March 20, 2026
Make Believe Ballroom - 3/20/26 Edition
On this week's edition of the Make Believe Ballroom, hosted by Jeff Bressler, a British bandleader comes to the US and makes history, a female vocalist who had two number 1 hits in a span of a month, plus many more records, stories, and reminiscences from the big band era.
WEBVTT
1
00:00:12.199 --> 00:00:17.839
It's make believe ballroom time. Put all your cares away.
2
00:00:19.760 --> 00:00:23.640
All the bands are here to bring good cheer your way.
3
00:00:25.559 --> 00:00:33.359
It's make belief ballroom time and free to everyone. It's
4
00:00:33.439 --> 00:00:36.280
no time to friend your Dalis.
5
00:00:35.920 --> 00:00:37.320
Said Bamba.
6
00:00:39.799 --> 00:00:40.200
Yours.
7
00:00:40.359 --> 00:00:45.320
Close your eyes and visual lize in your solitude.
8
00:00:46.439 --> 00:00:50.840
Your favorite bands are on this dance and mister Miller,
9
00:00:50.960 --> 00:00:52.000
but you're in the mood.
10
00:00:52.079 --> 00:00:54.520
It's make believe ballroom time.
11
00:00:55.479 --> 00:00:58.280
We are a sweet romance.
12
00:00:59.759 --> 00:01:03.640
Is to make me come on job last.
13
00:01:03.479 --> 00:01:09.760
Das last, Hello world, I'm Jeff Pressler, turning on the
14
00:01:09.879 --> 00:01:13.799
lights of the Make Believe Ballroom and welcoming you into
15
00:01:13.879 --> 00:01:18.640
my Crystal Studio for another program of classic big band
16
00:01:18.799 --> 00:01:23.159
jazz from the nineteen thirties and forties. Please get ready
17
00:01:23.319 --> 00:01:27.439
as I play for you some amazing swing, blues, jazz
18
00:01:27.560 --> 00:01:31.519
and boogie woogie favorites. Folks, you're listening to the Make
19
00:01:31.640 --> 00:01:39.599
Believe Ballroom, broadcasting almost continuously since nineteen thirty five. And
20
00:01:40.120 --> 00:01:43.239
welcome one and all into the Crystal Studio, and thanks
21
00:01:43.280 --> 00:01:47.799
for joining me. Today we start spinning records with a
22
00:01:48.159 --> 00:01:50.439
jazz master work.
23
00:02:19.919 --> 00:02:22.719
What it.
24
00:04:45.839 --> 00:04:49.839
Recorded in New York City on May the eighteenth, nineteen
25
00:04:50.120 --> 00:04:55.680
thirty three, under the baton of British born Spike Hughes.
26
00:04:56.360 --> 00:05:01.680
We heard Henry Allen, Leonard Davison, Bill Dilliard on the trumpets,
27
00:05:02.759 --> 00:05:08.519
Dicky Wells, Wilberd de Paris and George Washington on trombone,
28
00:05:09.319 --> 00:05:15.120
Benny Carter Wayman Carver, Howard Johnson, Coleman Hawkins and Chew
29
00:05:15.240 --> 00:05:20.959
Berry on the reids, Louis Russell playing the piano, Lawrence
30
00:05:21.120 --> 00:05:25.720
Lucy the guitar, Ernest Hill the string bass, in Sydney
31
00:05:25.879 --> 00:05:30.680
Catlet on the drums, and all Black Orchestra with a
32
00:05:31.000 --> 00:05:37.160
song called Fanfare recorded on British Decca. Let Me Play
33
00:05:37.279 --> 00:05:42.519
One More by Spike Hughes, and then the amazing story
34
00:05:43.000 --> 00:06:01.120
of this ground breaking bands.
35
00:06:48.920 --> 00:07:44.240
The tramper.
36
00:07:38.079 --> 00:07:38.759
A hand.
37
00:08:53.279 --> 00:08:58.799
Pastor Rally Spike Hues and his orchestra, recorded April eighteenth,
38
00:08:59.000 --> 00:09:02.879
nineteen thirty three in New York City for British Deca
39
00:09:03.000 --> 00:09:08.240
Records and the now Friends The interesting story behind the
40
00:09:08.320 --> 00:09:15.120
two records I just played. Spike Hughes was a British musician,
41
00:09:15.279 --> 00:09:20.840
composer and arranger. He had an interesting combination because he
42
00:09:21.039 --> 00:09:25.679
was equally involved in the worlds of classical music and jazz.
