Nov. 7, 2025
Make Believe Ballroom - 11/7/25 Edition
The Make Believe Ballroom with Jeff Bressler brings you Classic Big Band Hits from the 30s and 40s.
On this week's program: a funny Billie Holiday story, some of the wealthiest bandleaders of the era, an out-of-this-world record - plus many more great records and stories to cherish and enjoy on this week's broadcast.
WEBVTT
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It's make Believe Ballom time.
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Put all your cares away.
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All the bands are here to bring good cheer your way.
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It's make Belief Ballroom time and free to everyone. It's
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no time to friend your Dalis said bombs. Close your
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eyes and visual lize in your solitude. Your favorite bands
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are on this dance and mister Miller, but you in
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the wood. It's make Believe Ballom time.
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We are a sweet romance.
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Did you make believe?
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Come on, Joe, last dance least.
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Hello world, I'm Jeff Bresler, turning on the lights of
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the Make Belief Ballroom and welcoming you into my Crystal
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studio for another program of classic big band hits from
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the nineteen thirties and nineteen forties. Please get ready as
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I play for you some amazing big band jazz, swing, blues,
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and boogie woogie favorites. Folks, you're listening to the Make
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Believe Ballroom, broadcasting almost continuously since nineteen thirty five. Hello friends,
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and welcome once again into my Crystal studio. A great
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show planned all designed to bring you some great music
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and two or three great stories today that I think
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you will enjoy. So let's get things started as I
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invite you to enjoy this.
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Ill some folks like here to be it. Really I
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don't go for that stuff no more.
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Anytime you really want to send me Bounce me brother.
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The saut let four come on in the wh please
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is jumping. Everybody's out on the floor. If you want
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to keep the rhythm, pump and just bounce me brother.
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Though in the st let for the Dixie Land Beads
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was never like this. We got a new bed and
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no one can miss if the boogie work he sent
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you like I think it did, go to the bar,
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flift your lins.
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Move the table and roll the rug up, shut the
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windows and lock the door, clears the floor, and while
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a digger chug up a bounce me brother.
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But it's a hollid for.
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This show.
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S from Columbia Records. Bounce Me Brother with a solid
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four Will Bradley and his Orchestra featuring Ray McKinley, recorded
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in New York City in nineteen forty one. How about
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one more than a Little Lady Day two fur.
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Swinging, keep your fingers taped swinging, anything can happen. It
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started in Harlem and then in a flat. It traveled
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from Harlem now Park Avenue has taken the kid Dames swinging,
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slowing out a normal bird.
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Swinging.
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Do it on the wrong buzz.
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They'll do it in London, They'll do it in Frank.
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It's hot and smokey honkey, don't you.
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That's from Victor Records. Let's Swing It by Ray Noble
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and his Orchestra. Vocal by the Freshman, recorded in New
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York City, June eighthineteen thirty five. And well, it's been
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a long time since I was a freshman. But I
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am the host of the Make Bully Ballroom. My name
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is Jeff Wrestler, and welcome into the Crystal Studio today
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as I now play for you or record by Lady
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Day aka Billy Holiday.
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Good morning honey, you ow Loomis say good morning honey.
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That we said goodbye last name at ten and task
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until it seen you head.
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But he h with the un.
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We're chad forgive you, but you're here to stay here.
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It seems I met you when my love went away.
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Night.
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Every day I stop by say to you, good morning, hurry,
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what's new? Stop haunting me?
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Now?
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Had change? You know how? Just leave me alone. I've
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got those Monday blues. Straight blues, Sunday Blues. Good morning, Honey,
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here we go again. Good morning, honey, you the one
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who knew me when might as well get used to
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you hanging around? Good morning heartache, Sit down, stop haunting.
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Now, can chase you know how?
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Just leave real loone. I've got loads Monday blues, straight
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through Sunday blues.
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Good morning, Hardy.
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He good again, Good morning Hardy. You the one who
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knew me with man as well, getting used to you
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hanging around? Good morning, hotay, sit down.
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From Decca Records. Good morning Heartache. The wonderful blues singer
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Billy Holiday recorded in New York City January the twenty second,
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nineteen forty six, and heartache, as you may know, Billy
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Holiday did have personally and unfortunately throughout most of her life.
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She was born into poverty, became an alcoholic and heroin user.
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Being black and a woman, she got an extra dose
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of racism and sexism, and then ultimately suffering failing health
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that prematurely led to her death at the age of
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forty four in nineteen fifty nine. So really, truly, Billy
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Holiday understood the blues, but at times, though there were
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lighter moments in her life, and one I would like
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to relate to you that had to do with when
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she was singing with the Count Basie. The band was
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on a trip from West Virginia back to their home
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base in New York City. Now, Billy Holiday at the
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time was earning fourteen dollars a day, and in the
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late nineteen thirties, it might sound to you like a
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fair wage. But let me read to you how Billy,
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in her own words, looked at that, and the bus
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trip she was on fourteen dollars a day sounded really great.
