Jan. 17, 2025
Make Believe Ballroom - 1/17/25 Edition
On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States as well as in the United Kingdom –a contemporary swing band, two great radio remotes, a look at one...
On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States as well as in the United Kingdom –a contemporary swing band, two great radio remotes, a look at one of the most historic recordings of all time - this and many more great records to enjoy on the show!
WEBVTT
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Time.
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It's make believe ballroom time. Put all your cares away.
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All the bands are here to bring good cheer your way.
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It's make believe ballroom time and free to everyone.
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It's no time to friend your Dalis said Bamba yours,
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close your.
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Eyes and visual life in your solitude.
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Your favorite bands are on List Dance and mister Miller.
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But you're in the mood.
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It's make believe ballroom time.
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We are of sweet romances.
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You make the lea.
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Come on, Jim last dance least.
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Hi, folks, I'm Jeff Presler, turning on the lights of
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the make believe ballroom and welcoming you into my crystal
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studio for another program of the great big band hits
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of the nineteen thirties and nineteen forties. Whether one of
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my longtime listeners are new list there on public, community
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or university radio stations across the US as well as
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in the UK, please grab your dance ticket. It's free
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and let's listen to some wonderful big band jazz, swing,
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blues and boogie woogie classics. Hello World, and from coast
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to coast on stations like Jazz ninety point one WGMC
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in Rochester, New York and other fine radio affiliates. I
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welcome you all to the Make Believe Ballroom, the one,
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the only, the original Make Believe Ballroom, broadcast almost continuously
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since February of nineteen thirty five. And I want to
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open this edition of Today's Make Believe Ballroom with an
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email from listener Errol Leon, who listens on KPOV in Bend, Oregon.
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And you know Errol. There was a comedian named Leon
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Errol who was featured in a number of very funny
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movie comedy shorts in the nineteen thirties and nineteen forties.
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You could still see a lot of those on YouTube.
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Errol perhaps a backwards relative to you, but not Leon Errol.
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Errol Leon wrote, Jeff, longtime late night listener to your show.
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My wife and I have purchased many downloadable online albums
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from contemporary big band swing artists on band Camp. One
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of my favorite groups is Jonathan Stout and his Campus
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Five with vocals by Hilary Alexander. They are a great
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band that recreates the sounds of the late thirties and
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early forties. I have attached to downloads from them in
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hopes that perhaps you will share their music with your listeners. Well,
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of course, Earl, I will do that. I will share,
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I will share both. Let's listen to the first.
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Marry marrying.
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Something I.
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Didn' any day.
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That was Savoy blip from Jonathan Stoutness Campus five from
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their album Crazy Rhythm that was released in twenty seventeen
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and can be purchased on band camp and for the uninitiated,
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because I also visit band camp on occasion. If you're
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not familiar, it's a website bandcamp dot com, and on
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the site it allows artists and labels to upload music.
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There are literally tens of thousands of downloadable pieces on
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band camp and you can download music for a small fee.
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Either you could buy one song at a time, or
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you can purchase a downloadable full album. Let me now
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play the second song. Errol sent us and it's an
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old standard.
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There's a change in the weather, there's a change in
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the scene.
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From now on, there'll be.
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A change in me. My walk will be different, my
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talk and my name ain't nothing about me going to
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be the same. I'm gonna change my way living. And
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if that ain't from now on, I'm going to struck
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my stone. Noboddy loves you when you're old and gray,
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There'll be some changes made to days. There'll be some
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changes made. Now there's a change in the weather, there's
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a change in the sea. From now on, there'll be a.
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Change in me.
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My walk will be different, my talk and my name.
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Ain't nothing about me going to be the same. I'm
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gonna change my way living. And if that ain't enough,
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from now on, I'm going to struct my stuff. No
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buddy loves you. When you're old and gray, There'll be
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some changes made today. There'll be some shame ches made.
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There'll be some changes made. Jonathan Stout and the Campus
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Five with a vocal by Hilary Alexander from the twenty
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seventeen album Crazy Rhythm, And you want to talk about
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a song that has stood the test of time, There'll
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be some changes made. Was published way back in nineteen
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twenty one, but the song is really flourished for over
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one hundred years as a jazz standard. The song in
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that time period has been recorded over four hundred times,
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and I find that to be pretty amazing. So thank you,
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Errol Leon not to be confused with comedian Leon Errol,
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and thanks for introducing us to the Campus Five by
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sharing those two songs with the audience and myself here
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on today's edition of the Make Believe Ballroom and Friends
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to share, request or comment like Errol did. I'm Jeff
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at Makebelie Ballroomradio dot com. That's Jeff at Makebelie Ballroom
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Radio dot com. And coming up in just a moment,
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the legendary pianist performs on a radio remote that is
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rarely heard. But first, this.
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Her tst a tasket, a brown and yellow basket.
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I send a letter to my mummy.
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On the way, I dropped it, I dropped it. I
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dropped it. Yes, on the way I dropped it. A
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little girl he picked it up and put it in
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her pocket. She was trucking on down the avenue, not
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a single.
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Thing to do.
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She went pickpack, pecking all around.
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When she spied it on the raft, she took it.
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She took my.
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Little yellow basket.
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And if she doesn't bring it back, I think that
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I will die a tsket a tisket. I lost my
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yellow basket, and if that girl don't return it, don't
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know what I'll do.
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Oh d I one dude, where my basket can be?
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Oh gee, I wish that little girl I could see
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Oh my, was that so careless with that basket of mine?