43
00:09:26.879 --> 00:09:31.600
When it came to jazz. He Spike was called Britain's
44
00:09:31.720 --> 00:09:37.320
earliest jazz composer, although that phase of his career with
45
00:09:37.559 --> 00:09:41.919
the jazz music only lasted a few short years. So
46
00:09:42.200 --> 00:09:46.799
I earlier called the two records I played as groundbreaking,
47
00:09:47.720 --> 00:09:51.799
and that's because back in nineteen thirty three they represented
48
00:09:51.879 --> 00:09:57.240
a rare, if not a first, high level collaboration were
49
00:09:57.279 --> 00:10:03.080
a white European band leader specifically traveled to New York
50
00:10:03.440 --> 00:10:07.840
to record his own compositions with an all star, all
51
00:10:08.000 --> 00:10:12.519
black orchestra. So how did he do this? Well, the
52
00:10:12.759 --> 00:10:19.240
orchestra we just heard was essentially the Benny Carter Orchestra,
53
00:10:20.320 --> 00:10:26.840
augmented by legendary soloists like Coleman Hawkins, Henry Allen, and
54
00:10:27.320 --> 00:10:32.879
Chew Berry. Now Hughes did not just conduct standard jazz hits.
55
00:10:32.919 --> 00:10:38.960
He recorded fourteen of his own original compositions in New York,
56
00:10:39.759 --> 00:10:43.480
two of which we just heard, which certainly have, in
57
00:10:43.639 --> 00:10:49.480
my opinion, in ellington Esque sound and complexity to them.
58
00:10:50.399 --> 00:10:54.879
Now Hughes was so satisfied with these sessions that he
59
00:10:55.080 --> 00:10:59.879
felt he had reached his artistic peak, and he retired
60
00:11:00.200 --> 00:11:06.159
from playing jazz shortly thereafter to focus on classical music.
61
00:11:06.519 --> 00:11:13.919
Classical music, criticism, journalism and humorous writing. Now the orchestra,
62
00:11:14.879 --> 00:11:18.279
and we have to understand it was nineteen thirty three.
63
00:11:19.799 --> 00:11:24.159
Was called on the British Deca label Spike Hughes and
64
00:11:24.279 --> 00:11:29.879
his Negro Orchestra. Again, it was nineteen thirty three. And
65
00:11:30.039 --> 00:11:34.039
although it had that name, it was amazing that in
66
00:11:34.159 --> 00:11:39.120
the early thirties a white musician collaborated with an all
67
00:11:39.240 --> 00:11:44.320
black orchestra. You see, Spike Hughes was colorblind and he
68
00:11:44.519 --> 00:11:48.679
wanted his pieces played by the most talented musicians of
69
00:11:48.840 --> 00:11:53.440
the era, and he found that with Benny Carter and Company.
70
00:11:54.240 --> 00:14:14.600
Spike Hughes name from the movie I DoD It back
71
00:14:14.679 --> 00:14:18.320
in nineteen forty three, we just heard the fabulous piano
72
00:14:18.679 --> 00:14:23.919
of Hazel Scott with Taking a Chance on Love. Hazel
73
00:14:24.159 --> 00:14:28.159
one of the great female jazz pianists of the era,
74
00:14:29.240 --> 00:14:35.039
also a staunch civil rights advocate and leader. And if
75
00:14:35.120 --> 00:14:39.559
you've ever followed the history of New York City politics
76
00:14:40.279 --> 00:14:46.000
or of Congress, she was married to Adam Clayton Powell Junior,
77
00:14:46.240 --> 00:14:53.759
the Harlem Congressman, Baptist pastor, and civil rights leader. I think,
78
00:14:53.799 --> 00:14:58.279
if I'm not mistaken, Adam Clayton Powell was the first
79
00:14:59.480 --> 00:15:04.320
black congressman from the state of New York. Why don't
80
00:15:04.320 --> 00:15:08.320
we listen to one more from Hazel Scott.
81
00:16:21.440 --> 00:16:58.600
School about Buck You have any bungs um M?
82
00:17:27.039 --> 00:17:31.400
That was Hazel's Boogie Woogie on Decca Records, recorded back
83
00:17:31.680 --> 00:17:36.200
in nineteen forty two. I'm Jeff Wrestler and you're listening
84
00:17:36.359 --> 00:17:41.400
to the one, the only, the original Make Believe ballroom.
