Nov. 22, 2024
Make Believe Ballroom - 11/22/24 Edition
On this week's Make Believe Ballroom broadcast on member supported Jazz 90.1 in Rochester, NY, and on other fine radio affiliates across the United States as well as in the United Kingdom – the macabre ending for Henry Busse, a Tommy Dorsey work...
On this week's Make Believe Ballroom broadcast on member supported Jazz 90.1 in Rochester, NY, and on other fine radio affiliates across the United States as well as in the United Kingdom – the macabre ending for Henry Busse, a Tommy Dorsey work party, some videos to watch on YouTube, a lyricist comedian, Make Believe Ballroom's original theme - all this and many more great records to enjoy on this show!
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It's make Believe ballroom time.
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Put all your cares away.
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All the bands are here to bring good cheer your way.
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It's make Believe ballroom time and free to everyone.
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It's no time to friend your Dalis said Bamba.
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Yours, close your.
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Eyes and visual lie in your solitude.
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Your favorite bands are on list Dance and mister Miller.
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But you're in the mood.
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It's make believe ballroom time. We are of sweet romance.
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As you make it.
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Come on, Joe, last dance least.
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Hi, folks, I'm Jeff Presler, turning on the lights of
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the Make Believe Ballroom and welcoming you into my crystal
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studio for another program of the greatest hits of the
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nineteen thirties and nineteen forties. I'm hosting the show to
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keep the music in traditions of past hosts Martin block
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Al Jarvis William B. Williams, and the legendaries Steve Allen alive.
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Whether one of my longtime listeners or perhaps a new
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listener today on public broadcasting or community radio stations across
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the US as well as in the United Kingdom, grab
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your dance ticket. It's free and let's listen to some
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wonderful big band era music. Hello world, and from coast
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to coast on stations like Jazz ninety point one WGMC
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in Rochester, New York, another fine public university and community
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radio stations. Welcome, Welcome, Welcome, one and all to the
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Make Believe Ballroom, and thanks for joining me this hour
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as I share some wonderful swing, jazz and big band
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music and many of the stories behind the records and
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the personalities who recorded them. I hope, friends, you are
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all having a great day, and hopefully to make your
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day even better. Let's get started with this.
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I'll leave my way to heaven.
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After we say goodnight.
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My aunt will hold you tightly in dream.
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I'll drift upon a moonbee. Soon I'll be where you are.
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Leaving in heaven just like a star.
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We'll die so conor rainfall and go romancy for moonless
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skyes Pardi open the moment I close my eyes, You'll
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need once more, my darling, be in our own un.
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I'll be my way to heaven and you.
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I'll dream my way to heaven. Tommy Dorsey and his
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orchestra vocals by the Three Esquires who were in actuality,
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Jack Leonard Joe Bauer and Axel startall recorded on Victor
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Records in New York City, February seventeenth, nineteen thirty seven,
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and in just a few moments a musician whose story
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was bizarrely closely related to Heaven. Well, what am I
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talking about? You'll have to hang in there while I
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first play another record by Tommy Dorsey that features one
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of the just listened to three esquires. I'm talking about
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Jack Leonard, who served as Dorsey's longtime primary vocalist.
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Blue Moment Me.
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You saw me standing along in this row about of
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dream in my father, about a love of my own.
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Blo whatever ring.
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You knew just what I was there for.
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You heard me say in the prayer for someone I
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really could care for, And then there suddenly appeared before me,
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the only one of my arms hold. I heard somebody
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whispers the door me, and when I looked, I know
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I'm no longer alone without a dream in.
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My home, without a love of my own. Get out
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the people it listen.
