25
00:01:53.000 --> 00:03:25.479
26
00:02:16.360 --> 00:03:36.360
27
00:03:37.840 --> 00:03:40.599
28
00:03:42.719 --> 00:03:43.719
29
00:03:47.919 --> 00:03:55.879
30
00:03:57.080 --> 00:03:59.400
31
00:04:01.879 --> 00:04:08.960
32
00:04:15.560 --> 00:04:18.279
33
00:04:25.399 --> 00:04:34.040
34
00:04:36.000 --> 00:04:38.120
35
00:04:40.480 --> 00:04:44.839
36
00:04:45.120 --> 00:04:47.759
37
00:04:50.720 --> 00:05:04.879
38
00:05:10.920 --> 00:05:14.560
39
00:05:14.720 --> 00:05:20.079
40
00:05:20.399 --> 00:05:25.240
41
00:05:25.319 --> 00:05:29.560
42
00:05:29.639 --> 00:05:32.240
43
00:05:32.399 --> 00:05:39.160
44
00:05:39.319 --> 00:05:43.879
45
00:05:43.959 --> 00:05:47.319
46
00:05:47.519 --> 00:05:52.439
47
00:05:52.519 --> 00:05:58.279
48
00:05:58.839 --> 00:06:03.079
49
00:06:03.120 --> 00:06:07.959
50
00:06:08.040 --> 00:06:10.839
51
00:06:10.920 --> 00:06:15.000
52
00:06:15.079 --> 00:08:05.879
53
00:07:59.639 --> 00:08:05.439
54
00:08:07.720 --> 00:08:17.360
55
00:08:20.600 --> 00:08:36.320
56
00:09:29.519 --> 00:09:33.960
57
00:09:34.159 --> 00:09:39.600
58
00:09:39.879 --> 00:09:45.399
59
00:09:45.440 --> 00:09:48.519
60
00:09:48.600 --> 00:09:55.759
61
00:09:56.159 --> 00:09:59.799
62
00:10:00.039 --> 00:10:03.679
63
00:10:03.759 --> 00:10:07.480
64
00:10:07.600 --> 00:10:09.480
65
00:10:09.519 --> 00:10:15.440
66
00:10:15.559 --> 00:10:20.840
67
00:10:21.080 --> 00:10:25.679
68
00:10:25.799 --> 00:10:29.879
69
00:10:29.919 --> 00:10:34.519
70
00:10:34.720 --> 00:10:39.360
71
00:10:40.639 --> 00:10:46.080
72
00:10:46.159 --> 00:10:50.759
73
00:10:50.799 --> 00:10:57.200
74
00:10:57.440 --> 00:11:01.080
75
00:11:01.240 --> 00:11:07.320
76
00:11:07.960 --> 00:11:12.080
77
00:11:12.120 --> 00:11:15.559
78
00:11:15.679 --> 00:11:21.039
79
00:11:21.279 --> 00:11:27.519
80
00:11:27.919 --> 00:11:31.399
81
00:11:31.480 --> 00:11:38.159
82
00:11:38.240 --> 00:11:43.240
83
00:11:43.600 --> 00:11:47.039
84
00:11:47.759 --> 00:11:51.720
85
00:11:51.879 --> 00:11:58.120
86
00:11:58.360 --> 00:12:01.840
87
00:12:01.919 --> 00:12:06.440
88
00:12:16.799 --> 00:12:20.639
89
00:12:21.360 --> 00:12:27.320
90
00:12:27.399 --> 00:12:32.639
91
00:12:32.720 --> 00:12:33.440
92
00:12:34.279 --> 00:12:37.000
93
00:12:39.159 --> 00:12:41.120
94
00:12:41.960 --> 00:12:45.120
95
00:12:45.200 --> 00:12:49.360
96
00:12:49.519 --> 00:12:53.480
97
00:12:53.600 --> 00:12:58.519
98
00:12:58.559 --> 00:13:05.440
99
00:13:07.799 --> 00:14:10.679
100
00:14:11.039 --> 00:14:11.399
101
00:14:11.440 --> 00:14:14.879
102
00:14:14.720 --> 00:14:15.559
103
00:14:18.759 --> 00:14:26.799
104
00:14:26.960 --> 00:14:30.799
105
00:14:33.720 --> 00:14:39.720
106
00:14:40.200 --> 00:14:43.120
107
00:14:44.519 --> 00:14:46.360
108
00:14:46.399 --> 00:14:49.000
109
00:14:49.679 --> 00:14:54.240
110
00:14:54.639 --> 00:14:56.879
111
00:14:59.360 --> 00:14:59.919
112
00:15:00.000 --> 00:15:06.559
113
00:15:12.720 --> 00:15:14.639
114
00:15:16.200 --> 00:15:20.679
115
00:15:20.799 --> 00:15:25.720
116
00:15:27.039 --> 00:15:31.919
117
00:15:32.159 --> 00:15:36.679
118
00:15:37.320 --> 00:15:43.919
119
00:15:44.120 --> 00:15:48.200
120
00:15:48.399 --> 00:15:52.840
121
00:15:53.080 --> 00:15:58.120
122
00:15:58.159 --> 00:16:03.159
123
00:16:03.360 --> 00:16:06.919
124
00:17:06.920 --> 00:17:11.119
125
00:17:14.039 --> 00:17:22.039
126
00:17:22.240 --> 00:17:25.960
127
00:17:25.720 --> 00:17:31.039
128
00:17:32.559 --> 00:17:34.359
129
00:17:38.160 --> 00:17:41.559
130
00:17:45.119 --> 00:17:50.000
131
00:17:52.000 --> 00:17:57.559
132
00:17:58.039 --> 00:18:04.079
133
