Nov. 7, 2025

Make Believe Ballroom - 11/7/25 Edition

Make Believe Ballroom - 11/7/25 Edition
Make Believe Ballroom - 11/7/25 Edition
Make Believe Ballroom
Make Believe Ballroom - 11/7/25 Edition

The Make Believe Ballroom with Jeff Bressler brings you Classic Big Band Hits from the 30s and 40s.

On this week's program: a funny Billie Holiday story, some of the wealthiest bandleaders of the era, an out-of-this-world record - plus many more great records and stories to cherish and enjoy on this week's broadcast.

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It's make Believe Ballom time.

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Put all your cares away.

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All the bands are here to bring good cheer your way.

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It's make Belief Ballroom time and free to everyone. It's

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no time to friend your Dalis said bombs. Close your

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eyes and visual lize in your solitude. Your favorite bands

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are on this dance and mister Miller, but you in

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the wood. It's make Believe Ballom time.

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We are a sweet romance.

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Did you make believe?

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Come on, Joe, last dance least.

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Hello world, I'm Jeff Bresler, turning on the lights of

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the Make Belief Ballroom and welcoming you into my Crystal

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studio for another program of classic big band hits from

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the nineteen thirties and nineteen forties. Please get ready as

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I play for you some amazing big band jazz, swing, blues,

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and boogie woogie favorites. Folks, you're listening to the Make

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Believe Ballroom, broadcasting almost continuously since nineteen thirty five. Hello friends,

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and welcome once again into my Crystal studio. A great

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show planned all designed to bring you some great music

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and two or three great stories today that I think

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you will enjoy. So let's get things started as I

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invite you to enjoy this.

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Ill some folks like here to be it. Really I

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don't go for that stuff no more.

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Anytime you really want to send me Bounce me brother.

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The saut let four come on in the wh please

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is jumping. Everybody's out on the floor. If you want

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to keep the rhythm, pump and just bounce me brother.

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Though in the st let for the Dixie Land Beads

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was never like this. We got a new bed and

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no one can miss if the boogie work he sent

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you like I think it did, go to the bar,

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flift your lins.

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Move the table and roll the rug up, shut the

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windows and lock the door, clears the floor, and while

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a digger chug up a bounce me brother.

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But it's a hollid for.

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This show.

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S from Columbia Records. Bounce Me Brother with a solid

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four Will Bradley and his Orchestra featuring Ray McKinley, recorded

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in New York City in nineteen forty one. How about

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one more than a Little Lady Day two fur.

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Swinging, keep your fingers taped swinging, anything can happen. It

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started in Harlem and then in a flat. It traveled

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from Harlem now Park Avenue has taken the kid Dames swinging,

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slowing out a normal bird.

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Swinging.

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Do it on the wrong buzz.

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They'll do it in London, They'll do it in Frank.

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It's hot and smokey honkey, don't you.

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That's from Victor Records. Let's Swing It by Ray Noble

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and his Orchestra. Vocal by the Freshman, recorded in New

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York City, June eighthineteen thirty five. And well, it's been

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a long time since I was a freshman. But I

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am the host of the Make Bully Ballroom. My name

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is Jeff Wrestler, and welcome into the Crystal Studio today

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as I now play for you or record by Lady

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Day aka Billy Holiday.

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Good morning honey, you ow Loomis say good morning honey.

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That we said goodbye last name at ten and task

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until it seen you head.

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But he h with the un.

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We're chad forgive you, but you're here to stay here.

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It seems I met you when my love went away.

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Night.

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Every day I stop by say to you, good morning, hurry,

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what's new? Stop haunting me?

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Now?

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Had change? You know how? Just leave me alone. I've

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got those Monday blues. Straight blues, Sunday Blues. Good morning, Honey,

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here we go again. Good morning, honey, you the one

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who knew me when might as well get used to

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you hanging around? Good morning heartache, Sit down, stop haunting.

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Now, can chase you know how?

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Just leave real loone. I've got loads Monday blues, straight

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through Sunday blues.