85
00:18:47.880 --> 00:18:57.519
Ushu you baby hushes Baby, Bye bye bye baby, Your
86
00:18:57.759 --> 00:19:02.319
papa is off to the seven Seize Don cry baby,
87
00:19:03.839 --> 00:19:08.680
doll side baby, Bye bye five baby.
88
00:19:10.160 --> 00:19:13.920
When I come back with him like bubbies that he
89
00:19:14.079 --> 00:19:15.279
seems kind.
90
00:19:15.079 --> 00:19:21.079
Of tough now to say goodbye this way, But Papa's
91
00:19:21.119 --> 00:19:24.359
gotta be rough now, so but he can be sweet
92
00:19:24.440 --> 00:19:25.680
to you another day.
93
00:19:26.200 --> 00:19:30.720
Bye bye baby, Don cry.
94
00:19:30.680 --> 00:19:38.920
Baby shoes shoeshoe Baby, Your papa soft the seven seeds.
95
00:20:23.200 --> 00:20:33.119
Bye bye bye baby, cry baby shoes you baby. Your
96
00:20:33.200 --> 00:20:37.400
papa is up to the seven seas. Your Papa's up
97
00:20:37.559 --> 00:20:39.640
to seven sees your.
98
00:20:39.599 --> 00:20:50.160
Papas on Hit Records Shoe Shoe Baby by Jan Garber
99
00:20:50.480 --> 00:20:56.599
and his orchestra vocal by Liz Tilton, Liz being the
100
00:20:56.720 --> 00:21:02.279
younger sister of the great Martha Tilllton that song recorded
101
00:21:02.400 --> 00:21:08.160
back in nineteen forty two. Let me play another record then,
102
00:21:08.240 --> 00:21:12.000
a female vocalist who was blazing hot for a short
103
00:21:12.119 --> 00:22:00.960
period of time, and.
104
00:22:02.079 --> 00:22:04.160
The reason do.
105
00:22:27.000 --> 00:24:20.240
Hi fellos.
106
00:23:42.400 --> 00:23:53.759
Foot soups soup steps six.
107
00:23:50.599 --> 00:23:51.720
Six six.
108
00:24:12.640 --> 00:24:15.559
On a v disc from back in nineteen forty five,
109
00:24:15.839 --> 00:24:20.039
The Gene Crooper Trio with their version of Stomping at
110
00:24:20.119 --> 00:24:26.000
the Savoy, Charlie Ventura on the tenor, sacks, George Walter's
111
00:24:26.039 --> 00:24:31.359
the piano, and the legendary Gene Crouper on drums. So
112
00:24:31.599 --> 00:24:34.839
I told you before Croupa that I was going to
113
00:24:35.200 --> 00:24:39.440
introduce you to a female vocalist who was blazing hot
114
00:24:39.640 --> 00:24:42.720
for a short period of time. Here's one of the
115
00:24:42.839 --> 00:24:44.000
reasons why.
116
00:24:50.160 --> 00:24:55.319
I can't be true to no one, no matter how dry,
117
00:24:55.640 --> 00:24:59.920
on account of my big glipi liphic glyphi glave.
118
00:25:02.680 --> 00:25:06.400
Now I may say I love you and then bid
119
00:25:06.599 --> 00:25:07.480
you good buy.
120
00:25:07.799 --> 00:25:15.240
On account of my big classic lipic LIPI line. When
121
00:25:15.799 --> 00:25:21.519
I look at someone my got a door, I see
122
00:25:21.839 --> 00:25:26.680
know this somewe much better than the one before, And
123
00:25:27.039 --> 00:25:32.160
so I guess I'll always remain a single girl. On
124
00:25:32.359 --> 00:25:39.880
account of my thick lipic lific life and glafe, I can't.
125
00:25:39.720 --> 00:25:44.160
Be true to no one, no matter how I try.
126
00:25:44.359 --> 00:25:45.279
On account of.
127
00:25:45.480 --> 00:25:46.799
My thick life think.
128
00:25:47.039 --> 00:25:48.799
I think, I think lie.
129
00:25:51.079 --> 00:25:55.160
Now I may say I love you and then did
130
00:25:55.359 --> 00:25:56.240
you good bye?
131
00:25:56.519 --> 00:26:00.160
On account of my thick lie think, I think, I.
132
00:26:00.240 --> 00:26:01.200
Think love.
133
00:26:02.480 --> 00:26:02.759
Dude.
134
00:26:03.759 --> 00:26:10.279
When I look at someone I could adore, I see
135
00:26:10.400 --> 00:26:15.480
a mother someone much better than the one before, And
136
00:26:15.799 --> 00:26:17.160
so I guess.