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But on Victor Records, we just heard Blue Moon the
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Great Lorenzo Heart Richard Rogers standard by Tommy Dorsey and
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his orchestra vocal by Jack Leonard and the members of
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the band recorded in New York City, February sixteenth, nineteen
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thirty nine. An interesting story behind Blue Moon, And as
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the legend goes, it was a darkly gray winter afternoon
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in January of nineteen thirty nine when a production meeting
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was held by Tommy Dorsey at his mansion in Bernardsville,
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New Jersey. The gathering was attended by our executives and
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Tommy's top arrangers. And if you've ever read anything about
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Tommy Dorsey, you quickly come to realize that he was
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a very gracious host. So at this get together in
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January of nineteen thirty nine, special food and drinks were
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served by the band leader and his wife and hostess Mildred,
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who he finally called Tutts. Stories and laughter were in abundance,
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but most importantly, on that day, arrangements of Marie Who,
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Blue Sky's Blue Moon, and three others were created and
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later developed at recording sessions. So the arrangement of the
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just heard Blue Moon was indeed written at that get together,
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and just one month later recorded by Tommy Dorsey. I'm
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Jeff Bresler, and you're listening to the one, the only,
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the original Make Believe Ballroom, and during today's program, I
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will be reading in a little while a few emails
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received over the last few weeks here in my Crystal studio,
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I did mention that I would discuss a musician whose
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story was bizarrely closely related to heaven Let's first play
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one of his records.
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Or maybe what I couldn't do.
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With plenty of money and You, in spite of the
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worry that money brings just a little filthy lucre bas
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a lot of harm things. And I could take you
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to places you'd like to go, but outside of that
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hard no use for though it's the root of all evil,
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of strife and up ev But I'm certain, honey, that
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life could be Sney with plenty of Money and You.
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Sung by Dick Powell in Gold Diggers of nineteen thirty
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seven and Al Duban and Harry war in tune that
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made it to number one on the weekly Your Hit
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Parade Survey from Decca Records, with Plenty of Money and
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You Henry Busey and his orchestra vocal by Bob Hannin,
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recorded in Chicago, November thirtieth, nineteen thirty six. Henry Busey,
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in my humble opinion, was one of those band leaders
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who was very popular but today remains under the radar
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when we think of band leaders from the nineteen thirties
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and nineteen forties. Henry was born in Germany and emigrated
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to the United States way back in nineteen sixteen, where
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he found work playing trumpet in a movie theater pit band.
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He went on to form his own band, and he
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toured the country, ending up in San Francisco, where that
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band then disbanded. In nineteen seventeen, he was playing trumpet
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with a group called the Frisco Jazz Band, and in
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nineteen eighteen he joined the famous Paul Whiteman Orchestra. Busy
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was a major contributor to Whiteman's orchestra and its success.
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He co composed several of the band's early hit songs,
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including Hot Lips and Wang Wang Blues. Bucy stayed with
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the White Men until nineteen twenty eight, when he left
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the band and formed his own group, aptly named the
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Henry Busy Orchestra. This group, led by Henry Busy, which
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was more of a sweet dance band than a jazz band,
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still had a very successful run that lasted for decades.
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As a matter of fact, they continued to record and
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perform right up until Abusi's death in nineteen fifty five.
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And I mentioned a heavenly encounter, a date with destiny,
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so to speak, that involved Henry Bucy. I'll tell you
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about that after one more Henry Bucy tone. That was
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the Busy Bounce and Rebucy in his Shuffle Rhythm Orchestra
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on the radio backend nineteen forty one. And now for
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a bizarre and unfortunate final act for Henry Busey. As
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I said, Henry led his orchestra for many years. Henry
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and his band continued to record and perform in hotel ballrooms,
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at special events and various conventions around the United States
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up until his death in nineteen fifty five. On April
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twenty third, nineteen fifty five, Busy unfortunately died at one
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of those conventions, which happened to be as mccarb as
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it might sound, an Undertaker's Convention at the Peabody Hotel
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in Memphis, Tennessee. He actually died while he was playing
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on stage with the Shuffle Rhythm Band, a strange coincidence
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on the evening of a convention performance, but friends to
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end this segment on a high note for Henry Bucy.
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One of my favorite big band videos that you can
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watch on YouTube is a clip from Starlet Days at
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the Lido. That was a nineteen thirty five short and
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it was released by MGM to showcase a technology at
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the time called three strip technicolor. The Alito was the
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outdoor resort venue of the Ambassador Hotel in Los Angeles, California.
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The vivid color you're going to see in that short
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makes the black and white era of the nineteen thirties
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seem like just yesterday. The color is amazing. It's actually
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kind of eerie in a good way, and I encourage you.
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To watch it.
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It's called Starlet Days at the Lido, and we just
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pay tribute to one Henry Bucy.
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Long with a dance.
