March 6, 2026
Make Believe Ballroom - 3/6/26 Edition
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On this week's edition of the Make Believe Ballroom, hosted by Jeff Bressler, a bandleader in the Guinness Book of Records, a TV dad who started his career in music, battling brothers, and more records and reminiscences from the golden age of the American songbook.
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It's make Believe Ballroom time.
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Put all your cares away.
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All the bands are here to.
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Bring good cheer your way. It's make Belief Ballroom time
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and free to everyone.
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It's no time to friend your Dalis.
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Said Bamba.
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Yours.
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Close your eyes and visual lize in your solitude.
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Your favorite bands are on this dance.
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And mister Miller, what you're in the mood. It's make
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Believe Ballroom time.
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We are a sweet romance.
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Is to make boom.
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Come on jo last das.
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Last, Hello World. I'm Jeff Pressler, turning on the lights
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of the Make Believe Ballroom and welcoming you into my
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Crystal studio for another program of classic big band hits
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from the nineteen thirties and forties. Please get ready as
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I played for you some amazing jazz, swing, blues and
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boogie woogie favorites. Folks, you're listening to the Make Believe Ballroom,
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broadcasting almost continuously since nineteen thirty five. And welcome one
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in all into the Crystal Studio. Thank you so much
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for joining me today. You know I usually end each
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program with the Charlie Barnett version of Make Believe Ballroom,
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so why don't I switch things up and start the
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program today with a Barnett Selections affect ferment at as.
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Soon as the last back.
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This can of.
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That was Washington World Gig Charlie Barnett and his Orchestra,
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recorded on Decca Records in New York City, July the seventeenth,
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nineteen forty two. Let me now play a record from
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Ozzie Nelson and his Orchestra. Then an interesting Nelson family
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trivia question.
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I think you're gorgeous, you're charming, darling, you're Bertha, and
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then some you got me dazzled and frantic, excited, romantic,
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and then some I used to think I was called
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as could be, but I'll agree the joke is on me,
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quick as a wink.
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I knew I had it bad.
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If love can drive.
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You crazy, then I want to go mad.
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I want to go mad.
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I'll kiss you, caress you, swear you, and yes you,
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and then some.
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I'll be your shadow, your.
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Slavey, your army and navy, and then some.
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I crossed my hog. I'll be yours from tonight.
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You've got me right under your thumb.
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By your gorgeous.
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Darling.
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You're perfect, and.
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Then a little remembered so but oh so popular in
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nineteen thirty five that it made it to the number
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one spot on the weekly Your Hit Parade survey. We
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just heard on Brunswick Records and then some by Ozzie
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Nelson and his orchestra. Vocal by Ozzie, recorded in New
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York City, June the thirteenth, nineteen thirty five. Ozzie Nelson,
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and I think many of you are familiar with him,
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was popular for generations as a band leader, an actor,
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and a television pioneer. He liked to control things, so
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he was best known for producing, directing, and starring in
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the long running sitcom The Adventures of Ozzie and Harriet,
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one of the original TV sitcoms. I think that show
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probably started in the early fifties and ran I know
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it ran into the sixties, probably right around the mid sixties.
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And he starred in that show with his real life wife,
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Harriet Hilliard, who sang for Ozzy in his big band.
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Now.
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Ozzie was a pretty intense guy as a youth. He
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was an eagle scout, an attorney by trade, and an
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atheist when that was a really mainstream or something people
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discussed now. Ozzie also had two sons Ricky and David,
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who appeared with him and Harriet on the TV program.
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Now Ozzy and some members of his family, they actually
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have a unique place in the Guinness Book of World Records.
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You know something, I'm going to keep you in suspense
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because that's the kind of guy I am. As to
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what that record is. While I play one more seventy
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eight RPM disc.
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The four.
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Fall in Love, Fall in Love, says my horror. It's romance.
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Take a chance, says my horror. But each time not
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I'm almost in your arms.
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This old schoolteacher brain of mind keeps ring an impalse alarms.
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Then my head rules instead, and I'm wise to the
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scheme of that gleam in your eyes. So I kiss
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sand run.
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But the moment we're apart, oh you fool, that was love, says.
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My hart.
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Via Bluebird Records. We just heard Save My Heart by
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Ozzie Nelson, vocal by his wife Harriet Hilliard and recorded
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in Hollywood, California, April sixth, nineteen thirty eight. So the
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Nelson family holds the unique Guinness World Record four, being
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the only family to achieve number one hits across three
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successive generations of the same bloodline. Now those hits were
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from Ozzie Nelson, the song we Heard a little while ago,
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and then some from nineteen thirty five. Then his son
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Ricky Nelson had two hits, Poor Little Fool in nineteen
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fifty eight, Traveling Man in nineteen sixty one. Well of
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my favorite Ricky Nelson song had to be Garden Party.
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And then Ricky's twin sons, Gunner and Matthew Nelson had
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a song called Can't Live with That Your Love and
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Affection that recorded back in nineteen ninety, so a unique
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family record held by Ozzie.
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And his kin.
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Somehow, I always knew that some day we see through.
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Now that has happened.
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I just can't believe.
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I've done the best I could do.
