Dec. 5, 2025
Make Believe Ballroom - 12/5/25 Edition
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On this week's edition of the Make Believe Ballroom hosted by Jeff Bressler: the first time a specific instrument was used in a jazz recording, Jeff’s favorite crooners from the era, a most underrated big band song, plus many more stories and music from the 30s and 40s.
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It's make believe ballroom time. Put all your cares away.
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All the bands are here to bring good cheer your way.
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It's make Believe ballroom time and free to everyone. It's
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no time to friend your Dalis said Bombas, close your
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eyes and visual lie in your solitude.
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Your favorite bands are on this stance and mister Miller,
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but you're in the mood.
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It's make Believe ballroom time. We are a sweet romance.
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Did you make it bottom? Come on, Jole, last.
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Dash, last, Hello world. I'm Jeff Presler, turning on the
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lights to the Make Believe Ballroom and welcoming you into
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my Crystal studio for yet another program of classic big
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band jazz from the nineteen thirties and forties. Please get
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ready as I play for you some amazing swing, blues,
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jazz and boogie woogie favorites. Folks, you're listening to the
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Make Believe Ballroom, broadcasting almost continuously since nineteen thirty five. Hi, folks,
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thanks again for joining me today in the Crystal Studio.
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You know, jazz and rhythm is our business here on
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the Make Believe Ballroom, so why not a song with
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the most appropriate title.
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The st.
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Rhythm is all business.
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Rhythm is what we selling. Rhythm is our business. Business
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show as well.
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Now if you feel rhythms, what you need, If you
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got rhythm, you show to succeed. Rhythm is all business,
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business show as well. He's the drummer man in the band.
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In the band crawl beats on them drums in the.
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Band already does tricks with sticks. Boys in the band
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all play hot legs. He plays saxophone in the band.
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In the shoe, plays the saxophone in the band. Already
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goes up that scales.
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He didn't fuck do that?
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Do that?
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Molese plays on the base in the van. Moles plays
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on that base in the van.
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Now when he.
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Picks all those strings, happleness you he brings. He blows
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on the trumpet in the man in the Steve.
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Blows all that trumpet in the band. Oh he's a guy.
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It's a mine.
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Makes you think he's in the sky. Al Rhythm is
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our business.
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From Decca Records. That was Rhythm is our business. The
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Wonderful Jimmy Lunceford and his Orchestra with vocal by Willie Smith,
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recorded in New York City, December the eighteenth, nineteen thirty four.
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Let me play one more to keep the rhythm at
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a maximum pitch.
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And listening happen if you didn't in.
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The Via Deco records, It's time to jump and shout.
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Jan Savatt and his Orchestra, recorded in New York City,
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February the fourth, nineteen forty I'm Jeff Bresler, and you're
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listening to the one, the only, the original Make Believe
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ballroom broadcasting today as every week from the famed Crystal Studio.
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Let's hear one. Now, let's see what segment will do. Well.
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Let's hear one from the Johnny Gwanieri Trio. Then, a
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record that made recording history.
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Do you bring me by living the blame the way.
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From the late Great Savoy Records that whole black magic
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Johnny Guanieri Trio recorded in New York City back in
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nineteen forty four. Johnny Guanieri one of the titans of
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the jazz piano of the thirties and forties. Now, with
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all the accolades that were bestowed upon Johnny him being
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one of the most versatile, swingingest pianists of the era.
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Also well known as one of the stars of the
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small group era, he Johnny holds a unique distinction of
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being the first to ever be heard playing a certain
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instrument on a jazz recording and a famous song at
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that Let's listen to try to decide what instrument played
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by Johnny Guanieri earned him that honor.
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Done the.
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Door and.