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Let the melody be mellow, and let it beave.
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A spell older You and me on with a dance.
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When they play a love song for us, my heart
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will sing the forr us song benderly.
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Then from the seeing, let it from stealing.
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That blood of colored love like a rainbow in the night.
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When the romance and each not the band is playing,
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you can't blame me for saying.
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The die.
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And folks, the record I just played is good bridge.
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That will close out our last segment and start up
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a new one on Brunswick. We just heard on with
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the dance written by Mercer and Whiting by gus Hnheim
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and his orchestra vocal by Jimmy Farrell, recorded in New
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York City, July the twenty second, nineteen thirty seven. Gus
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Hnheim for several years led the orchestra which was the
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house band that the aforementioned Ambassador Hotel in Los Angeles
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and it's Coconut Grove nightclub. From nineteen twenty eight to
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nineteen thirty one, Arnheim had an extended engagement at the
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Coconut Grove, and during that engagement, speaking of YouTube and films,
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gus was featured in a film where his orchestra played
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Tiger Rag. It was produced in nineteen twenty eight. Gus
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Hnheim's famous West Coast Orchestra playing Tiger Rag in that video,
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which featured young violinist Russ Colombo, who went on to
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become a bing Crosby vocal rival until his premature death
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when he was accidentally shot. A great film to watch,
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on YouTube to see how orchestra members interacted with each
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other in the late nineteen twenties. And you know, it's
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one thing to listen to a record, it's another thing
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to see these performers actually working on film. And here
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we go way back to the late nineteen twenties. So
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I said that record from Arnheim On with the Dance
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is good bridge to our next segment, and I mentioned
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that that tune was written by Johnny Mercer and Richard
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Whiting for the Dick Powell Collegiate Musical Varsity Show. And
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the mention of Johnny Mercer brings me to one of
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the emails I wanted to read on today's edition of
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The Make Believe Ballroom, and it comes from Arnold Morris
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from Sarasota, Florida. Arnold has written to us in the past,
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and it's good to hear from you again, Arnold, and
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he writes, Jeff, I hope all is well with you.
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As you know, I have listened to The Make Believe
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Ballroom since the William B. Williams days, and I appreciate
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you carrying the torch.
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This week.
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You played Crazy Rhythm with Johnny Mercer singing the lyrics
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Mercer wrote and sung a song named Strip Polka. My
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uncle Timmy played that record until the grooves were totally
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worn out. Strangely enough, the comedian Phil Silvers aka Sergeant
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Bilko from television was featured on that record. I could
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never figure that one out. Have you thanks for all
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you do? Signed Arnie Well Arnold, I think I figured
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that one out. Let me play the tune. Then the
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Phil Silvers appearance on that record.
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This is the Strip Polka. Say let's listen and have
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some fun to the gay lyrics of Handsome Happy.
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Cruise about that.
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There's a burlesque theater where the gang loves to go
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to see Queenie, the cutie of the burlesque show. And
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the thrill of the evening is when out Queenie skips
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and the band.
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Plays the poco while she strips.
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Take it off, take it off.
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Cries of voice from the rear, take it off, take
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it off soon, it's all you can hear. But she's
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always a lady, even in a hand of mine. So
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she's and always just in time. She's as fresh and
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as wholesome as the flowers in May. And she hopes
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to retire to the farm someday. But you can't buy
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a farm until you're up in the chip. So the
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band plays the Poco while she strips.
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Take it off, take it off.
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All the customer shout down it try then band itzza.
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But she's always a lady, even.
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In paddle the line.
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So she stops and always just in time.
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Some day.
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Instead she hits corny waltzes, and she hits the vat
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And there's one big advantage if the music's hot.
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It's a fast moving exit, just in case something rips.
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So the band plays the Poco. Watch she stripped. Take
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it in. It's the best in the West. Take it
239
00:29:06.039 --> 00:29:09.039
I'll take it off. You can yell like the rest,
240
00:29:09.240 --> 00:29:14.799
take it up. She's a peach when she's and just
241
00:29:14.880 --> 00:29:15.359
in time.
242
00:29:15.519 --> 00:29:15.720
Time.