137
00:26:17.000 --> 00:26:22.000
I wontways stay a single guy on account.
138
00:26:21.640 --> 00:26:25.319
Of my think glfing clothing glove.
139
00:26:52.920 --> 00:26:59.559
Where I look at someone I could adore, I see
140
00:26:59.720 --> 00:27:05.119
there's someone much nicer than the one before, And so
141
00:27:05.680 --> 00:27:10.319
I guess I'll never be true to any guy on
142
00:27:10.519 --> 00:27:11.200
account of.
143
00:27:11.440 --> 00:27:15.599
My big gloves. O thick glove, My big Gloves.
144
00:27:22.279 --> 00:27:25.160
From Decca Records, we just heard a catchy tune, My
145
00:27:25.359 --> 00:27:29.799
Fickle Eye Evelyn Knight and the Tunechwesters, recorded in New
146
00:27:29.880 --> 00:27:34.119
York City on May the seventh, nineteen forty six. Now,
147
00:27:34.319 --> 00:27:38.960
Evelyn Knight is a vocalist you might not be familiar with.
148
00:27:39.319 --> 00:27:41.200
She was a Virginia born.
149
00:27:42.480 --> 00:27:42.680
You know.
150
00:27:42.839 --> 00:27:49.680
It's strange because Evelyn had a relatively short recording career
151
00:27:51.039 --> 00:27:55.000
but was not really that well known in the mainstream.
152
00:27:56.319 --> 00:28:02.279
Many band leaders and vocalists who preferred to perform in
153
00:28:02.480 --> 00:28:06.720
clubs and not on record in the thirties and forties
154
00:28:07.559 --> 00:28:11.839
are really lost to history because if there was no
155
00:28:12.079 --> 00:28:16.559
radio remotes from those venues or they didn't appear on
156
00:28:16.799 --> 00:28:23.160
radio programs, they were basically unheard of across the country.
157
00:28:24.279 --> 00:28:24.400
Now.
158
00:28:24.559 --> 00:28:28.440
One of Evelyn Knight's earliest bookings started in the mid
159
00:28:29.480 --> 00:28:32.160
to late nineteen thirties, and that was at the King
160
00:28:32.319 --> 00:28:36.960
Cole Room in Washington, d C. She signed an initial
161
00:28:37.079 --> 00:28:41.880
two week contract and that eventually turned into a five
162
00:28:42.039 --> 00:28:47.160
year stay. A critic once commented, and let me find
163
00:28:47.200 --> 00:28:51.880
that comment. He said that for five years she has
164
00:28:52.039 --> 00:28:55.720
held down the entertainment assignment at the King Cole Room,
165
00:28:56.359 --> 00:28:59.079
and in that five years she has grown into a
166
00:28:59.240 --> 00:29:04.200
local trade edition cool with plenty of glamour. This girl
167
00:29:04.319 --> 00:29:09.799
delivers her stuff in a sophisticated manner, so well known
168
00:29:10.079 --> 00:29:14.400
with the club set in DC, but she was a
169
00:29:14.640 --> 00:29:19.519
virtual stranger to everybody else. In late nineteen thirty nine,
170
00:29:19.640 --> 00:29:22.920
Evelyn moved to New York City, where she began headlining
171
00:29:23.039 --> 00:29:27.400
at Manhattan clubs. She was at the Blue Angel and
172
00:29:27.519 --> 00:29:33.640
the prestigious Plaza Hotels Persian Room. She finally ended up
173
00:29:33.759 --> 00:29:37.799
launching her record career in nineteen forty five by signing
174
00:29:37.920 --> 00:29:42.079
with Decca Records. Later moved to Los Angeles in the
175
00:29:42.200 --> 00:29:46.880
late forties, where she headlined at Ciro's and Coconut Grove.
176
00:29:47.440 --> 00:29:53.440
So quite a club resume for one Evelyn Knight. Now.
177
00:29:53.960 --> 00:29:57.640
The song I played My Fickled Eye was one of
178
00:29:57.839 --> 00:30:02.079
over a hundred she recall worded four Decca records. Really
179
00:30:02.200 --> 00:30:06.160
over just a five year span, two of those really
180
00:30:06.759 --> 00:30:10.480
stand out. Let me play those as we pay a
181
00:30:10.680 --> 00:30:13.599
mini tribute to Evelyn Knight.
182
00:30:29.720 --> 00:30:35.119
A little bird told me that you love me, love me,
183
00:30:35.839 --> 00:30:41.640
and I believe that you do. I believe this little
184
00:30:41.720 --> 00:30:49.359
bird told me I was falling, falling no one.