00:18:04.599 --> 00:18:18.799
134
00:18:19.119 --> 00:18:21.119
135
00:18:20.799 --> 00:18:29.960
136
00:18:31.079 --> 00:18:33.039
137
00:18:34.960 --> 00:18:43.119
138
00:18:43.279 --> 00:18:44.839
139
00:18:46.839 --> 00:18:48.440
140
00:18:49.319 --> 00:18:51.720
141
00:19:30.160 --> 00:19:38.039
142
00:19:38.559 --> 00:19:39.240
143
00:19:41.079 --> 00:19:41.279
144
00:19:42.880 --> 00:19:54.960
145
00:19:55.119 --> 00:20:03.519
146
00:20:03.799 --> 00:20:07.559
147
00:20:07.839 --> 00:20:12.200
148
00:20:12.480 --> 00:20:18.359
149
00:20:18.480 --> 00:20:22.200
150
00:20:22.559 --> 00:20:27.599
151
00:20:27.799 --> 00:20:34.440
152
00:20:34.839 --> 00:20:40.039
153
00:20:40.279 --> 00:20:43.599
154
00:20:54.720 --> 00:20:59.079
155
00:21:00.039 --> 00:21:00.720
156
00:21:02.240 --> 00:21:09.559
157
00:21:11.880 --> 00:21:16.000
158
00:21:17.279 --> 00:21:21.160
159
00:21:22.319 --> 00:21:30.559
160
00:21:32.279 --> 00:21:34.000
161
00:21:34.400 --> 00:21:48.279
162
00:21:48.720 --> 00:21:55.799
163
00:21:57.720 --> 00:22:00.640
164
00:22:02.759 --> 00:22:10.559
165
00:23:47.519 --> 00:23:55.880
166
00:24:11.559 --> 00:24:15.880
167
00:24:16.079 --> 00:24:19.319
168
00:24:19.440 --> 00:24:24.480
169
00:24:25.559 --> 00:24:30.640
170
00:24:30.759 --> 00:24:34.559
171
00:24:35.720 --> 00:24:39.359
172
00:24:39.599 --> 00:24:44.440
173
00:24:44.559 --> 00:24:50.119
174
00:24:50.279 --> 00:24:55.920
175
00:24:56.119 --> 00:25:02.519
176
00:25:02.680 --> 00:25:08.240
177
00:25:09.000 --> 00:25:14.279
178
00:25:14.559 --> 00:25:20.000
179
00:25:20.319 --> 00:25:24.440
180
00:25:24.559 --> 00:25:30.039
181
00:25:30.200 --> 00:25:34.359
182
00:25:34.519 --> 00:25:39.000
183
00:25:39.039 --> 00:25:43.279
184
00:25:43.440 --> 00:25:47.279
185
00:25:47.599 --> 00:25:52.960
186
00:25:53.039 --> 00:25:57.000
187
00:25:57.119 --> 00:26:01.799
188
00:26:02.759 --> 00:26:06.880
189
00:26:07.000 --> 00:26:11.079
190
00:26:11.440 --> 00:26:16.400
191
00:26:17.160 --> 00:26:22.880
192
00:26:23.319 --> 00:26:27.799
193
00:26:27.960 --> 00:26:32.799
194
00:26:32.920 --> 00:26:37.400
195
00:26:38.039 --> 00:29:37.400
196
00:29:37.640 --> 00:29:41.960
197
00:29:43.400 --> 00:29:47.599
198
00:29:47.799 --> 00:29:54.559
199
00:29:54.640 --> 00:29:57.279
200
00:29:57.400 --> 00:30:00.880
201
00:30:01.039 --> 00:30:05.599
202
00:30:05.680 --> 00:30:07.720
203
00:30:07.880 --> 00:32:50.880
204
00:32:50.920 --> 00:32:55.720
205
00:32:55.960 --> 00:33:03.400
206
00:33:03.400 --> 00:33:08.039
207
00:33:08.160 --> 00:33:14.440
208
00:33:14.640 --> 00:33:19.720
209
00:33:19.839 --> 00:33:23.200
210
00:33:23.279 --> 00:33:28.720
211
00:33:28.880 --> 00:33:33.000
212
00:33:33.160 --> 00:33:39.440
213
00:33:39.720 --> 00:33:45.079
214
00:33:46.839 --> 00:33:52.400
215
00:33:52.880 --> 00:33:57.960
216
00:33:58.799 --> 00:34:04.000
217
00:34:04.160 --> 00:34:06.559
218
00:34:06.720 --> 00:34:10.800
219
00:34:10.920 --> 00:34:15.679
220
00:34:15.800 --> 00:34:18.840
221
00:34:19.159 --> 00:34:23.639
222
00:34:23.960 --> 00:34:28.880
223
00:34:28.960 --> 00:37:26.599
224
00:37:26.840 --> 00:37:31.920
225
00:37:32.159 --> 00:37:39.760
226
00:37:39.920 --> 00:37:43.760
227
00:37:44.880 --> 00:37:49.599
228
00:37:50.239 --> 00:37:53.679
229
00:37:54.719 --> 00:37:58.920
230
00:37:58.960 --> 00:38:03.320
231
00:38:03.400 --> 00:38:08.800
232
00:38:09.119 --> 00:38:13.400
233
00:38:13.840 --> 00:38:17.039
234
00:38:17.119 --> 00:38:22.079
235
00:38:22.119 --> 00:38:28.480
236
00:38:28.599 --> 00:38:36.559
237
00:38:36.719 --> 00:38:39.480
238
00:38:39.559 --> 00:38:43.960