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Good morning, Hardy.

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He good again, Good morning Hardy. You the one who

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knew me with man as well, getting used to you

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hanging around? Good morning, hotay, sit down.

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From Decca Records. Good morning Heartache. The wonderful blues singer

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Billy Holiday recorded in New York City January the twenty second,

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nineteen forty six, and heartache, as you may know, Billy

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Holiday did have personally and unfortunately throughout most of her life.

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She was born into poverty, became an alcoholic and heroin user.

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Being black and a woman, she got an extra dose

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of racism and sexism, and then ultimately suffering failing health

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that prematurely led to her death at the age of

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forty four in nineteen fifty nine. So really, truly, Billy

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Holiday understood the blues, but at times, though there were

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lighter moments in her life, and one I would like

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to relate to you that had to do with when

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she was singing with the Count Basie. The band was

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on a trip from West Virginia back to their home

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base in New York City. Now, Billy Holiday at the

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time was earning fourteen dollars a day, and in the

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late nineteen thirties, it might sound to you like a

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fair wage. But let me read to you how Billy,

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in her own words, looked at that, and the bus

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trip she was on fourteen dollars a day sounded really great.

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Nobody bothered to tell me I'd have to travel five

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hundred to six hundred miles on a hot or cold,

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raggedy assed blue goose bus, or that it would cost

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me two or three bucks a night for a room,

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or that by the time I was through having my

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hair fixed and gowns pressed, to say nothing of paying

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for pretty clothes to wear, I'd end up with about

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a dollar and a half a day. Out of that,

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I had to eat and drink and send home some

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lut to Mom. Whenever I had a couple of bucks,

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it was always so little I was ashamed to send

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it home, so I would give it to Lester young

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to invest. I hoped he could shoot enough dice to

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parlay it into a bill big enough I didn't have

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to feel a shait to send it home. The first

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time out, we had been riding for three months, and

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neither Lester nor I had a dime. Both of us

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were actually hungry. Jimmy Rushing, the blues singer with the band,

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was always the only one who had any loot. We

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went to him once and asked him real nice for

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a buck to buy a couple of hamburgers. He wouldn't

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give us nothing but a lecture on how he saved

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his money and how we petered hours away. When we

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were on the bus coming back to New York from

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West Virginia, I couldn't stand the thought of coming home

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to mom broke. I had four bucks when that craft

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game started on the bus, I said, you're not shooting

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these four I said that to Lester. I'm shooting these myself.

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I got on my knees in the first time. Up

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it was a seven. Everybody hollered at me that the

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bus had swerved and made me shoot it over. Up

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came eleven. I picked up the four bucks right there

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and won the next three pots before somebody said something

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about comfort. I thought they said, what do you come from?

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I said, I come from any damn thing you come from.

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I didn't know the dice lingo, but I knew Lester did,

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so I told him I'd do the shooting and he

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could be the lookout man. I was on my knees

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in the bottom of that bus from West Virginia to

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New York, a few hundred miles and about twelve hours.

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When we pulled up in front of the Woodside in Harlem,

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everybody was broken crying. I was filthy, dirty and had

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holes in the knees of my stockings, but I had

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sixteen hundred dollars. I gave some of the cats in

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the band enough luke to eat with and for carfare,

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but not Jimmy Rushing. I didn't give him a dime.

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I took what was left and split on uptown to Mom's.

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When I walked in, she looked at me and liked

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to die. I was so dirty and beat up up.

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I just waited for her to say something, and she did.

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I'll bet you ain't got a dime either, Mom said,

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I took that money over one thousand dollars and threw

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it on the floor. She salted a lot of it away,

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and later it became the nest egg she used to

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start her own little restaurant, Mom Holidays, something she always wanted.

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A great Billie Holiday story, one where she finally got

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some fun out of life.

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When we want too long loan, When we want.

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To kiss, we kiss with the little penny.

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We're getting some phone out of play. When we want

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to work, we work.

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When we want to play.

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We play and not happy secting. We're getting some fall

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out of play.