1
00:00:13.080 --> 00:00:15.560
2
00:00:16.399 --> 00:00:18.719
3
00:00:20.640 --> 00:00:24.559
4
00:00:26.440 --> 00:00:32.119
5
00:00:34.000 --> 00:00:38.200
6
00:00:40.679 --> 00:00:41.880
7
00:00:41.920 --> 00:00:46.240
8
00:00:47.320 --> 00:00:51.719
9
00:00:51.840 --> 00:00:52.880
10
00:00:53.000 --> 00:00:59.560
11
00:01:00.560 --> 00:01:01.520
12
00:01:02.640 --> 00:01:05.079
13
00:01:06.719 --> 00:01:09.719
14
00:01:09.760 --> 00:01:13.200
15
00:01:13.280 --> 00:01:17.159
16
00:01:17.239 --> 00:01:21.079
17
00:01:21.159 --> 00:01:24.920
18
00:01:25.159 --> 00:01:30.079
19
00:01:30.840 --> 00:01:33.599
20
00:01:33.640 --> 00:01:38.040
21
00:01:38.079 --> 00:01:42.319
22
00:01:42.359 --> 00:01:46.280
23
00:01:46.439 --> 00:01:53.040
24
00:01:53.079 --> 00:01:57.439
25
00:01:57.640 --> 00:02:01.439
26
00:02:01.519 --> 00:02:05.359
27
00:02:05.400 --> 00:02:08.159
28
00:02:08.639 --> 00:02:11.840
29
00:02:11.960 --> 00:02:16.039
30
00:02:16.080 --> 00:02:20.520
31
00:02:20.599 --> 00:02:24.319
32
00:02:24.400 --> 00:02:27.479
33
00:03:28.159 --> 00:03:30.560
34
00:03:31.639 --> 00:03:33.199
35
00:03:34.680 --> 00:03:40.599
36
00:03:40.639 --> 00:03:46.000
37
00:03:47.319 --> 00:03:50.599
38
00:03:53.120 --> 00:03:58.479
39
00:03:58.520 --> 00:04:06.159
40
00:04:06.240 --> 00:04:10.520
41
00:04:12.520 --> 00:05:32.399
42
00:05:06.959 --> 00:05:10.920
43
00:05:11.199 --> 00:05:16.879
44
00:05:17.360 --> 00:05:23.279
45
00:05:23.399 --> 00:05:27.839
46
00:05:28.680 --> 00:05:34.519
47
00:05:34.839 --> 00:05:39.639
48
00:05:39.759 --> 00:05:42.560
49
00:05:42.680 --> 00:05:47.879
50
00:05:47.920 --> 00:05:52.519
51
00:05:52.639 --> 00:06:50.560
52
00:06:51.519 --> 00:06:53.439
53
00:06:53.560 --> 00:06:57.000
54
00:06:57.120 --> 00:07:01.240
55
00:07:03.199 --> 00:07:05.199
56
00:07:05.360 --> 00:07:07.160
57
00:07:08.319 --> 00:07:11.680
58
00:07:12.000 --> 00:07:17.160
59
00:07:17.800 --> 00:07:21.319
60
00:07:21.360 --> 00:07:28.560
61
00:07:28.720 --> 00:07:32.319
62
00:07:32.399 --> 00:07:37.399
63
00:08:08.480 --> 00:08:17.360
64
00:08:22.079 --> 00:09:17.120
65
00:09:17.399 --> 00:09:22.840
66
00:09:22.879 --> 00:09:26.799
67
00:09:26.919 --> 00:09:31.519
68
00:09:31.679 --> 00:09:37.960
69
00:09:38.159 --> 00:09:45.039
70
00:09:45.320 --> 00:09:49.639
71
00:09:49.879 --> 00:09:55.759
72
00:09:56.000 --> 00:10:01.320
73
00:10:01.720 --> 00:10:06.279
74
00:10:06.519 --> 00:10:09.639
75
00:10:09.720 --> 00:10:13.960
76
00:10:14.120 --> 00:10:19.440
77
00:10:19.600 --> 00:10:24.720
78
00:10:25.240 --> 00:10:30.159
79
00:10:30.240 --> 00:10:35.000
80
00:10:35.679 --> 00:10:40.720
81
00:10:41.000 --> 00:10:45.840
82
00:10:46.159 --> 00:10:51.039
83