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I we just heard on Columbia Records the iconic and
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beloved Summit Ridge Drive Artie Shaw and his Grammarcy five
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recorded in New York City September the second, nineteen forty
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and Johnny Gwanieri's harpsichord playing on that record was groundbreaking,
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historic and easily identifiable. This recording, the recording of Summit
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Ridge Drive We just heard, made Johnny Gwanieri one of
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the very few jazz musicians ever known for bringing the
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harpsichord into swaying another record, friends, then a listener's email.
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You're listening to the weekly edition of the Make Believe Ballroom.
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You must have been a beautiful baby.
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You must have been a wonderful.
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Child when you were only starting to go to kindergarten.
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I bet you drove the little girl's.
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While, and when it came to winning Blue.
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Rhythm, I bet you showed the other kids how I
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can see the.
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Judge's eyes as he handed you the pipe.
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I bet you made the cutest by Oh, you must
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have been the beautiful baby boy, cause baby look as you.
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Know the father.
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Recorded by Victor Records. You must have been a beautiful baby.
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Tommy Dorsey and his clam Bake seven vocal by Edith Wright,
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recorded in New York City, September the twenty ninth, nineteen
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thirty eight. So I backed up the Gramercy five and
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Summit Hill Drive with another small group band within a band,
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that being the clam Bake seven. So I am now
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I'm going to make an executive decision and when I
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insert music into the program between stories or emails today,
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it will be music featuring small group recordings. I got
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an email this week. Let me just pull it up
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on the screen here I will paraphrase from it. It
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came from one Andrew Leebowitz, who purported to be a
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great great cousin of the late Steve Lawrence of Steve
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Lawrence and Edie Gore may Fame. And Andy asked me
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if I could devote a segment to some of my
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favorite male Ballard singers and their songs from the era.
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And Andy, I'm most happy to do that for you,
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perhaps not an entire segment, maybe a couple of records,
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and two came to my mind, not just for the vocalists,
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but also equally for the songs they sung. And then
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in playing those songs preparing for the segment, I realized,
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perhaps subconsciously, that they were both songs that appeared in
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a movie that was one of my favorites of all time.
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The songs were not sung by the two crooners I
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admire in that movie, but the songs were used. Let
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me play those two tunes for you, then I'll tell
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you about the movie and its setting.
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Easy Come, Easy Go. That's the way. If love must
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have its day, then as it came, let it go. Oh,
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no remorse, no regret. We should call exactly as.
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A met just easy.
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Calm, easy go. We never dreamt com Amankee, Dames ug
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Now that it ends, Let's be friends and not too
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strange ers.
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Easy come, easy go.
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Here we are so darling or a war. It's easy calm,
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easy goal.
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On Decca Records. Easy Come, Easy Go Loose Stone and
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his Band vocal by the legendary Al Boley, recorded in London, England,
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June the twenty fifth nineteen thirty four. Alboley one of
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my favorite crooners of the era, who was most well
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known for his work with Ray Noble, and who tragically
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died on April seventeenth, nineteen forty one, during the London Blitz,
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when a German parachute mine exploded right outside of his home.
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Al had just returned from a performance and was extremely tired,
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and he chose to sleep at home instead of heeding
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the warnings of the air raid sirens asking him to
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go to a shelter. So tragically, the blast shattered the
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building that De Boli lived in, and Al was killed
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instantly by the force of that explosion. His death was
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not only tragic, but it hit the British population especially hard,
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and that Al's passing became one of the most poignant
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wartime losses to the British people, uncertainly to British music.
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Al Bowley, my second most beloved ballad during the era,
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was sung by my favorite crooner of all time.
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And then she holds my hand, and then I understand.
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Ah with one desire and a heavenly kiss God a
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resons and then she did the lid ladadid not on.
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A all.
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And then she holds me time Lady not on at all,
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her kids eats fun press. They lead the way to happiness.
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She takes me.
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To power.
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Rad and then she did the last Lada did not know.
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And then she hauls me tis per kiss each fun careers.
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They lead the way to having a She takes me.
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To Bad.