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Nobody bothered to tell me I'd have to travel five
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hundred to six hundred miles on a hot or cold,
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raggedy assed blue goose bus, or that it would cost
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me two or three bucks a night for a room,
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or that by the time I was through having my
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hair fixed and gowns pressed, to say nothing of paying
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for pretty clothes to wear, I'd end up with about
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a dollar and a half a day. Out of that,
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I had to eat and drink and send home some
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lut to Mom. Whenever I had a couple of bucks,
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it was always so little I was ashamed to send
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it home, so I would give it to Lester young
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to invest. I hoped he could shoot enough dice to
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parlay it into a bill big enough I didn't have
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to feel a shait to send it home. The first
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time out, we had been riding for three months, and
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neither Lester nor I had a dime. Both of us
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were actually hungry. Jimmy Rushing, the blues singer with the band,
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was always the only one who had any loot. We
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went to him once and asked him real nice for
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a buck to buy a couple of hamburgers. He wouldn't
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give us nothing but a lecture on how he saved
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his money and how we petered hours away. When we
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were on the bus coming back to New York from
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West Virginia, I couldn't stand the thought of coming home
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to mom broke. I had four bucks when that craft
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game started on the bus, I said, you're not shooting
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these four I said that to Lester. I'm shooting these myself.
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I got on my knees in the first time. Up
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it was a seven. Everybody hollered at me that the
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bus had swerved and made me shoot it over. Up
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came eleven. I picked up the four bucks right there
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and won the next three pots before somebody said something
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about comfort. I thought they said, what do you come from?
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I said, I come from any damn thing you come from.
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I didn't know the dice lingo, but I knew Lester did,
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so I told him I'd do the shooting and he
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could be the lookout man. I was on my knees
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in the bottom of that bus from West Virginia to
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New York, a few hundred miles and about twelve hours.
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When we pulled up in front of the Woodside in Harlem,
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everybody was broken crying. I was filthy, dirty and had
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holes in the knees of my stockings, but I had
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sixteen hundred dollars. I gave some of the cats in
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the band enough luke to eat with and for carfare,
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but not Jimmy Rushing. I didn't give him a dime.
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I took what was left and split on uptown to Mom's.
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When I walked in, she looked at me and liked
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to die. I was so dirty and beat up up.
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I just waited for her to say something, and she did.
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I'll bet you ain't got a dime either, Mom said,
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I took that money over one thousand dollars and threw
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it on the floor. She salted a lot of it away,
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and later it became the nest egg she used to
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start her own little restaurant, Mom Holidays, something she always wanted.
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A great Billie Holiday story, one where she finally got
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some fun out of life.
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When we want too long loan, When we want.
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To kiss, we kiss with the little penny.
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We're getting some phone out of play. When we want
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to work, we work.
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When we want to play.
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We play and not happy secting. We're getting some fall
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out of play.
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Maybe we do the right thing.
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Maybe we do the long, spending each day just winding
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our way alone.
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When we want to sing, we sing. When we want to.
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Dance, e lays, you.
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Can do your Betty.
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We're getting some fall out of play.
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Happen the.
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May, we do the light. Maybe we do.
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Not spending each day just when.
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We no, but when we want to sing weezy, when
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we want to day's wee day.
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You get you your meeting.
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We get me some fun.
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Some vocalion records Getting some fun out of life Billy
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Holiday with Lester Young, recorded in New York City, September thirteenth,
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nineteen thirty seven. I'm Jeff wrestler and you're listening to
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the one, the only, the original make Believe Ballroom coming
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to you today from my Crystal Studio.
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It was a lucky for shower.
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It was the most convenient doll. I found a million
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dollar baby in a five intens and stall. The rain
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continued for an hour.
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I hung around for three or four.
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Around a million dollar baby in a five intense and store.
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She was selling chin.
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And when she made those eyes, I kept buying china.
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Until the crowd got war.
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Incidentally, if you should run into a shower, just step
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inside my cottage door and meet the million dollar baby
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from the five and ten cent storm. Love comes along
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like a popular song any time or anywhere at all,
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rain or sunshine, spring.
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All fall.
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Say.
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You never know what it may say. Hello in a
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very unexpected place for eggsample take my case.
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For the bad babble Babby didn't but evil mable level
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babble level.
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Work.
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I did learn.
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She was selling china, and when she made.
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All I kept buying china.
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Until the clouds got by.
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Incidentally, if you should run in Jewish hour, step inside
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my cottage doll.
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And meet my million dollar baby from the five hand.
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Same doll.
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From Brunswick Records. I found a million dollar baby bing Crosby,
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recorded in Los Angeles, June the twelfth, nineteen thirty one.
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Years later, I think it was in forty one or
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forty two, Crosby re recorded that song, but I always
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found the song recorded in thirty one by Brunswick to
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be a lot jazzier. So that's why I chose that
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of my two choices where I found a million dollar
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baby by Bing Crosby. The guys I am about to
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talk to you about didn't find their million dollar babies,
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or maybe they did, but what is true is that
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they became millionaires or the equivalent of millionaires in today's money,
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that through their talent and hard work. So I wanted
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to devote this segment of the ballroom to the let's see,
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what shall I call them? Why don't we call them
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the super six? A list of from what I've researched,
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is the six wealthiest band leaders of the big band era.
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And I think the way we'll do this is I'll
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play one of their songs and then tell you all
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little about their wealth. So let's proceed with number of
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sex of the super sex of big band earners.
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I never thought that.
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You would be standing here so closed to read. There's
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so much I feel that I should say, but words
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can wait until some other day. Kiss me once, then
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kiss me twice, then kiss me once again. It's been
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a long long time. Haven't felt like this, my dear,
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since can't remember when it's.
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Been a long long time.
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You'll never know how many dreams I dream above, or
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