April 18, 2025
Make Believe Ballroom - 4/18/25 Edition
On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States and the United Kingdom - a recording glitch explained, did Bing and Bob Crosby ever work together?...
On this week's Make Believe Ballroom broadcast on member-supported Jazz 90.1 in Rochester, NY, and other fine radio affiliates across the United States and the United Kingdom - a recording glitch explained, did Bing and Bob Crosby ever work together? A new listener's record playlist, Lenny from Down the Block, with his Record Pick of the Week - this and many more great songs and stories to cherish and enjoy on the program.
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It's make believe ballroom time. Put all your cares away.
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All the bands are here to bring good cheer your way.
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It's make believe.
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Ballroom time and free to everyone. It's no time to
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friend your Dalis.
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Said Bamba yours.
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Close your eyes and visualize in your solitude. Your favorite
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bands are on this stance and mister Miller, but you're
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in the mood. It's make believe ballroom time. We are
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a sweet romance as you make believe ballroom.
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Come on, Jim Last, Dass.
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Last, Hello world, I'm Jeff Presler, turning on the lights
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of the make Belief Ballroom and welcoming you into my
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crystal studio for another program of the great hits of
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the nineteen thirties and nineteen forties. Whether you're listening on
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the radio via great affiliates like Jazz ninety point one
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WGMC in Rochester, New York, or on a podcast, or
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perhaps you're listening on internet radio across the United Kingdom,
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doesn't make a difference to me as long as you're here,
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and I'm delighted that you are here and ready to
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bring you an hour of some wonderful big band jazz, swing,
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blues and boogie woogie classics. Folks, you're listening to the
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Make Believe Ballroom broadcasting almost continuously since nineteen thirty five,
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and last week I I totally ran out of time
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and I had no time to read any of your emails.
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So I will attempt to make up for that throughout
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the broadcast, and our first will be coming up in
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just a few moments after this record. To get things
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underway on today's program.
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Beats out in the rude mental way he learned from
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back qual kids are out of play. Knew ever here
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and the dim stuck to the notion that the only
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way to climb.
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Para little doodle all the time.
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Quiring fire madam, a jewels hair chack very little do it?
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Dan, climb a little do it?
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He can't do tricks with the drummers faber diddle door
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swings them becall us in a fascinating way.
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Send all the.
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Boys and girls to come to hear and play a
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par all the day.
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Come on, folks and say hello, Come up ben Meet
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the drummer.
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We call him.
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Parrotttle Joe, and he's quite a come from coast to coast.
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The hecat safe feeds the best of the whole kaboodle.
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He wants to show you.
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How to play a paradiddle doodle. Okay, Joe, that's really grand.
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You pitched that down the middle. But now the time
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descend the back with the double parva diddle.
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Oh you ain't heard nothing yet. We've got him on
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the griddle.
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He's burning up, and now you'll get a triple parva diddle.
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Hed them, have them.
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Have a diddle Joe.
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On Bluebird Records, we just heard paraddiddle Joe Tony Pastor
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and his Orchestra vocal by Tony, recorded in New York
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City on December the twentieth, nineteen forty. And many of
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you may be saying to yourselves, and what exactly is
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a paradiddle? Well, paradiddle is a drum term, and uh,
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just behind the single stroke and double stroke drum roll.
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Paradiddles believe it or not, or likely the most important
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and commonly used rudiment for a drummer. And you might
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further be asking now who played the paradidals on Tony
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Pastor's record, Well, it was a drummer named John Morris,
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and Tony affectionately called him paradidal Joe. Now let me
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see as I go into one of my record history
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lists if I can find another record at John Morris,
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the drummer appeared on.
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And I have.
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Ever from Bluebird Records. We just listened to Blue Moon
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Rogers and Hart by Vincent Lopez and his Suave Swing Orchestra,
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recorded in New York City on April eighteenth, nineteen thirty nine,
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with the earlier mentioned John Morris playing the drums. And
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while I was playing the record, I looked at my
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notes from this record, and the Bluebird recording had an
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interesting glitch on it that you may have noticed. At
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was approximately the two forty mark of the record, there
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was a brief false ending. The music stopped well, it
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seemed like the record had come to its end, but
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it then picks up again. Like I said, you might
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have noticed it. But the record pause that the two
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forty mark for it was only a couple of seconds. Now,
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this could have been intentional, as in a caesarro, which
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is I guess best described as a grand pause in
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a musical piece. But although the Rogers in Heart Blue
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Moon is indeed an American standard, I don't think a
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grand pause was the purpose. No offense to the great
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mister Rogers, and heart. Now some say maybe the record
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was a little too short at two minutes and forty seconds,
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and the band had to do later on another chorus
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to add time to the record to have it spliced in.
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The record eventually ended up being three minutes and twenty
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seven seconds. Now, I'm not particularly keen to either of
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those two explanations, so it appears that this is one
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recording mystery that will never be solved or answered. And now,
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speaking of answered letters, letters, ah, yes, we get letters
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in the form of emails, many thankfully each week, which
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shows us that all the work that goes into the
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ballroom is not for naught. And our first email today
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is from Ellen Rose, who listens Late into the Night
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on kpo V in Oregon, and she writes, Jeff, late
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night listener at kpo V, my question is did Bing
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Crosby and his brother Bob ever record together? Great question.
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She goes on to say, love your show. Not old
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enough to remember this music the first time around. So
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many of the songs you play I am listening to
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for the first time and that has signed Ellen Rose,
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So thanks for the email.
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Ellen.
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Bob Crosby, of course, was a highly regarded band leader
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and Bing many feel was the greatest crooner of all time.