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Maybe we do the right thing.

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Maybe we do the long, spending each day just winding

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our way alone.

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When we want to sing, we sing. When we want to.

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Dance, e lays, you.

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Can do your Betty.

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We're getting some fall out of play.

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Happen the.

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May, we do the light. Maybe we do.

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Not spending each day just when.

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We no, but when we want to sing weezy, when

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we want to day's wee day.

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You get you your meeting.

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We get me some fun.

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Some vocalion records Getting some fun out of life Billy

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Holiday with Lester Young, recorded in New York City, September thirteenth,

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nineteen thirty seven. I'm Jeff wrestler and you're listening to

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the one, the only, the original make Believe Ballroom coming

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to you today from my Crystal Studio.

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It was a lucky for shower.

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It was the most convenient doll. I found a million

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dollar baby in a five intens and stall. The rain

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continued for an hour.

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I hung around for three or four.

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Around a million dollar baby in a five intense and store.

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She was selling chin.

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And when she made those eyes, I kept buying china.

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Until the crowd got war.

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Incidentally, if you should run into a shower, just step

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inside my cottage door and meet the million dollar baby

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from the five and ten cent storm. Love comes along

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like a popular song any time or anywhere at all,

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rain or sunshine, spring.

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All fall.

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Say.

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You never know what it may say. Hello in a

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very unexpected place for eggsample take my case.

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For the bad babble Babby didn't but evil mable level

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babble level.

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Work.

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I did learn.

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She was selling china, and when she made.

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All I kept buying china.

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Until the clouds got by.

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Incidentally, if you should run in Jewish hour, step inside

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my cottage doll.

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And meet my million dollar baby from the five hand.

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Same doll.

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From Brunswick Records. I found a million dollar baby bing Crosby,

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recorded in Los Angeles, June the twelfth, nineteen thirty one.

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Years later, I think it was in forty one or

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forty two, Crosby re recorded that song, but I always

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found the song recorded in thirty one by Brunswick to

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be a lot jazzier. So that's why I chose that

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of my two choices where I found a million dollar

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baby by Bing Crosby. The guys I am about to

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talk to you about didn't find their million dollar babies,

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or maybe they did, but what is true is that

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they became millionaires or the equivalent of millionaires in today's money,

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that through their talent and hard work. So I wanted

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to devote this segment of the ballroom to the let's see,

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what shall I call them? Why don't we call them

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the super six? A list of from what I've researched,

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is the six wealthiest band leaders of the big band era.

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And I think the way we'll do this is I'll

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play one of their songs and then tell you all

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little about their wealth. So let's proceed with number of

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sex of the super sex of big band earners.

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I never thought that.

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You would be standing here so closed to read. There's

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so much I feel that I should say, but words

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can wait until some other day. Kiss me once, then

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kiss me twice, then kiss me once again. It's been

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a long long time. Haven't felt like this, my dear,

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since can't remember when it's.

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Been a long long time.

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You'll never know how many dreams I dream above, or

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just how empty they all see with you. So kiss

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00:26:20.000 --> 00:26:24.079
me once, then kisney twice, than kissney once again.

245
00:26:25.440 --> 00:26:29.640
It's been a long long time.

246
00:27:30.119 --> 00:27:33.640
From Columbia Records, It's been a long long time by

247
00:27:33.759 --> 00:27:38.680
Harry James and his Orchestra vocal by Kitty Callen, recorded

248
00:27:38.880 --> 00:27:44.440
in nineteen forty five. Harry James I have ranked as

249
00:27:44.559 --> 00:27:50.079
the sixth wealthiest Big Band era band leader, and from

250
00:27:50.119 --> 00:27:52.960
what I have come up with, Harriet his peak during

251
00:27:53.039 --> 00:27:57.240
the era was making right around ten thousand dollars a week,

252
00:27:57.920 --> 00:28:01.119
which today would be around two hundred and twenty five

253
00:28:01.519 --> 00:28:06.160
thousand dollars. And he made this money from the Harry

254
00:28:06.279 --> 00:28:10.559
James Orchestra as well as working very hard to establish

255
00:28:10.640 --> 00:28:14.880
a high quality horse racing stable. And of course it

256
00:28:14.960 --> 00:28:18.000
didn't hurt one bed, It didn't hurt his prestige or

257
00:28:18.119 --> 00:28:21.400
bottom line that he was married for some time to

258
00:28:21.599 --> 00:28:26.400
Betty Grable, making them one of the wealthiest couples in Hollywood.