185
00:30:49.359 --> 00:30:49.440
But.
186
00:30:52.000 --> 00:30:55.400
There's no use denying. I'm matters.
187
00:30:55.480 --> 00:30:57.759
Welcome best from.
188
00:30:57.640 --> 00:30:58.559
All the boys.
189
00:30:58.720 --> 00:30:59.440
I know you.
190
00:31:00.079 --> 00:31:01.960
I'm sure I love you best.
191
00:31:02.359 --> 00:31:05.400
The little bird to we'd be.
192
00:31:05.640 --> 00:31:10.359
Happy, also happy and believe.
193
00:31:10.599 --> 00:31:15.920
That it's true, So true, a little bird totally. We'll
194
00:31:16.039 --> 00:31:21.559
be married, to get married and believe.
195
00:31:21.319 --> 00:31:22.240
That it's true.
196
00:31:23.400 --> 00:31:27.960
There's a little to me when we marry. When we
197
00:31:28.079 --> 00:31:30.200
get married, we'll have a prea in.
198
00:31:30.400 --> 00:31:34.240
College, not too far of than stem like a movie star.
199
00:31:34.599 --> 00:31:38.759
All a great thing, public colonies, lion there by the
200
00:31:38.880 --> 00:31:43.599
by a plane, don't fish, palm and wishing well. Everything
201
00:31:43.759 --> 00:31:45.160
is going to turn else well.
202
00:31:48.119 --> 00:32:03.720
Married, that's true, have family, smart, God.
203
00:32:05.599 --> 00:32:09.960
You'll have a break cottage not too far. Oh thankstein
204
00:32:10.200 --> 00:32:14.680
like a movie star. Stop breaking up column mates, lying
205
00:32:14.839 --> 00:32:19.039
there back fire place, stop goldish bound, then wish him well.
206
00:32:19.759 --> 00:32:24.920
Everything's going to turn out Swell little birds, don't red.
207
00:32:24.559 --> 00:32:28.880
Be happy and busy.
208
00:32:29.720 --> 00:32:30.359
That's true.
209
00:32:38.079 --> 00:32:38.680
And now.
210
00:32:40.039 --> 00:32:40.680
I know.
211
00:32:42.440 --> 00:32:43.160
That it's true.
212
00:32:44.160 --> 00:32:51.240
Come on DECA Records. A Little Bird Told Me by
213
00:32:51.440 --> 00:32:56.200
Evelyn Knight and the Stardusters, recorded on April the twelfth,
214
00:32:56.640 --> 00:33:01.079
nineteen forty eight, in New York City, and that Handclapper
215
00:33:01.079 --> 00:33:04.839
of My Friends was among the year's most popular recordings,
216
00:33:05.440 --> 00:33:11.839
spending seven weeks atop the bestseller chart and a certain
217
00:33:12.200 --> 00:33:17.359
number one hit for Evelyn and Not to Rest on
218
00:33:17.640 --> 00:33:21.680
her laurels. On November the sixteenth of that same year,
219
00:33:21.799 --> 00:33:25.680
nineteen forty eight, another number one hit.
220
00:33:30.200 --> 00:33:32.240
Where did you get that cute? Look?
221
00:33:32.319 --> 00:33:33.440
You look great?
222
00:33:33.599 --> 00:33:34.279
Well? Thank you?
223
00:33:34.519 --> 00:33:37.319
Does I have got a way to keep in style?
224
00:33:37.640 --> 00:33:43.759
Powder your face with side shine, put on a great
225
00:33:44.119 --> 00:33:52.519
big smile, make up your eyes with laugh. Those folks
226
00:33:52.599 --> 00:33:54.279
will be laughing.
227
00:33:54.079 --> 00:33:55.920
With you in a little while.
228
00:33:57.079 --> 00:34:07.839
Whistle too, bloundness bloom never was in Stars the Futures
229
00:34:07.920 --> 00:34:11.920
brighter wim hats a lighter smile.
230
00:34:12.440 --> 00:34:14.280
He's my smile.
231
00:34:15.760 --> 00:34:29.159
You found fasts a disposition, You're Jewish rise laughing.
232
00:34:29.320 --> 00:34:31.280
Keep it twinkling your own fats.
233
00:34:31.400 --> 00:34:35.480
We'll be laughing with you in a little Why don't.
234
00:34:35.320 --> 00:34:39.119
You whistle that loves.