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I am in that camp now. Bob Crosby had a
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small band within his larger full band, and it was
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called the Bobcats, which had a Dixieland sound to it,
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and Bing and Bob did collaborate a few times over
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the years. I want to play Bing and Bob doing
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Believe it or not, a Dixieland style version of the
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country music legend Ernest Tubbs hit song I'm walking the
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floor over you.
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You left me and you were a word. You said
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that you'd been back in just today. You broken your
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promise and.
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You left me here alone. I don't know why you
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did this, but I do know that you're gone. I'm
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walking the floor over you. I can't sleep a wink,
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that is true.
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I'm hoping and I'm praying as my heart breaks right
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into I'm walking the floor over you, darling. You know
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I love you, well, love you more than I could
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ever tell. And I thought you wanted me and always
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would be mine, But you went left me with troubles
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on my mind.
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I'm walking the floor over you. I can't sleep a wing.
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That is true.
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I'm hoping and I'm praying as my heart breaks right
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into I'm walking the.
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Floor over you. Now, someday you may be lonesome too.
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Walking the floors good for you. Just keep right on walking.
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And it won't hurt you to cry. Remember that I
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love you and I'm willing until I die. I'm walking
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the floor over you.
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I can't sleep.
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AWA from DECA Records. Walking the Floor Over You by
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Bing Crosbie and Buy Crosby's podcasts recorded in Los Angeles,
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May the twenty seventh, nineteen forty two. So, Ellen Rose,
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thanks so much for your email and to email me
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your comments or requests like Ellen did I'm Jeff at
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Make Believe Ballroomradio dot com. That's Jeff at make Believe
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Ballroomradio dot com, and thanks so much for joining me
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today on the one, the only, the original Make Believe
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Ballroom where I am controlling the record Mayhem here from
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the Crystal Studio and once again the snotty kid Dylan
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is in the studio as he awaits his turn to
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go down the hall from the radio side here to
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the podcast recording section to do his weekly gaming podcast.
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So welcome Dylan once again, at twenty three years old,
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getting a great affinity real starting to love the music
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of the big band era. And a little later on
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in the show, Lenny from down the Block will once
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again be joining us from Tampa, Florida with his record
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pick of the week. But now, why don't I play
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a couple from Glenn Miller. I'm gonna play two, but
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let me mix it up here a little. Instead of
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two records, why don't I play one Miller tune from
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his Chesterfield Cigarette radio program and then one from a
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movie that featured Glenn Miller and his orchestra. For the
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Chesterfield tune, I'm gonna select the show from nineteen forty
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featuring The Andrews Sisters.
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Ten PM, Bulova Boulevard Watch Time, WABC, New York. Chesterfield
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brings you the Moonlight Serene, the Cigarette that Satisfies presents
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America's number one dance band with America's number one swing
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three all Glenn Miller and the andrew Sisters Tuesday, Wednesday
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and Thursday, three times every week.
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And now here's Glenn Miller.
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It is another one tonight, decide Harry from the Andrews Sisters.
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You'll hear vocals by Ray married in text, and even
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a word or two from the band. Here's the first one.
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It's the Andrews sister singing, Oh Johnny, Old.
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Johnny, Johnnie, how you can know? Oh Johnny, Johnny, heave
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the boat? Do you make my dad had jumping with joy?
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And when you're near right.
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Joe can't sit still a minute?
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I'm Johnny or Johnny.
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Christmdy what makes me love you?
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So?
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You're not handsome, that's true, But.
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When I look at you, I.
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Just know Johnny or Johnny.
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Da da da dada, half a drip, fastly bound with
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a certain little layer.
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Although he's very, very bad, he could be also good
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if you wanted to banal food, he understood.
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But love another thing for.
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Every girl in town followed him. Or run just the
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whole dear, Then.
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Sing Oh, Joanne, Johnny, how you can know? It's Johnny
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Johnny evers where bum you make myself hot?
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Job with john And when you're near right.
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Jos Cane, it's till another minute. Oh oh Johnny, john.
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Please tell me what made me love you?
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Song You're not handsome ministry, But when I look at you,
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I just don't Johnny Johnny Johnny.
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Mind Janya Dania.
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J Daniel Dania, Johnny Johnny Johnny, O Johnny, john Johnny,
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Please tell me what makes me, what makes me love you?
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So I'm not handsome, minister.
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But I look at you.
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I just Johnny.
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Johnny Johnny.
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You know I'm gonna have to take some time in
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the future to once again tell you the story of
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the disastrous run of the andrew Sisters on the Chesterfield
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Cigarette Show with Glenn was thirteen weeks from hell literally
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when the sisters joined forces with Glenn. Nothing about Glenn
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creating any problems, or any of the band members creating
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any problems, or any of the spot answers or production people,
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but more about the personal dynamics and issues behind the
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scenes involving the Andrews sisters and their parents as a
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family that just wreaked havoc on the Chesterfield Show. I'll
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tell that story again sometime in a future broadcast. But
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let's move on to the Glenn Miller movie Orchestra Wives,
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which hit the screens to much success back in nineteen
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forty two. Now, during the Chesterfield opening, Glenn Miller mentioned
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Tex Bennikee, Marion Hutton, and ray Ebery. Well, they all
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appear in this song I'm about to play one of
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the hits from the movie, and I will also throw
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in the Modern Airs. It's a rousing tune.
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Say, get a load of that home, look at those stars.
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Get it out my friend mama pretty party.
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Say maybe like you and me, you've heard of roses.
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Are reds are blue.
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That's party.
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Maybe it is just the thing for people like you
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and me.
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Folks they say we're sequation.
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If they.
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So, we're not suffistic.
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Care I'm gonna stick to.
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The moon, stay with the stop.
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That's my philosophy. People like you, they get a load
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of those guys. It's not in the sky is winging.
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