259
00:28:26.880 --> 00:28:34.640
So Harry James at number six, who was the fifth wealthiest.

260
00:29:07.799 --> 00:29:18.119
From the.

261
00:29:37.880 --> 00:29:43.480
Business chang.

262
00:30:19.880 --> 00:30:25.400
Yeah, what do you know what gen O Joe?

263
00:30:25.799 --> 00:30:27.000
I don't know nothing.

264
00:30:27.240 --> 00:30:28.240
Watch your Joe.

265
00:30:28.640 --> 00:30:29.720
Tell me something.

266
00:30:30.039 --> 00:30:31.319
Watching old Joe.

267
00:30:31.559 --> 00:30:34.920
Ain't come nipping. I hate jiving. I don't know.

268
00:30:35.640 --> 00:30:38.240
Watching old Joe Well, I don't know what happened.

269
00:30:38.400 --> 00:30:40.920
Watching old Joe ain't hog heaven.

270
00:30:41.200 --> 00:30:43.759
Watching old Joe, I ain't fooling.

271
00:30:44.039 --> 00:30:45.119
I need schooling.

272
00:30:45.440 --> 00:30:46.119
I don't know.

273
00:30:47.000 --> 00:30:47.680
I don't know.

274
00:30:48.839 --> 00:30:50.039
Mom, try to tell me.

275
00:30:50.240 --> 00:30:55.799
So my boy, let me go. Courtn't even see a

276
00:30:55.960 --> 00:30:59.279
movie show Watching O Joe, Well.

277
00:30:59.160 --> 00:31:03.119
I just can't what j Joe Well, I don't take it.

278
00:31:03.400 --> 00:31:04.359
Watch Jo Joe.

279
00:31:04.880 --> 00:31:05.920
We're just walking.

280
00:31:06.240 --> 00:31:07.279
I'm talking.

281
00:31:07.559 --> 00:31:08.279
I just don't know.

282
00:31:53.799 --> 00:31:58.039
Via Victor Records, What You Know Joe by Tommy Dorsey

283
00:31:58.279 --> 00:32:03.799
and his Orchestra vocal by the Pied Pipers, recorded in

284
00:32:04.160 --> 00:32:08.599
New York City, February the seventh, nineteen forty one. So

285
00:32:08.880 --> 00:32:12.960
Tommy Dorsey, by use of the Jeff Brestler make believe

286
00:32:13.039 --> 00:32:18.000
ballroom calculator was the fifth wealthiest band leader of the era.

287
00:32:18.200 --> 00:32:24.640
He was also in that ten thousand dollars per week range. Now, Tommy,

288
00:32:25.240 --> 00:32:27.559
in addition to being a great bandleader, was a great

289
00:32:27.680 --> 00:32:32.079
promoter of his orchestra. It said that he was a

290
00:32:32.240 --> 00:32:36.680
superb at getting radio sponsors and also finding his way

291
00:32:36.759 --> 00:32:40.759
to Hollywood to make some lucrative films with his orchestra.

292
00:32:41.759 --> 00:32:45.160
Tommy also published a lot of music and it certainly

293
00:32:45.200 --> 00:32:49.079
didn't hurt in the nineteen forties to have Frank Sinatra

294
00:32:49.680 --> 00:32:54.240
as his premier vocalist, which assured Dorsey of getting the

295
00:32:54.319 --> 00:32:58.160
most high paying band gigs. So, Tommy Dorsey, sitting at

296
00:32:58.319 --> 00:33:02.359
number five, now number four, I think will be a

297
00:33:02.599 --> 00:33:03.880
big surprise to you.