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On the Brunswick Label Paradise Bing Crosby and the Brunswick
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Studio Orchestra, recorded in New York City, March the fifteenth,
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nineteen thirty two. Bing Crosby my favorite crooner of the ages,
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and many of you know this. We play quite a
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bit of Bing Crosby music on this program. Being my
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favorite crooner and one of my favorite movies of all
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time that these two songs I just play appeared in,
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as well as a number of other era classics that
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also were in the film. The movie was They Shoot Horses,
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Don't They So? Rather depressing movie that had the setting
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of the Great Depression right right in the heart of
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the Great Depression, and the film which I think was
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made probably probably in sixty eight or is sixty nine,
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But the film followed a group of desperate contestants who
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entered a NonStop dance marathon, hoping to win a cash
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prize that might save them from poverty. Jane Fonda, she
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starred in the movie, and she played a tough and
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tough and cynical young woman, and she was paired with
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as her dance partner in the film. I think it
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was the actor Michael Sarazon. Red Buttons and Gig Young
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were also wonderful in that film, but Sarazon played a
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down and out drifter who paired with Jane to compete
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in the dance marathon. And as the marathon stretched on
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for days and then weeks, it gets really depressing the movie,
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as exhaustion, manipulation, and emotional breakdowns turned the contest into
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nothing short of a cruel spectacle. The film, though, was
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my mind, a true study of human endurance, despair, and
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the extremes people would reach out to when all hope
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ran out. So the two songs I played, as well
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as a wide array of era tunes played by a
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band while the contestants danced, some slow tunes, some upbeat tunes.
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I certainly encourage you to watch the film for its message,
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but also how expertly I think it was a Sydney
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Pollock film of how expertly. He totally captured the flavor
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of the era. And if you love the nineteen thirties
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and forties and live through it, or like me, got
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to know it so well, especially through the music, you're
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going to feel like you're sitting in the audience viewing
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these contestants. They shoot horses, don't They Easy to find
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on your favorite streaming movie platform or Google it. It
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might even be on YouTube. I'm not one hundred percent sure.
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What I am sure of, though, is that dance marathons
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were certainly real, and during the nineteen thirties, dance marathons were,
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as in they shoot horses, don't they? A strange a
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mixture of entertainment and endurance. Couples danced for days and
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sometimes weeks at a time, hoping to win a cash
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prize during the worst years of the depression. Now audiences
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they paid to watch the exhaustion, the drama, and the
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human struggles unfold on the ballroom floor. Promoters kept contestants moving,
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with only brief rest breaks, turning they desperation. Increasing desperation
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is the day's war on into a spectacle for the audience.
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For many, dance marathons or less about glamour and more
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more about survival. And it was a grueling sign these
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actual dance marathons of just how hard times had become
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during the depression. Now, in many actual nineteen thirties dance marathons,
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the most dreaded moment was an event called a derby,
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which is also depicted and they shoot horses, don't they.
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The derby was a brutal elimination round where exhausted couples
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were forced to run laps around the dance floor, and
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they had to continue to make contact with their partner
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as they moved fast and stayed upright, with the weakest
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at one or two teams eliminated at the end. So
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let me play an example of a tune a popular
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in the thirties, a Louis Armstrong tune that would have
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fit perfectly into the derby.
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Five ye, and then come about saying.
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Mister, I'm Brunswick Records Super Tiger Rag Louis Armstrong and
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his Orchestra, recorded in nineteen thirty four. So a little,
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maybe a little too much about my favorite crooners of
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the thirties, one of my favorite movies, and some information
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on dance marathons. Actual dance marathons, all evolving out of
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an email sent to me by one Andrew Leave aware.
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That's bad, I got.
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Anything. I don't see.
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That.
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Okay, that's a stub about the subtle.
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And keeping with our small group within a big band theme.
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We just heard from Decca Records Smoky Mary Bing's brother
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Bob Crosby and his Bobcats recorded in New York City
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