May 24, 2025
Make Believe Ballroom - 5/23/25 Edition
On this week's Make Believe Ballroom, bringing you Classic Big Band Hits from the 30s and 40s – one of those shows where we go totally off script almost as soon as we begin and end up with a list of Ralph Kramden's favorite bands. Also, Lenny from Down the Block with his Record Pick of the Week - this and many more great songs and stories to cherish and enjoy on the program.
The Make Believe Ballroom is broadcast on member-supported Jazz 90.1 WGMC in Rochester, NY, as well as on other fine radio affiliates across the United States and the United Kingdom, and is also available as a podcast.
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Time.
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It's make men a ball time, PU all your cares away.
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All the bands are here to bring.
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Good cheer your way.
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It's make really falling time and free to everyone. It's
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no time to fret your Dialisa by mine, spose your
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eyes and visu lie in your solitude. Your favorite bands
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are on.
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This stand, and mister Miller, what you're in the mood.
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It's make really falling time. The are of sweet romance.
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Is you make really Come on, jo last dast list.
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Hello world, I'm Jeff Presler, turning on the lights of
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the Make Believe Ballroom and welcoming you into my Crystal
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studio for another program of the great big band hits
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of the nineteen thirties and forties. Whether you're listening on
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the radio via great affiliates like Jazz ninety point one
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WGMC in Rochester, New York, or on a podcast or
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on internet radio in the United Kingdom, please get ready
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as I spin for you some amazing big band jazz, swing,
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blues and boogie woogie classics. Folks, you're listening to the
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Make Believe Ballroom, broadcasting almost continuously since nineteen thirty five,
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and to welcome one and all into my crystal studio,
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and why don't we get the proceedings underway here today
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with a regional band leader who gained popularity nationally through
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his radio and record work.
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The very.
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Thinking that was Anson Weeks and his orchestra with their
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nineteen thirty nine recording of Delightful Delirium, great name for
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a tune. Anson Weeks was a pianist and the leader
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of a popular West Coast dance band from the late
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twenties all the way up until the nineteen sixties. God
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bless antson Weeks. That was a great run, and he
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did all of this primarily never leaving his home base
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in San Francisco. So a regional band that received national
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prominence without ever really leaving home. Let's play one more
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from Anson Weeks and his orchestra.
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You will always sign me here beside the sea, because
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besides the sea.
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We said a new.
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Oh.
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I don't know where my wandering love.
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Can be, wherever he may be.
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I'm telling you, day after day you're waiting patiently, and
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when the only wind is open from the sea, I
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pretend that it's the breeze its felling the sail, that
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moving the ships, that's bringing my Honney back to me.
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I always keep my windows open wide. I like to
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let the friendly breeze come ride inside and pretend that
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it's the breeze, its felling the sails, that's moving the ships, that's.
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Bringing my homney back to me.
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Mister wind, keep blowing stronger.
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Because I'm ti man of mine and every day saying
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so much longer.
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Don't forget its daylight saving time.
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I gets the lonesome waiting days and we but every
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breath of ether Lingerson, not Geez, seems to whisper. Its
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the breeze still in the tale that's moving the ship
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to bring him along.
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Me back to me.
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On Brunswick Records, The Breeze by Anson Weeks and his
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Orchestra vocal by Kay Saint Germain, recorded in Los Angeles,
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July the twentieth, nineteen thirty four, and I haven't listened
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to that record in quite some time, and I forgot
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what a wonderful voice Kay Saint Germain had. And I
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am going to roll the chair here on the Crystal
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studio console to the playlist computer. Let me turn this
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microphone on. I know I probably have a song or
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two from Kay when she wasn't with ants and weeks
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as I peruse the playlist. Okay, here's a radio program
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featuring a k Saint Germain vocal, and while that's playing,
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I'm also going to do a quick google on Kay
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Saint Germain.
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We opened the show with.
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So Sweet, So Sweet.
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He's so charming, it's really most alarming.
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No way that I'm falling for you.
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I'm so sweet, so Gentleal.
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And Noso sent a metal no wonder Andy like I do.
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I love the way you talk, all around you walk,
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what more your mind?
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I do read?
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If you will have me, you make my life complete.
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I love you because you're so darned sweet, so sweet,
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so Jennal and Noso sent a metal no wonder, I
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fel like I do.
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I love the way you talk, the doors around you walk.
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What's more, you're my ideal and I can't believe you.
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Bees If you have me, you'll make that I complete.
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I love you.
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From February the ninth, nineteen forty one, the Signal carn
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Orchestra directed by Gordon Jenkins, with So Sweet vocal by
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Kay Saint Germain and the Signal Airs. I don't know
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a lot about the Signal Carnival radio show. Was probably
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sponsored by Signal Oil. Considering that Kay was singing for
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so long with Danson Weeks, I guess she remained on
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the West Coast. Signal Oil was a West Coast oil producer.
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They also sponsored for many, many years that wonderful classic
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radio program, The Whistler. So maybe the Signal Carnival was
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a music variety show sponsored by Signal But the significance
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of that clip nevertheless was to hear not about Signal
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Oil but Kaye s Germaine sing again. And I also
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did a quick Google search of Ka. She was married
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for a time to the actor and comedian Jack Carson,
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and Kay went on to have a long and successful career,
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not only as a vocalist, but also as an actress
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who appeared on TV and on the stage. She appeared
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for a while as Miss Hannigan in Annie, and also
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had roles in episodes of Petticoak, Junction, and The Golden Girls. Now, Kay,
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as I mentioned, was married to Jack Carson. They were
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married from nineteen forty one to nineteen fifty I don't
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know who initiated that breakup. It's actually none of my business,
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but as soon as it happened, Jack Carson in that
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same year of nineteen fifty dated Doris Day for a
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time until she Doris married her longtime husband Marty Melcher
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Kay Saint Germain. Here on the one, the only, the
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original make believe ballroom broadcasting almost continuously since nineteen thirty five,
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and friends, While on the subject of Doris Day, I'm
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better listen to this.