298
00:33:26.359 --> 00:34:32.800
Oh You've got me crying for you, And as I

299
00:34:33.000 --> 00:34:38.679
sit here and silent say I I can't believe it's true.

300
00:34:42.960 --> 00:34:45.360
I'll tell my mama I'm you.

301
00:34:48.440 --> 00:34:52.599
A little game that you played has made.

302
00:34:53.119 --> 00:34:55.039
Her baby oh so blue.

303
00:34:55.840 --> 00:35:02.320
You left me in the lurch, You left me waiting

304
00:35:03.079 --> 00:35:04.920
as a church.

305
00:35:06.360 --> 00:35:06.599
Boo.

306
00:35:10.159 --> 00:35:16.599
That's why I'm playing for you. Some day you'll be

307
00:35:17.039 --> 00:35:22.000
like I do, and you be boo hoo hooing to.

308
00:36:05.800 --> 00:36:09.760
From Victor Records Boo Hoo. Guy Lombardo and his Royal

309
00:36:09.920 --> 00:36:14.280
Canadians recorded in New York City, February the second, nineteen

310
00:36:14.480 --> 00:36:20.400
thirty seven. Guy Lombardo the fourth wealthiest big band leader.

311
00:36:21.519 --> 00:36:25.440
Guy Lombardo. You may ask why him, Well, I guess

312
00:36:25.519 --> 00:36:29.559
the keyword here is probably, Oh, it's probably longevity. You

313
00:36:29.679 --> 00:36:32.880
may not be aware, but Guy Lombardo, in a sweet

314
00:36:32.960 --> 00:36:37.039
style of music over the decades, led to the sale

315
00:36:37.119 --> 00:36:43.599
of over one hundred million records. His name was also synonymous,

316
00:36:43.719 --> 00:36:47.039
as many of you might remember, with New Year's Eve,

317
00:36:47.239 --> 00:36:51.760
something he ushered in on television for years and years,

318
00:36:51.840 --> 00:36:54.880
and that kept his name in the public eye. I

319
00:36:54.920 --> 00:36:57.599
guess staying the steady path in the business for over

320
00:36:57.760 --> 00:37:01.719
forty years would indeed make you a millionaire. So Guy

321
00:37:01.840 --> 00:37:06.239
Lombardo is number four as the wealthiest band leader of

322
00:37:06.480 --> 00:37:11.320
all time. Now down to the top three and in

323
00:37:11.559 --> 00:37:12.199
third place.

324
00:37:45.039 --> 00:37:49.039
Don't sit under the apple tree with anyone else but me,

325
00:37:50.400 --> 00:37:54.280
anyone else but me, anyone else but me.

326
00:37:54.519 --> 00:37:58.079
No, no, no, don't sit under the apple tree with

327
00:37:58.280 --> 00:37:59.280
anyone else.

328
00:37:59.199 --> 00:38:03.519
But me until I come marchin home.

329
00:38:06.039 --> 00:38:09.880
Don't go walking down Lovers Lane with anyone else.

330
00:38:09.760 --> 00:38:12.679
But me, anyone else but me.

331
00:38:14.039 --> 00:38:15.320
Anyone else but me.

332
00:38:15.559 --> 00:38:18.840
No, no, no, don't go walking down Lovers.

333
00:38:18.480 --> 00:38:24.639
Lane with anyone else but me till I come marchant home.

334
00:38:27.000 --> 00:38:29.639
I just got word from a guy who heard from

335
00:38:29.719 --> 00:38:33.199
the guy next door to me. The girl he met

336
00:38:33.519 --> 00:38:37.960
just loves to beat and infit you dote, So don't

337
00:38:38.039 --> 00:38:41.639
sit under the apple tree with anyone else but me

338
00:38:42.599 --> 00:38:43.199
till I.

339
00:38:43.639 --> 00:38:45.559
Come my chan on.