00:10:51.720 --> 00:10:57.080
84
00:10:57.159 --> 00:10:59.879
85
00:11:00.159 --> 00:11:05.039
86
00:11:05.200 --> 00:11:08.559
87
00:11:08.679 --> 00:11:13.240
88
00:11:14.039 --> 00:11:18.440
89
00:11:18.519 --> 00:11:25.080
90
00:11:25.759 --> 00:11:27.639
91
00:12:20.360 --> 00:12:22.799
92
00:12:24.519 --> 00:12:29.759
93
00:12:29.960 --> 00:12:35.480
94
00:12:35.519 --> 00:12:38.240
95
00:12:38.399 --> 00:12:43.080
96
00:12:43.600 --> 00:12:47.879
97
00:12:48.360 --> 00:12:52.759
98
00:12:53.000 --> 00:12:57.480
99
00:13:54.519 --> 00:13:57.879
100
00:13:57.960 --> 00:14:00.799
101
00:14:00.960 --> 00:14:03.200
102
00:14:03.320 --> 00:14:07.759
103
00:14:08.080 --> 00:14:13.320
104
00:14:14.000 --> 00:14:20.519
105
00:14:21.639 --> 00:14:26.759
106
00:14:26.840 --> 00:14:32.799
107
00:14:33.080 --> 00:14:36.279
108
00:14:36.360 --> 00:14:41.600
109
00:14:41.679 --> 00:14:44.720
110
00:14:44.759 --> 00:14:49.320
111
00:14:50.159 --> 00:14:52.639
112
00:14:52.840 --> 00:14:57.759
113
00:14:58.000 --> 00:15:03.840
114
00:15:03.960 --> 00:15:08.080
115
00:15:08.519 --> 00:15:14.720
116
00:15:14.879 --> 00:15:19.799
117
00:15:20.919 --> 00:15:24.840
118
00:15:24.919 --> 00:15:30.080
119
00:15:30.399 --> 00:15:33.960
120
00:15:34.000 --> 00:15:38.159
121
00:15:38.320 --> 00:15:45.200
122
00:15:45.720 --> 00:15:49.440
123
00:15:49.919 --> 00:15:53.879
124
00:15:54.639 --> 00:15:57.799
125
00:15:58.000 --> 00:16:02.879
126
00:16:03.679 --> 00:16:09.000
127
00:16:09.240 --> 00:16:13.679
128
00:16:13.759 --> 00:18:52.039
129
00:18:52.200 --> 00:18:57.279
130
00:18:58.160 --> 00:19:02.920
131
00:19:03.039 --> 00:19:08.799
132
00:19:08.920 --> 00:19:13.599
133
00:19:13.880 --> 00:19:18.200
134
00:19:18.240 --> 00:19:23.240
135
00:19:23.359 --> 00:19:28.240
136
00:19:28.359 --> 00:19:34.119
137
00:19:34.200 --> 00:19:39.279
138
00:19:39.319 --> 00:19:44.279
139
00:19:44.359 --> 00:19:48.000
140
00:19:48.160 --> 00:19:53.720
141
00:19:54.039 --> 00:19:59.599
142
00:20:00.400 --> 00:20:03.680
143
00:20:04.559 --> 00:20:07.079
144
00:20:07.200 --> 00:20:12.440
145
00:20:12.519 --> 00:20:17.720
146
00:20:18.240 --> 00:20:23.920
147
00:20:24.000 --> 00:20:30.079
148
00:20:30.359 --> 00:20:36.839
149
00:20:37.799 --> 00:20:41.119
150
00:20:42.160 --> 00:20:45.000
151
00:20:45.079 --> 00:20:49.720
152
00:20:49.880 --> 00:20:53.480
153
00:20:53.559 --> 00:20:54.079
154
00:20:54.079 --> 00:20:59.559
155
00:20:59.720 --> 00:21:03.880
156
00:22:10.200 --> 00:22:11.759
157
00:22:12.279 --> 00:22:16.759
158
00:22:16.599 --> 00:22:22.960
159
00:22:23.599 --> 00:22:27.119
160
00:22:27.200 --> 00:22:30.839
161
00:22:32.920 --> 00:22:38.279
162
00:22:38.279 --> 00:22:42.799
163