235
00:34:40.320 --> 00:34:41.679
Blue? Never was.
236
00:34:45.519 --> 00:34:52.400
The futures Brighter wim hurts a lighter smart smart f.
237
00:35:16.360 --> 00:35:21.280
Whistle too. Love Gladness.
238
00:35:22.280 --> 00:35:23.920
Was ever Instard.
239
00:35:25.880 --> 00:35:28.599
The Future's writer when.
240
00:35:28.559 --> 00:35:30.280
Hot's a letder s.
241
00:35:37.559 --> 00:35:43.199
Evelyn Knight revisited Billboard's number one spot in that positive
242
00:35:43.280 --> 00:35:47.039
thinking follow up to her million selling A Little Bird
1
00:00:12.199 --> 00:00:17.839
2
00:00:19.760 --> 00:00:23.640
3
00:00:25.559 --> 00:00:33.359
4
00:00:33.439 --> 00:00:36.280
5
00:00:35.920 --> 00:00:37.320
6
00:00:39.799 --> 00:00:40.200
7
00:00:40.359 --> 00:00:45.320
8
00:00:46.439 --> 00:00:50.840
9
00:00:50.960 --> 00:00:52.000
10
00:00:52.079 --> 00:00:54.520
11
00:00:55.479 --> 00:00:58.280
12
00:00:59.759 --> 00:01:03.640
13
00:01:03.479 --> 00:01:09.760
14
00:01:09.879 --> 00:01:13.799
15
00:01:13.879 --> 00:01:18.640
16
00:01:18.799 --> 00:01:23.159
17
00:01:23.319 --> 00:01:27.439
18
00:01:27.560 --> 00:01:31.519
19
00:01:31.640 --> 00:01:39.599
20
00:01:40.120 --> 00:01:43.239
21
00:01:43.280 --> 00:01:47.799
22
00:01:48.159 --> 00:01:50.439
23
00:02:19.919 --> 00:02:22.719
24
00:04:45.839 --> 00:04:49.839
25
00:04:50.120 --> 00:04:55.680
26
00:04:56.360 --> 00:05:01.680
27
00:05:02.759 --> 00:05:08.519
28
00:05:09.319 --> 00:05:15.120
29
00:05:15.240 --> 00:05:20.959
30
00:05:21.120 --> 00:05:25.720
31
00:05:25.879 --> 00:05:30.680
32
00:05:31.000 --> 00:05:37.160
33
00:05:37.279 --> 00:05:42.519
34
00:05:43.000 --> 00:06:01.120
35
00:06:48.920 --> 00:07:44.240
36
00:07:38.079 --> 00:07:38.759
37
00:08:53.279 --> 00:08:58.799
38
00:08:59.000 --> 00:09:02.879
39
00:09:03.000 --> 00:09:08.240
40
00:09:08.320 --> 00:09:15.120
41
00:09:15.279 --> 00:09:20.840
42
00:09:21.039 --> 00:09:25.679
43
00:09:26.879 --> 00:09:31.600
44
00:09:31.720 --> 00:09:37.320
45
00:09:37.559 --> 00:09:41.919
46
00:09:42.200 --> 00:09:46.799
47
00:09:47.720 --> 00:09:51.799
48
00:09:51.879 --> 00:09:57.240
49
00:09:57.279 --> 00:10:03.080
50
00:10:03.440 --> 00:10:07.840
51
00:10:08.000 --> 00:10:12.519
52
00:10:12.759 --> 00:10:19.240
53
00:10:20.320 --> 00:10:26.840
54
00:10:27.320 --> 00:10:32.879
55
00:10:32.919 --> 00:10:38.960
56
00:10:39.759 --> 00:10:43.480
57
00:10:43.639 --> 00:10:49.480
58
00:10:50.399 --> 00:10:54.879
59
00:10:55.080 --> 00:10:59.879
60
00:11:00.200 --> 00:11:06.159
61
00:11:06.519 --> 00:11:13.919
62
00:11:14.879 --> 00:11:18.279
63
00:11:19.799 --> 00:11:24.159
64
00:11:24.279 --> 00:11:29.879
65
00:11:30.039 --> 00:11:34.039
66
00:11:34.159 --> 00:11:39.120
67
00:11:39.240 --> 00:11:44.320
68
00:11:44.519 --> 00:11:48.679
69
00:11:48.840 --> 00:11:53.440
70
00:11:54.240 --> 00:14:14.600
71
00:14:14.679 --> 00:14:18.320