340
00:38:53.599 --> 00:38:57.480
Don't give up with those slips of yours to anyone else.

341
00:38:57.360 --> 00:39:03.920
But me, anyone else, anyone else but me. No, no, no,

342
00:39:04.280 --> 00:39:07.239
Watch the girls on the foreign shows. You'll have to

343
00:39:07.360 --> 00:39:15.519
report to me when you came marching home. Don't hold

344
00:39:15.639 --> 00:39:18.760
anyone on your knee. You better be true to me.

345
00:39:20.039 --> 00:39:23.719
You better be true to me. You better be true

346
00:39:23.800 --> 00:39:28.280
to me. Don't hold anyone on your knee. You get

347
00:39:28.440 --> 00:39:33.480
not third degree When you come marching home.

348
00:39:35.800 --> 00:39:38.480
You're on your own. Weather is no phone, and I

349
00:39:38.599 --> 00:39:39.679
can't keep tab on.

350
00:39:39.840 --> 00:39:41.800
You be fair to me.

351
00:39:42.159 --> 00:39:45.079
I'll guarantee you this is one thing that I'll do.

352
00:39:46.119 --> 00:39:50.000
I won't sit under the apple tree with anyone else

353
00:39:50.119 --> 00:39:54.880
but you till you come marching home.

354
00:40:00.480 --> 00:40:02.920
Under the apple tree with anyone.

355
00:40:04.679 --> 00:40:05.079
I know.

356
00:40:05.519 --> 00:40:08.400
The apple tree is deserved by you.

357
00:40:08.599 --> 00:40:08.960
And me.

358
00:40:21.000 --> 00:40:24.800
From Bluebird Records. Don't sit under the apple tree with

359
00:40:25.079 --> 00:40:29.320
anyone else but me. Glenn Miller and his orchestra, vocals

360
00:40:29.400 --> 00:40:34.199
by Marion Hutton, Tex s Beneke and the Modernaires, recorded

361
00:40:34.239 --> 00:40:38.280
in New York City in nineteen forty two. Glenn Miller

362
00:40:38.639 --> 00:40:43.039
number three in the top wealthiest via the Make Believe

363
00:40:43.079 --> 00:40:48.920
Ballroom Jeff Bresler Research Center. Now Glenn was earning twenty

364
00:40:49.079 --> 00:40:52.519
thousand dollars a week, twice that of James and Dorsey.

365
00:40:52.599 --> 00:40:57.639
And although his music lives on forever in actuality, we

366
00:40:57.719 --> 00:41:01.880
all know we had a very short career. But due

367
00:41:01.920 --> 00:41:06.079
to the success of dozens of hits and shrewd planning

368
00:41:06.199 --> 00:41:11.559
by Miller and ultimately his estate, his catalog continues to

369
00:41:11.639 --> 00:41:14.280
make money, believe it or not, to this very day.

370
00:41:15.039 --> 00:41:19.480
So Glenn Miller at number three in wealth. Now, folks

371
00:41:19.559 --> 00:41:22.719
were down to the top two. You probably know at

372
00:41:22.840 --> 00:41:26.280
least one of the two, or maybe both, but in

373
00:41:26.440 --> 00:44:38.039
what order, definitely subject on Victor Records. A Rollum by

374
00:44:38.119 --> 00:44:42.800
Benny Goodman and his Orchestra recorded in Hollywood, July the seventh,

375
00:44:43.000 --> 00:44:48.400
nineteen thirty seven, three sevens in there Benny Goodman number

376
00:44:48.480 --> 00:44:52.880
two on the Make Believe Ballroom list of wealthiest banned leaders,

377
00:44:52.960 --> 00:44:57.519
and Benny at his peak was earning around fifteen thousand

378
00:44:57.639 --> 00:45:01.719
dollars a week. And then he racked up quite a

379
00:45:01.800 --> 00:45:07.119
bit of wealth from radio films, music royalties, and in

380
00:45:07.239 --> 00:45:10.880
no small part to intelligent investments. And it didn't hurt

381
00:45:10.920 --> 00:45:14.119
him one bit that he married into wealth. His wife, Alice,

382
00:45:14.880 --> 00:45:19.400
was a member of the Vanderbilt family. So Benny Goodman

383
00:45:20.199 --> 00:45:24.440
sitting at number two, and now, ladies and gentlemen, the

384
00:45:24.760 --> 00:45:29.599
Numero Uno the number one wealthiest big band era band

385
00:45:29.719 --> 00:45:31.920
leader of all time.