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That any fitty baskets a joy? Young my, A tiskett
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a tasket? I lost my yellow basket. Won't someone help
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me find my basket and make me happy?
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Yugin look and.
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No no no, no, no, no no no no no
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no no.
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Just a little of.
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Your loop basket.
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Ah Lodonia Love.
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Basket On Deco Records, A Tisket a Tasket by Chick
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Webb and his orchestra vocal by Ela Fitzgerald, recorded in
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New York City, made the second nineteen hundred and thirty
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eight and that song My Friends, based on a nineteenth
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century nursery rhyme, was one of the best selling seventy
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eighths of the entire decade of the nineteen thirties. So
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I told you before Ella and Chick that I would
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discuss a rarely heard radio remote. Radio remotes, as many
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of you know, during the big band era of the
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thirties and forties, were simply live coast to coast transmissions
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of those bands. Big bands playing from hotels, ballrooms, and
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other musical venues like clubs, and I left out also restaurants.
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A large majority of the big bands did remotes to
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gain national exposure, to ultimately find sponsors, sell records, and
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assure that when they came to a specific town, they
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would play to a large crowd who heard them on
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the radio. Now, Fats Waller did some remote work, but
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he was certainly not a regular on any radio remotes
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weekly or every few nights radio remotes. Fats, of course,
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did not lead a big band, but he had a
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six piece group that he called Fats Waller in his
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rhythm and they accompanied him as he played the piano
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on most occasions. In October of nineteen thirty eight, Fats
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did do two remotes for NBC Radio from the Yacht
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Club at sixty six West fifty second Street in New
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York City. Of course, fifty second Street was the heart
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of jazz in New York City, with probably close to
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twenty clubs, all pretty much one right next to the
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other on fifty second Street, and it certainly had to
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be magical back then to walk down the street and
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hear the music coming out from behind the doors of
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each club and trying to make the decision on whose
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music you're going to be listening to that evening. So
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Fats did these two gigs, and unlike a ballroom, hotel
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or restaurant remotes, the yacht Club being a jazz club,
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it was a much more intimate setting. And on these
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remotes that I'm going to play, you can hear Fats
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banter with the crowd, a crowd that appears to be
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pretty laid back enjoying his music between clicks of what
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were probably whiskey and beer glasses. You'll actually hear those
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clicks in just a couple of minutes. Let's play a
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few songs that Fats performed on the radio from the
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yacht Club in October of nineteen thirty eight.
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As I'm talking about, and let me last it all
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about in the season, and I will bring our new
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themes song the yacht Club swipe.
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It says take it away, ass, Let beat it out
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yacht club swingers in foods.
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Man.
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I know, Mama, I'm getting something from Papa.
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I know.
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That.
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M No, Fats, I just like come in and it
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an official word here.
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Boy, Well, you know, I guess have to tell the
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pols that this person is coming from the new Yacht
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Club over here on West Clift, the second street, just
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off the Great White Way, and it's the old Admiral himself,
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Fats Waller in his orchestra. Yes that boy, yeah boy,
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that that tune you just played, That yacht Club Swing
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is very apropos very apropole.
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Boy.
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Come on down to what you're talking about anyway, Old
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Fats Waller's right here at the piano.
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That was a song that was aptly named Yacht Club
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Swing from Fats Waller on October fourteenth, nineteen thirty eight,
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during his radio remote from the Yacht Club Jazz Club
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in New York City. Let me play another from Fats
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at the Yacht Club.
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A man, the color pops. This is your premier performance
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here at the New Yacht.
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Club on fifty second Street, just off the Great White Way.
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And we're glad to have you on the air, Fats,
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And I'm glad to be bad.
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And you're doing a swell, swell job.
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You're really burning up that piano.
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Boy.
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I can't yeah, lord, but listen, I got a surprise
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for you. What's that new tune you never heard? I
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can't believe it. The flat first floture bit fo.
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Hit it boy, hit that d It's gone.
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Hello h.
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A flat foot fruture with Fod Frocks.
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Plain food fruits with floes.
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Fla food fruits with bod fustop, damn god down baby
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dam guy there who is said.
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Babes are you sing out there?
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But all right there.
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Say whenever your cares upon it, you just tell them,
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well go hang and you'll find the ray of.
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Tony get gone swinging with the gangmin flat foot brute
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with bad righty. I take it away from that, baby boy,
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take it away games.
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They think out and.
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Let me let me go. You have one day sun,
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I don't.
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I'll get ahead, give it had.
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I know, I'm all right. That's fast boy. I hardly
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recognize that gual she has. She had high arches there, boy,
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that she had flow.
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Fats Waller and his rhythm with Flat Foot Flugie from
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the Yacht Club on New York City's West fifty second
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Street and broadcast on NBC Radio in nineteen thirty eight.
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I'm Jeff Bresler, and you're listening to the one, the only,
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the original Make Believe Ballroom coming to you on the
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radio and then in podcast form from my Crystal Studio.
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And let me before we move on, play a radio
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remote from the great Artie Shaw and one of my
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favorite big band song treatments of all time, and I.
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Heard Tom's the one you've all been waiting for.
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The kilodella that's going to knock the place, probably the
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roof right over, we hope not, because it's a long
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way to the ground.
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Like Carrioka.
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The face of the.
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S That was already Shaw with Karrioka from a nineteen
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thirty nine radio remote. And I think that was probably
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from the Cafe Rouge in the Hotel Pennsylvania in New
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York City. It could have been from the Hotel Lincoln,
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