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You keep frumphee in blue. Can't get you.
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Off my mind.
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What my god MoU will do and shall do?
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My Daddy, I didn't know you.
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I'm right, he'll looking at you, my shadow.
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Do you think I send you far away from me?
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She stay away from me. You got me that, you
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left your voodoo all around.
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I left my trunk in town.
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I got for you. Thought I kill the great for you.
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I'm my heart.
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A gray for you your kisses.
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Keep on hunting me, ever we won't let me.
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Yes, I got.
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I wish you had a weed for me.
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Oh tell me what?
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Why am I that think about you? Oh Staddy?
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Tell me what can all without you?
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On? Nod for me and nothing now.
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For me?
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You've got me craying night, Come back, can take these blues.
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I'm gonna take your pail week then play.
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Me some trapping in your original.
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Oh tell me what.
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I think?
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Tell you? Tell me why can I can tell me that?
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That?
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That?
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That is?
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Now?
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You've got me craving night day, come back and take
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my blues I got.
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I'll want you know I got a need for You.
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Recorded in New York City on June the fourteenth, nineteen
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thirty five, via Victor Records. We just heard Adrian Rolini
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and his tap room gang got a Need for You
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the male spoken word there by the great trumpeter Wingy
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Manoni and a vocal by Jeanie Burns. Thanks for taking
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the time to join me today on this edition of
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The Make Believe Ballroom. I'm Jeff Bresler. Now I mentioned
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Genie Burns was the vocalist on the Adrian Rollini record,
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but in addition to being the vocalist. She also wrote
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that song. A very skilled composer and did she composed
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another that was also recorded by Adrian Rolini and the
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tap Room Gang. And looking at my computer, here here
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it is. Let me play that one for you.
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It's not done, tam novel and I'm not heard?
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What does she mean? I'm ready that little world?
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It's deadpa, The little word.
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Needs me, don't you? What kind of music is the
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routing you call it using?
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What do you call it?
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You can give me the red.
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Ohwa lovel?
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Oh, okay, she's your opera any all day, But don't
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take away my past.
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Make it hot or I said hot. It's the watch
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times you complain.
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It any old things?
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And if it all swing your jack, you keep your
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crudifal your honeymoon, take a knock a ball.
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When you don't visit me, say when I loved it
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on the red Hot is my prince chat?
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Please deal?
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I can't hell man isn't keep.
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The opera any old day?
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Yeah, don't take away I got it.
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Adrian Rolini and the tap Room Gang. A Genie Burns
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written and also vocalized song Jazz Oh Jazz, recorded in
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nineteen thirty five, and while I was playing Adrian Rolini
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and Jeanie Burns, I was looking something else up. We
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were talking about Ozzie Nelson and his wife Harriet Hilliard
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a little while back. Now, the song I played save
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My Heart was introduced by Harriet in a paramount motion picture,
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not one that has been remembered over the years. It
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was called Coconut Grove. Now, Ozzie, he didn't appear in
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that film with Harriet, but Fred McMurray did. The legendary
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actor Fred McMurray, you know, great films like Double Indemnity,
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And of course Fred's most famous role on TV was
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in the sitcom My Three Sons, where he played the
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pipe smoking what was his name, Steve Douglas. Now Fred
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actually started his career, and you may not know this
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in big bands, playing the sacks and clarinet and doing
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vocals for both Gus Arnheim and George Olsen. So let
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me play one here with Fred McMurray. From one he
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played the sacks and sang for George Olsen.
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Yeah, I'll have to see my broker find out what
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he can do.
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Bye bye, I'm in the market for you.
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There won't be any joker with my den.
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I'm all through bye bye and want you up right.
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It's to you're going up the up in my estimation,
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I want a thousand shares of your presses to.
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We'll call in the market.
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Kind of an old Laurel and Hardy kind of vibe
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for that one. The music on Victor Records I'm in
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the Market for You by George Olsen and his music
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vocal by Fred McMurray, recorded in Culbra City, California, February
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the ninth, nineteen thirty. I'm Jeff Bresler, and you're listening
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to the one, the only, the original Make Believe Ballroom
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coming to you today from the Crystal Studio. Let's now
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listen to a little pearly May then brotherly love or.
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Not RelA wa dua.
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Dona.
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All you wanna do is bill and but you empty
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handed when the bill is due.
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If you really love me, and you love me true
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the gale real lie, kiss you easy issue. You've been
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telling everyone you've mess.
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That you want a sample of the way I pet
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you had all the sample that you're gonna get legal life.
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My name for we ever can dwell all of one valley.
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You must learn how to spell justness of of peace.
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And I spelled that piece with an e A my
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heart blow in box show you.
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If you want those little spox to bust into place,
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you got to leave.
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God live my knees.
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Don't care where I live at?
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Oh what? I live in.
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House, a apartment, off flat, any place but sin and
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I might even live there, not alone.
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If you prize me, no, no, rise me emmy O
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piece of part. I can't play.
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You that.
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Lomon on Capitol Records legalize my name. Pearl Bailey recorded
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in Los Angeles back in nineteen forty six. I mentioned
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brotherly love or not. So let's start the story with
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