386
00:46:41.320 --> 00:46:45.280
No, it's like a cigarette.

387
00:46:47.480 --> 00:46:52.239
You know you held my heart of love between your fingery.

388
00:46:55.159 --> 00:46:59.000
I just like a cigarette.

389
00:47:01.159 --> 00:47:06.079
I never knew the girl of life until I join me.

390
00:47:08.639 --> 00:47:15.960
Then y's like a cigarette. Y'all seem to pay it

391
00:47:16.079 --> 00:47:18.599
away and leave behind.

392
00:47:18.679 --> 00:47:20.679
That is of megare.

393
00:47:21.760 --> 00:47:25.760
Then with a bliss of your finger nip it was

394
00:47:25.880 --> 00:47:26.719
easy for you.

395
00:47:27.039 --> 00:47:28.559
You forget it.

396
00:47:29.039 --> 00:47:32.880
Long It lie a cigaret.

397
00:48:27.400 --> 00:48:31.199
On Brunswick Records. Love is Like a Cigarette by Duke

398
00:48:31.239 --> 00:48:36.360
Ellington and his Orchestra, vocal by the wonderful Ivy Anderson,

399
00:48:36.519 --> 00:48:40.519
recorded in New York City, February the twenty eighth, nineteen

400
00:48:40.679 --> 00:48:46.119
thirty six. Duke Ellington Folks is the number one wealthiest

401
00:48:46.280 --> 00:48:51.679
bandleader of all time. He, like Lombardo, led a band

402
00:48:52.159 --> 00:48:56.320
not for Lombardo's forty years, but Duke ran a band

403
00:48:56.480 --> 00:49:01.280
for fifty years, and Duke rode over a thousand pieces,

404
00:49:01.360 --> 00:49:06.159
and he built a huge catalog that's is still well

405
00:49:06.199 --> 00:49:11.039
in actuality. It's earning millions today. So while others spiked

406
00:49:11.079 --> 00:49:16.159
and faded, Duke Ellington's wealth came from endurance, genius, good investment,

407
00:49:16.280 --> 00:49:20.480
and as I just said, publishing rights simply put, Duke

408
00:49:20.920 --> 00:49:27.360
reigns supreme as the wealthiest band leader of all time.

409
00:49:28.280 --> 00:49:33.239
Let me also give you now my other researched wealthiest

410
00:49:33.360 --> 00:49:38.719
to round it out to ten seventh already Shaw, eighth,

411
00:49:39.119 --> 00:49:45.320
Count Basie, ninth, interesting Stan Kenton, and tenth also with

412
00:49:45.440 --> 00:49:49.599
a lot of longevity on his side, the great Paul Whiteman,

413
00:49:50.519 --> 00:49:54.000
Ladies and gentlemen, was my pleasure bringing you the super

414
00:49:54.320 --> 00:49:59.960
six of band leader wealth. Back in nineteen twenty seven,

415
00:50:00.480 --> 00:50:04.440
Louis Armstrong in his Hot seven recorded Melancholy Blues for

416
00:50:04.559 --> 00:50:08.400
Okay Records, and that record is truly one of the

417
00:50:08.760 --> 00:50:16.000
early jazz era's greatest pieces, featuring solos by Louis around

418
00:50:16.119 --> 00:50:22.039
fifty years ago, NASA launched Voyager one and two. They

419
00:50:22.079 --> 00:50:27.519
were tasked with exploring the Solar System and taking measurements

420
00:50:27.599 --> 00:50:31.079
and photos of planets and moons and detail that was