72
00:14:18.679 --> 00:14:23.919
73
00:14:24.159 --> 00:14:28.159
74
00:14:29.240 --> 00:14:35.039
75
00:14:35.120 --> 00:14:39.559
76
00:14:40.279 --> 00:14:46.000
77
00:14:46.240 --> 00:14:53.759
78
00:14:53.799 --> 00:14:58.279
79
00:14:59.480 --> 00:15:04.320
80
00:15:04.320 --> 00:15:08.320
81
00:16:21.440 --> 00:16:58.600
82
00:17:27.039 --> 00:17:31.400
83
00:17:31.680 --> 00:17:36.200
84
00:17:36.359 --> 00:17:41.400
85
00:18:47.880 --> 00:18:57.519
86
00:18:57.759 --> 00:19:02.319
87
00:19:03.839 --> 00:19:08.680
88
00:19:10.160 --> 00:19:13.920
89
00:19:14.079 --> 00:19:15.279
90
00:19:15.079 --> 00:19:21.079
91
00:19:21.119 --> 00:19:24.359
92
00:19:24.440 --> 00:19:25.680
93
00:19:26.200 --> 00:19:30.720
94
00:19:30.680 --> 00:19:38.920
95
00:20:23.200 --> 00:20:33.119
96
00:20:33.200 --> 00:20:37.400
97
00:20:37.559 --> 00:20:39.640
98
00:20:39.599 --> 00:20:50.160
99
00:20:50.480 --> 00:20:56.599
100
00:20:56.720 --> 00:21:02.279
101
00:21:02.400 --> 00:21:08.160
102
00:21:08.240 --> 00:21:12.000
103
00:21:12.119 --> 00:22:00.960
104
00:22:02.079 --> 00:22:04.160
105
00:22:27.000 --> 00:24:20.240
106
00:23:42.400 --> 00:23:53.759
107
00:23:50.599 --> 00:23:51.720
108
00:24:12.640 --> 00:24:15.559
109
00:24:15.839 --> 00:24:20.039
110
00:24:20.119 --> 00:24:26.000
111
00:24:26.039 --> 00:24:31.359
112
00:24:31.599 --> 00:24:34.839
113
00:24:35.200 --> 00:24:39.440
114
00:24:39.640 --> 00:24:42.720
115
00:24:42.839 --> 00:24:44.000
116
00:24:50.160 --> 00:24:55.319
117
00:24:55.640 --> 00:24:59.920
118
00:25:02.680 --> 00:25:06.400
119
00:25:06.599 --> 00:25:07.480
120
00:25:07.799 --> 00:25:15.240
121
00:25:15.799 --> 00:25:21.519
122
00:25:21.839 --> 00:25:26.680
123
00:25:27.039 --> 00:25:32.160
124
00:25:32.359 --> 00:25:39.880
125
00:25:39.720 --> 00:25:44.160
126
00:25:44.359 --> 00:25:45.279
127
00:25:45.480 --> 00:25:46.799
128
00:25:47.039 --> 00:25:48.799
129
00:25:51.079 --> 00:25:55.160
130
00:25:55.359 --> 00:25:56.240
131
00:25:56.519 --> 00:26:00.160
132
00:26:00.240 --> 00:26:01.200
133
00:26:02.480 --> 00:26:02.759
134
00:26:03.759 --> 00:26:10.279
135
00:26:10.400 --> 00:26:15.480
136
00:26:15.799 --> 00:26:17.160
137
00:26:17.000 --> 00:26:22.000
138
00:26:21.640 --> 00:26:25.319
139
00:26:52.920 --> 00:26:59.559
140
00:26:59.720 --> 00:27:05.119
141
00:27:05.680 --> 00:27:10.319
142
00:27:10.519 --> 00:27:11.200
143
00:27:11.440 --> 00:27:15.599
144
00:27:22.279 --> 00:27:25.160
145
00:27:25.359 --> 00:27:29.799
146
00:27:29.880 --> 00:27:34.119
147
00:27:34.319 --> 00:27:38.960
148
00:27:39.319 --> 00:27:41.200
149
00:27:42.480 --> 00:27:42.680
150
00:27:42.839 --> 00:27:49.680
151
00:27:51.039 --> 00:27:55.000
152
00:27:56.319 --> 00:28:02.279
153
00:28:02.480 --> 00:28:06.720
154
00:28:07.559 --> 00:28:11.839
155
00:28:12.079 --> 00:28:16.559
156
00:28:16.799 --> 00:28:23.160
157
00:28:24.279 --> 00:28:24.400