00:22:44.079 --> 00:22:48.680
164
00:22:49.559 --> 00:22:51.920
165
00:22:55.119 --> 00:22:55.960
166
00:23:28.160 --> 00:23:32.519
167
00:23:32.759 --> 00:23:35.480
168
00:23:35.519 --> 00:23:38.880
169
00:23:39.079 --> 00:23:43.599
170
00:23:43.799 --> 00:23:47.720
171
00:23:47.799 --> 00:23:52.119
172
00:23:52.359 --> 00:23:57.000
173
00:23:57.200 --> 00:24:02.359
174
00:24:02.440 --> 00:24:06.920
175
00:24:07.039 --> 00:24:11.960
176
00:24:12.160 --> 00:24:17.960
177
00:24:18.839 --> 00:24:23.519
178
00:24:23.960 --> 00:24:29.319
179
00:24:29.559 --> 00:24:35.359
180
00:24:35.960 --> 00:24:40.480
181
00:24:40.680 --> 00:24:46.759
182
00:24:46.880 --> 00:24:51.319
183
00:24:51.440 --> 00:24:57.000
184
00:24:57.079 --> 00:25:00.720
185
00:25:00.759 --> 00:25:03.599
186
00:25:03.720 --> 00:25:09.240
187
00:25:09.359 --> 00:25:12.440
188
00:25:12.640 --> 00:25:16.319
189
00:25:16.440 --> 00:25:19.839
190
00:25:19.880 --> 00:25:23.799
191
00:25:23.880 --> 00:25:29.200
192
00:25:29.440 --> 00:25:33.400
193
00:25:33.480 --> 00:25:37.039
194
00:25:37.160 --> 00:25:40.400
195
00:25:41.000 --> 00:25:45.440
196
00:25:45.480 --> 00:25:48.640
197
00:25:48.839 --> 00:25:50.960
198
00:25:51.160 --> 00:25:53.119
199
00:25:53.160 --> 00:25:57.480
200
00:25:57.599 --> 00:25:59.279
201
00:26:00.000 --> 00:26:00.400
202
00:26:00.440 --> 00:26:04.440
203
00:26:05.039 --> 00:26:09.640
204
00:26:09.920 --> 00:26:13.960
205
00:26:14.240 --> 00:26:20.640
206
00:26:20.720 --> 00:26:25.480
207
00:26:25.599 --> 00:26:29.759
208
00:26:29.839 --> 00:26:34.599
209
00:26:34.680 --> 00:26:38.119
210
00:26:38.319 --> 00:26:41.640
211
00:26:48.240 --> 00:27:29.599
212
00:27:29.759 --> 00:27:32.759
213
00:27:32.559 --> 00:27:33.599
214
00:27:33.799 --> 00:27:37.079
215
00:27:37.480 --> 00:27:41.200
216
00:27:41.359 --> 00:27:44.640
217
00:27:44.839 --> 00:27:45.839
218
00:27:45.680 --> 00:27:47.440
219
00:27:48.519 --> 00:27:50.079
220
00:27:50.319 --> 00:27:53.279
221
00:27:53.359 --> 00:27:56.240
222
00:27:56.400 --> 00:27:59.480
223
00:27:59.640 --> 00:28:04.200
224
00:28:04.319 --> 00:28:07.720
225
00:28:07.799 --> 00:28:11.640
226
00:28:11.720 --> 00:28:14.559
227
00:28:14.720 --> 00:28:16.880
228
00:28:17.920 --> 00:28:19.599
229
00:28:19.839 --> 00:28:24.720
230
00:28:25.240 --> 00:28:27.839
231
00:28:27.720 --> 00:28:28.759
232
00:28:28.960 --> 00:28:31.640
233
00:28:38.720 --> 00:28:39.359
234
00:28:44.319 --> 00:28:50.720
235
00:28:51.039 --> 00:28:54.279
236
00:28:54.680 --> 00:28:58.160
237
00:28:58.279 --> 00:29:03.079
238
00:29:03.160 --> 00:29:05.880
239
00:29:06.039 --> 00:29:09.039
240
00:29:09.240 --> 00:29:14.799
241
00:29:14.880 --> 00:29:15.359
242
00:29:15.519 --> 00:29:15.720