421
00:50:32.000 --> 00:50:37.760
unseen until that mission. Now, on that spacecraft, NASA placed

422
00:50:37.880 --> 00:50:41.559
something it had never done before. They placed the kind

423
00:50:41.599 --> 00:50:45.960
of a time capsule that was intended to communicate a

424
00:50:46.119 --> 00:50:51.360
story of our world to perhaps sometime in the future

425
00:50:51.599 --> 00:50:58.440
Extra terrestrials. Now, the Voyager message is carried by a

426
00:50:58.639 --> 00:51:04.840
phonograph record, twelve inch gold plated copper disc that contained

427
00:51:05.000 --> 00:51:08.719
sounds and images that a team that was headed by

428
00:51:08.880 --> 00:51:14.159
Carl Sagan, the legendary astronomer, was selected and tasked to

429
00:51:14.400 --> 00:51:20.599
portray the diversity of life and culture on our planet Earth. Now.

430
00:51:20.679 --> 00:51:24.400
The music selected by Sagan and his team for the

431
00:51:24.639 --> 00:51:29.840
Voyager gold record included a diverse range of music, such

432
00:51:29.880 --> 00:51:35.679
as classical pieces by Bach and Beethoven, traditional music from

433
00:51:35.800 --> 00:51:40.960
various cultures. There were folk songs, and more contemporary music

434
00:51:41.239 --> 00:51:46.159
like Chuck Berry's Johnny B. Good and Louis Armstrong's Melancholy

435
00:51:46.360 --> 00:51:50.559
Blues that we just mentioned. As many of you realize

436
00:51:50.920 --> 00:51:58.039
or might not know, Voyager one, which was launched over

437
00:51:58.199 --> 00:52:02.280
fifty years ago in the nineteen seventies. Voyager one is

438
00:52:02.360 --> 00:52:07.719
approximately as I speak, twenty five point two billion miles

439
00:52:07.800 --> 00:52:13.039
from Earth, making it the farthest human made object from

440
00:52:13.280 --> 00:52:18.719
our planet. Voyager two is significantly closer, at approximately twenty

441
00:52:18.800 --> 00:52:24.559
point four billion miles, and maybe perhaps in ten thousand years,

442
00:52:24.760 --> 00:52:29.599
or ten million years or a billion years, one of

443
00:52:29.719 --> 00:52:34.079
these ships will be captured, brought to an alien planet.

444
00:52:34.880 --> 00:52:40.119
Have the disc deciphered and enjoy the music of one

445
00:52:40.320 --> 00:52:43.280
Louis Satchmo Armstrong.

446
00:53:19.280 --> 00:53:50.079
Anything any level, A little.

447
00:54:32.480 --> 00:55:44.239
Enery aro, folks.

448
00:55:44.400 --> 00:55:47.400
I'm sorry to say, but we are out of time.

449
00:55:47.719 --> 00:55:51.199
I am going out with an apropos song Artie Shaw

450
00:55:51.440 --> 00:55:54.840
and his orchestra from the Cafe Rouge in the Hotel Pennsylvania,

451
00:55:55.679 --> 00:56:01.000
recorded for the radio in nineteen thirty nine, number titled

452
00:56:01.760 --> 00:56:05.559
Man from Mars. You'd like to reach me Jeff at

453
00:56:05.639 --> 00:56:10.320
Make Believe Ballroom Radio dot com. Jeff at MakeBelieve Ballroom

454
00:56:10.480 --> 00:56:13.960
Radio dot Com. To hear more than two hundred past

455
00:56:14.239 --> 00:56:19.280
archived programs, go to make Believe Ballroom dot Com. That's

456
00:56:19.400 --> 00:56:22.880
make Believe Ballroom dot com. So until next week here

457
00:56:23.079 --> 00:56:27.320
on planet Earth, this has been Jeff Bressler.

458
00:57:02.280 --> 00:57:07.239
They anything

459
00:57:09.440 --> 00:57:18.559
Anything,