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You can take the moon, gather up stars and the
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robins that sing merrily.
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Bour them in the box tie with the ribbon rum
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and the deep bluesy.
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You can take the flowers down in Lover's Lane and
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that sentimental poetry.
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Them in the box tie with the ribbon rum in
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the deep bluesy.
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Not bumming all that.
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Start the dreams that ruin your sleep, not bummy heaven.
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Uh.
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Love is one thing you can't keep.
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You can take the plans and the wedding bells and
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whoever sings.
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Or promise me pull them in the box tie with
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the ribbon from in the de blue because love and
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I we.
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Don't agree.
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Handsomes through the park, kisses in the dark, all the
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promises made faithfully, pull them in the box tie with
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the ribbon from in the deep Blussy, and.
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You won't go wrong.
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If you take a song sung by Frankie.
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Boy or mister c pull them in the box, tie
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with the ribbon from.
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In the deep blussy.
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Not for me, all that's die, not for me having life.
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You know what to do with good old Teaper two
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and the girl for you, the boy for.
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Me with the bush time with the ribbon from in
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the de blue sea, cause.
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Loving with.
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A Darus Day from back in nineteen forty eight with
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put him in a box, tie him with a ribbon
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and throw him in the deep blue sea. And now,
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unfortunately I have lost the track and control of the program.
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I always start a show with an outline. Sometimes I
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stick to that, sometimes I digress and go in all
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different directions. Uh so we show outlined this week disappeared
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some time ago as we started the show innocently enough
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with and weeks, which led me to play and research
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case Saint Germain, and then we meandered onto Darus Day.
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So let me try to get some sort of degree
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of semblance back into the program. And maybe we can
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start that with this.
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Letters letters.
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As I always say, we don't read letters on the show,
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but we do read emails. And fortunately, each and every week,
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so many of our listeners right into the show, and
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that's so deeply appreciated. Jeff at MakeBelieve Ballroom Radio dot com,
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Jeff at MakeBelieve Ballroom Radio dot com if you'd like
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to contact me, and I will now read one of
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those said emails, and it comes from Mike Grove who
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listens in Austin, Texas, which I assume is via kJ
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z X eighty nine point one. That's a wonderful station
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that plays so many of the best syndicated jazz programs
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from across the country, including this very Make Believe Ballroom.
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So Mike writes Jeff, thanks for the Make Believe Ballroom.
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There are so few programs that feature big band music
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yours Brighton's my day. I always enjoy when you play
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songs that were recorded for the first time. You haven't
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done that in quite some time when I have been listening.
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Can you play one? Thanks you're a loyal listener in
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the lone Star state, Mike Grove, and thanks for the
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kind words, Mike and checking You're right. I haven't played
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a first time ever recorded record in quite a while.
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So for all my.
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Friends in Austin, Texas, where I used to live while
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working at St. Edgar Words University. This one is for
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you as well as my daughter and son in law,
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also residing in the state capital.
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Bloom.
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You saw me standing alone, without a dream in my haw,
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without a love of.
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My old.
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Bloom.
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You knew just what I was there for.
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You heard me saying a prayer for someone I really
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could care for, and then there suddenly appeared before me,
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the only one my arms will ever hold. I heard
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somebody whisper, please adore me, and when I looked, the.
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Moon had turned to go.
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Bloom.
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Now I'm no longer alone without a dream in my haw.
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With out of love of Mile.
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On Brunswick Records. Blue Moon by Ted Fioredo and his
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orchestra vocal by Muzzy Marcelino, recorded in Los Angeles, California,
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October nineteenth, nineteen thirty four. And yes, indeed that was
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the first time the classic song blue Moon was ever recorded.
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You know, come to think of it, it's thinking of
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Ted Firedo. It's kind of funny, but the first time
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I ever heard the name Ted Fiirrito was on an
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old episode of The Honeymooners, one in which Ralph Cramdon,
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of course played so well by Jackie Gleason and Ed
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Norton played by Art Carney. In that episode, they reminisced
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about listening to bands in their youth. Now let me
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see if I can find the other band leaders that
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were mentioned in addition to Ted Fiarido. If I can
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get that holy grail of names, I think it would
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be fun to play some of their music. Let me
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play around with Google once again and see what I
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can come up with. Let me keep up a record
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in the meantime to play during my quest for Cramdon
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band favorites.
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Now, b look looking, listen while dancing, stop, look and
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listen Your chance in your future maybe a lot a
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danger and a dancing at a railroad crossing you stop
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fall coup in red light, watch for and on rushing headlights.
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So white, Hey, chance with your heart when you dance
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with so much charming as a trouble stard.
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Music sweetsheet s she lifts her eyes, so he signed.
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Then when the music so they started out of strings.
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Act just like old friends.
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Better stop look, listen to the teacher.
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Are you lean by finding a preacher with bris? Taking
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a chance the danger like the danger of us Song.
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And Dance.
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On Columbia Record Stop, Look and Listen by Joe Venuti
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and his violin and orchestra vocal by Ruth Lee, recorded
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on October the twenty eighth, nineteen thirty five. And I
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think I need one more record to play to give
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me some time along with Dylan, who was in the
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studio prior to recording his own podcast. I speak about
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Dylan quite often. Then I think we'll have a Ralph
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