158
00:28:24.559 --> 00:28:28.440
159
00:28:29.480 --> 00:28:32.160
160
00:28:32.319 --> 00:28:36.960
161
00:28:37.079 --> 00:28:41.880
162
00:28:42.039 --> 00:28:47.160
163
00:28:47.200 --> 00:28:51.880
164
00:28:52.039 --> 00:28:55.720
165
00:28:56.359 --> 00:28:59.079
166
00:28:59.240 --> 00:29:04.200
167
00:29:04.319 --> 00:29:09.799
168
00:29:10.079 --> 00:29:14.400
169
00:29:14.640 --> 00:29:19.519
170
00:29:19.640 --> 00:29:22.920
171
00:29:23.039 --> 00:29:27.400
172
00:29:27.519 --> 00:29:33.640
173
00:29:33.759 --> 00:29:37.799
174
00:29:37.920 --> 00:29:42.079
175
00:29:42.200 --> 00:29:46.880
176
00:29:47.440 --> 00:29:53.440
177
00:29:53.960 --> 00:29:57.640
178
00:29:57.839 --> 00:30:02.079
179
00:30:02.200 --> 00:30:06.160
180
00:30:06.759 --> 00:30:10.480
181
00:30:10.680 --> 00:30:13.599
182
00:30:29.720 --> 00:30:35.119
183
00:30:35.839 --> 00:30:41.640
184
00:30:41.720 --> 00:30:49.359
185
00:30:49.359 --> 00:30:49.440
186
00:30:52.000 --> 00:30:55.400
187
00:30:55.480 --> 00:30:57.759
188
00:30:57.640 --> 00:30:58.559
189
00:30:58.720 --> 00:30:59.440
190
00:31:00.079 --> 00:31:01.960
191
00:31:02.359 --> 00:31:05.400
192
00:31:05.640 --> 00:31:10.359
193
00:31:10.599 --> 00:31:15.920
194
00:31:16.039 --> 00:31:21.559
195
00:31:21.319 --> 00:31:22.240
196
00:31:23.400 --> 00:31:27.960
197
00:31:28.079 --> 00:31:30.200
198
00:31:30.400 --> 00:31:34.240
199
00:31:34.599 --> 00:31:38.759
200
00:31:38.880 --> 00:31:43.599
201
00:31:43.759 --> 00:31:45.160
202
00:31:48.119 --> 00:32:03.720
203
00:32:05.599 --> 00:32:09.960
204
00:32:10.200 --> 00:32:14.680
205
00:32:14.839 --> 00:32:19.039
206
00:32:19.759 --> 00:32:24.920
207
00:32:24.559 --> 00:32:28.880
208
00:32:29.720 --> 00:32:30.359
209
00:32:38.079 --> 00:32:38.680
210
00:32:40.039 --> 00:32:40.680
211
00:32:42.440 --> 00:32:43.160
212
00:32:44.160 --> 00:32:51.240
213
00:32:51.440 --> 00:32:56.200
214
00:32:56.640 --> 00:33:01.079
215
00:33:01.079 --> 00:33:04.839
216
00:33:05.440 --> 00:33:11.839
217
00:33:12.200 --> 00:33:17.359
218
00:33:17.640 --> 00:33:21.680
219
00:33:21.799 --> 00:33:25.680
220
00:33:30.200 --> 00:33:32.240
221
00:33:32.319 --> 00:33:33.440
222
00:33:33.599 --> 00:33:34.279
223
00:33:34.519 --> 00:33:37.319
224
00:33:37.640 --> 00:33:43.759
225
00:33:44.119 --> 00:33:52.519
226
00:33:52.599 --> 00:33:54.279
227
00:33:54.079 --> 00:33:55.920
228
00:33:57.079 --> 00:34:07.839
229
00:34:07.920 --> 00:34:11.920
230
00:34:12.440 --> 00:34:14.280
231
00:34:15.760 --> 00:34:29.159
232
00:34:29.320 --> 00:34:31.280
233
00:34:31.400 --> 00:34:35.480
234
00:34:35.320 --> 00:34:39.119
235
00:34:40.320 --> 00:34:41.679
236
00:34:45.519 --> 00:34:52.400
237
00:35:16.360 --> 00:35:21.280
238
00:35:22.280 --> 00:35:23.920
239
00:35:25.880 --> 00:35:28.599
240
00:35:28.559 --> 00:35:30.280
241
00:35:37.559 --> 00:35:43.199
242
00:35:43.280 --> 00:35:47.039